Oh, for sure. Shakespeare was a playwright. One of the playwrights. But that doesn't necessarily have much application (at least from my experience). And drama for me was it's own subject. An elective, to borrow North American speak. I didn't do that personally. I know about the Globe, though my memory is probably more impacted by more recent watchings of Doctor Who than anything studied close to two decades ago at school.Studying Romeo and Juliet three times? WTH?
Okay, I studied Romeo and Juliet in Grade 10, saw the Zeffirelli movie so many times I've lost count (fun fact: Alice from "The Brady Bunch" is in it, though she's just an extra with no spoken lines), worked backstage on a production of West Side Story, which is a modern musical that sets the story in 1950s New York, did front-of-house when there was a local production at the Red Deer College Arts Centre (that was one of the occasions when our SCA group was able to do front-of-house in costume), and even Xena: Warrior Princess has a "Romeo and Juliet"-themed episode that's combined with a "Xena" homage to Groundhog Day. Romeo and Juliet is a timeless story that can be told in pretty much any genre, setting, and time... but the thing is, most people first encounter it or hear of it in the context of Shakespeare.
It's unfortunate you weren't able to do some different plays. Macbeth isn't my thing, but I loved Hamlet. Those were the ones I did in school. Others I saw or worked on in the theatre (live and film) include "The Taming of the Shrew", "A Midsummer Night's Dream", "Twelfth Night", "Henry V," "Much Ado About Nothing," and several others.
Yeah, if you want to teach kids that 14-year-old girls were married off to older men without their consent, you don't need Romeo and Juliet for that. All you need to do is look at any cult and you'll see numerous examples of it in current events. But in that case, you'd miss out on a good story.
As I've said: Shakespeare was meant to be seen, not merely read. What seems so dry on paper is much more accessible when you see actors doing justice to the words.
And yeah, three times. I think one time was in primary school though (at the top end; just before high school. So 10 or 11 years old, and then repeated again not long after. And then again a few years after that). I don't think we did Macbeth, but that'd be the only one I remember (Scottish is big in my family, so it could be a family interest / memory and not school. Or it could be school). We certainly didn't do Twelth Night, the Tempest, or Midsummer's, for example. Everyone does Midsummer's! But not us. Anyhoo.
Is Romeo and Juliet a good story? It's a good story. There are plenty. We don't need to use it (and if you avoid using it for that particular lesson, you avoid the devil's advocacy of "but it was more normal at the time" kind of nonsense). A child is not worse off throughout their life because they didn't see it at least once. Or at least, no less than any other famous play, stage show or even film.
I'm well aware of it. My point is that Dickens is not the only person to raise such a thing. It is definitely not difficult to find good authors on the general topic.The politics of workhouses for the poor was relevant in Dickens' time and it's relevant now - or have you missed all the ranting that people on social assistance should have to go into workhouses or programs to justify feeding them?
Again, I'm well aware. This all came about because of claims of things that would be lost, if certain subjects were (hypothetically, mostly) not on a curriculum. Teaching English is not (just) the learning by rote of words. Though if that were useful, that can also be done!I was 14 when I first started studying Shakespeare, and I did pretty well at it (B average, if memory serves). It was in college that I encountered material like "Everyman", "Piers Ploughman", and "The Canterbury Tales."
Do you have any idea how many actual words we have in the language now that we acquired due to Shakespeare, or different usage of certain words? Even names?
I'm not saying "every school should stop teaching Shakespeare". My point is that the curriculum is a finite resource that is further compounded by teaching shortages and lack of investment at the local or regional level(s). You've never going to get depth unless a student carries it onto a level where depth and focus on particular, specialised subjects is the norm. At which point a general curriculum no longer applies. In a general curriculum, teachers can adapt as they see fit, and cover whatever they want to achieve the learning objectives set out. As evidenced by whomever in my English department really had a thing for Romeo and / or Juliet. Or maybe Mercutio, I dunno.
I'm surprised nobody's take so far is the WSJ mining rather buried Twitter replies for outrage. Genuinely.My late-to-the-party take:
Removing a book form a curriculum is not equivalent to banning it, or even something which should be in the same conversation.
But the posture of the people celebrating this suggest that they seem to think it is.
Nobody actually cares that some local school board removed Homer from the curriculum; if most people could muster up any sort of response, it would be faint surprise that they were teaching Homer to begin with. But if you tell people you're doing it for reasons that smack of censoriousness, they may take you at your word.
But yeah, the thread should've stopped at "this isn't banning it, people need to stop nodding along to it like it is". I think even your reading of posture is going too far. So what if some people are happy about it? We've already established it's not banning anything. So why the allusion to censorship?

