thecrazyscot
Spiffy
- Joined
- Dec 27, 2012
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So I recently came across this article in my Facebook feed. Some excerpts:
This got me curious on how exactly cultural appropriation is defined, so I found this definition offered by a professor and author at Fordham University (and quoted here):
This definition (taking cultural expressions "without permission") seems to be the working definition that most people use from what I've seen.
Some thoughts:
I hope I was at least somewhat coherent. Thoughts?
EDIT: I didn't mean for this to primarily be a discussion on the "pho incident", I was simply using that as a starting point for discussion and an example of "cultural appropriation". Here are a few more examples that I am shamelessly appropriating from here to give a broader sample. I think one of these examples are far more valid than others.
Readers took serious issue with Bon Appétit’s recently published piece originally titled, “PSA: This Is How You Should Be Eating Pho.” The story was accompanied by a video featuring Tyler Akin, chef at Philadelphia’s Stock restaurant, which serves Southeast Asian food. Akin, who is white, demonstrates how he consumes the dish.
The internet took particular exception to the outlet’s use of a white chef as an authority on the subject. Many also criticized the magazine’s touting of pho as a food trend.
Dr. Bich-Ngoc Turner, lecturer of Vietnamese language and literature at the University of Washington, explained that Bon Appétit’s write-up and video, (which you can still watch here), is problematic right from the title.
“So when you present ethnic food this way by a white man, you offend the Vietnamese community and deprive them of their own right to be authentic and maintain their identity.”
“The title sounds very authoritative and over-confident ... Food is very much related to race, identity, and cultural pride,” Turner explained to The Huffington Post. “So when you present ethnic food this way by a white man, you offend the Vietnamese community and deprive them of their own right to be authentic and maintain their identity.”
Another aspect of the piece that’s been stirring the pot is Bon Appétit’s mention of the dish making its “list of the coolest restaurant trends for 2016.” Andrea Nguyen, a Vietnamese chef and cookbook author, noted that by doing so, a crucial aspect of the dish is erased.
“Treating pho as merely a fashionable food negated its rich role in Vietnamese, Vietnamese-American, and now, American culture,” Nguyen wrote in a piece for NPR.
Beyond that, when American chefs make ethnic cuisines, they not only profit off of the food, but they are also not subject to the prejudices immigrants face when creating the same foods, Ruth Tam wrote in the Washington Post last year.
This got me curious on how exactly cultural appropriation is defined, so I found this definition offered by a professor and author at Fordham University (and quoted here):
Taking intellectual property, traditional knowledge, cultural expressions, or artifacts from someone else's culture without permission. This can include unauthorized use of another culture's dance, dress, music, language, folklore, cuisine, traditional medicine, religious symbols, etc. It's most likely to be harmful when the source community is a minority group that has been oppressed or exploited in other ways or when the object of appropriation is particularly sensitive, e.g. sacred objects.
This definition (taking cultural expressions "without permission") seems to be the working definition that most people use from what I've seen.
Some thoughts:
- Who provides "permission" to borrow "cultural expressions"? I reject the idea that culture can be "owned", because culture is not something that can be owned. While connected to intrinsically biological factors such as race or sex, it is not dependent on them. Culture is learned, which means that someone who does not grow up within a particular culture can still be knowledgeable or even an expert on said culture. I'll go farther...a "foreigner" can know more about your culture and respect it more than you do.
- Cultures are constantly changing in relation to each other simply by virtue of the interactions between cultures as well as technological innovation. What is the difference between cultural intermingling and cultural appropriation?
- It seems to me that most of the complaints of cultural appropriation are really complaints about the person doing the appropriating being the wrong race or gender, which seems to me a different thing entirely, but is lumped under the broader heading of "cultural". As I've already argued, culture is not dependent on race or sex because culture is not biological.
- Cultural mockery definitely exists, as does physical cultural theft (for example the wholesale plundering of cultural artifacts by colonial powers). Intellectual cultural theft also occurs, when one culture absorbs something from another culture and then claims it was their idea all along. I'm not disputing any of that. What I am disputing is that members of a particular culture have exclusive "rights" to the usage or expression of that culture, or that it's offensive when someone else expresses an element of that culture.
I hope I was at least somewhat coherent. Thoughts?
EDIT: I didn't mean for this to primarily be a discussion on the "pho incident", I was simply using that as a starting point for discussion and an example of "cultural appropriation". Here are a few more examples that I am shamelessly appropriating from here to give a broader sample. I think one of these examples are far more valid than others.
Musicians such as Madonna, Gwen Stefani and Miley Cyrus have all been accused of cultural appropriation. Madonna, for instance, popularized the form of personal expression known as voguing, which began in black and Latino sectors of the gay community. Madonna has also used Latin America as a backdrop in a music video and appeared in attire with roots in Asia, as has Gwen Stefani who faced criticism for her fixation on Harajuku culture from Japan. In 2013, Miley Cyrus became the pop star most associated with cultural appropriation. During recorded and live performances, the former child star began to twerk, a dance style with roots in the African-American community.
When singer Katy Perry performed as a geisha at the American Music Awards in November 2013, she described it as an homage to Asian culture. Asian Americans disagreed with this assessment, declaring her performance “yellowface.”
A member of a dominant group can assume the traditional dress of a minority group for a Halloween party or a musical performance. Yet, they remain blissfully unaware of the roots of such dress and the challenges those who originated it have faced in Western society.
Although black musicians paved the way for the launch of rock-n-roll, their contributions to the artform were largely ignored in the 1950s and beyond. Instead, white performers who borrowed heavily from black musical traditions received much of the credit for creating rock music.
Thanks to the activism of academics and bloggers, clothing store chains such as Urban Outfitters and hipsters who sport a blend of boho-hippie-Native chic at music festivals are being called out for appropriating fashions from the indigenous community.