How much can we trust ideals and personal convictions towards an imagined better life as legitimate?
It seems that any ideology can co-opt the same themes in creating justifications for itself, i.e. propaganda--a certain emotional, idealistic, natural, organicist, etc. conception of higher human flourishing.
For a humorous example, look at the transformation in the following song:
Original happy-go-lucky version about singing and being happy:
http://www.youtube.com/watch?v=EGikhmjTSZI&feature=related
Fascist parody version:
http://www.youtube.com/watch?v=JbB1s7TZUQk
The second version is a parody, but why is it so hilariously awesome? Leonard Berstein once made a similar comment that music can be interpreted any way one wants to interpret it. You can fit music to any story you wish, because it is form of emotional language prior to specific linguistic claims.
What place does idealism have in our conceptions of a better world, and what function does it play? Is it a dangerous primordial soup that everyone can dip into to obfuscate rational analysis? A dressing-up of mundane concerns to block out disinterested observation? Are we saying anything new with idealism other than simply shouting our same viewpoint louder? Or can we put forth idealistic appeals with enough clarity to justify a unique purpose for them outside of pure tribalism?
I tend to think that idealistic or emotive appeals need to be viewed with caution, not as attributive of unique value in and of themselves. We shun objective analysis and the mundane at our own peril. We all know that happy movie endings are not real...you always see the happy final scene right before the credits roll, and none of the boring, tedious tension of everyday life that comes after. Thoughts...
It seems that any ideology can co-opt the same themes in creating justifications for itself, i.e. propaganda--a certain emotional, idealistic, natural, organicist, etc. conception of higher human flourishing.
For a humorous example, look at the transformation in the following song:
Original happy-go-lucky version about singing and being happy:
http://www.youtube.com/watch?v=EGikhmjTSZI&feature=related
Fascist parody version:
http://www.youtube.com/watch?v=JbB1s7TZUQk
The second version is a parody, but why is it so hilariously awesome? Leonard Berstein once made a similar comment that music can be interpreted any way one wants to interpret it. You can fit music to any story you wish, because it is form of emotional language prior to specific linguistic claims.
What place does idealism have in our conceptions of a better world, and what function does it play? Is it a dangerous primordial soup that everyone can dip into to obfuscate rational analysis? A dressing-up of mundane concerns to block out disinterested observation? Are we saying anything new with idealism other than simply shouting our same viewpoint louder? Or can we put forth idealistic appeals with enough clarity to justify a unique purpose for them outside of pure tribalism?
I tend to think that idealistic or emotive appeals need to be viewed with caution, not as attributive of unique value in and of themselves. We shun objective analysis and the mundane at our own peril. We all know that happy movie endings are not real...you always see the happy final scene right before the credits roll, and none of the boring, tedious tension of everyday life that comes after. Thoughts...