EgonSpengler
Deity
- Joined
- Jun 26, 2014
- Messages
- 11,679
@Zkribbler is right. I tried the rowboat thing, and it totally didn't work.
Women beating up a guy, unrealistic that destroys immersion.
Sure, seems legit.
On topic: I dislike it when I have to wade through some weird alternate language that a sci-fi writer comes up with to make his alien race seem more alien. I get that they are speaking another language, but just describe what they are saying in English please. No need to invent another alphabet and language just to get the point across.
Have you seen Quest for Fire?Speaking as one who's done a fair bit of worldbuilding, creating a setting without fire would get complicated fast (even prehistoric ones).
In film & television, more than in literature: Flashbacks and expository voiceovers:
Flashbacks: If there's an interesting story, some relevant character development or plot-point, it should be part of the story that's being told, not an aside. And if it's not interesting or relevant, or doesn't move the story, you should get rid of it anyway.
Inadequate or non-existent research.
E.g. Iin the original Poseidon Adventure:
Captain: Turn left! Hard left!
I think he meant: Hard aport!
See I'd love to monetize my walking space spam encyclopedia status by being a consultant for TV and movies. That'd be sweet.The best TV show that does what the consultant says is Downton Abbey. They have an expert who is basically a walking encyclopedia on the Edwardian aristocracy - everything from accents to costumes to body language to how to handle props to what facial expressions to use.
Usually I don't even care if they explicitly spell out the fictional rules of the universe for me, so long as they are just consistent.The actual rudder commands (okay, on US Navy ships at least) are left and right rudder.
But more broadly, and others have already said this, I'm willing to suspend my disbelief when an author tells me about aliens or different physics/chemistry or magic or evolution of species or whatever. But if they don't tell me, I'm going to expect real-world accuracy, be it military operations, operation (and infiltration) of computers, martial arts, or other things I apparently know more than the author about and they haven't seen fit to get any technical advice about.
Or that they've just ignored. Over 40 years later people are still talking about Starlost, a short-lived TV series where the producer (who knew nothing about science fiction or even science) hired Harlan Ellison to help develop the show and oversee the scripts, and then proceeded to ignore everything Ellison told them. So Ellison quit (his snit over this show was nearly as long and vitriolic as his feud with Gene Roddenberry over "City on the Edge of Forever") and had them change his name in the credits to "Cordwainer Bird" (if you ever see that in the credits on any show, you'll know that Harlan Ellison was involved and was Extremely Displeased about how something turned out).But more broadly, and others have already said this, I'm willing to suspend my disbelief when an author tells me about aliens or different physics/chemistry or magic or evolution of species or whatever. But if they don't tell me, I'm going to expect real-world accuracy, be it military operations, operation (and infiltration) of computers, martial arts, or other things I apparently know more than the author about and they haven't seen fit to get any technical advice about.
Just because they pay you, it doesn't mean they'd actually listen to you.See I'd love to monetize my walking space spam encyclopedia status by being a consultant for TV and movies. That'd be sweet.
Oh, you want me to tell you all about space stuff all day long? Yes please!
Usually I don't even care if they explicitly spell out the fictional rules of the universe for me, so long as they are just consistent.
I really have no issue with that.Just because they pay you, it doesn't mean they'd actually listen to you.
And parallel dimensions where all the familiar characters are in unfamiliar roles. The moment any programme does that, it needs to be cancelled immediately.
(3) Dream sequences. I can't think of a single book I've ever read, containing a dream sequence, that wouldn't have been improved by removing the dream sequence. The same thing often goes for films. Chaplin's The Kid is a classic example.