Which Television Shows Are You Watching #5? If it's ...Star Trek... wrong Thread

Status
Not open for further replies.
Loki finale:
Spoiler :
I thought the guy who played "He Who Remains" was really good. Just an eccentric, over the top performance that for some reason fit.
The only other thing I've seen Jonathan Majors in was Lovecraft Country, and I was impressed that this character seemed so clearly different from that one. Good stuff, so far. I'm looking forward to seeing him play other variants.

I'm not sure how much attention you pay to the meta story, or to the comics. Majors is set to play Kang the Conqueror in Ant-Man & The Wasp: Quantumania. "He Who Remains" was a Kang variant, but I think he was not Kang the Conqueror. I think the statue in the remade TVA at the end might have been Kang the Conqueror. I think Sylvie - and Loki, I suppose, to a lesser degree - may have unleashed Kang the Conqueror upon the MCU.

I also appreciated that the final episode wasn't just an epic battle.
I agree, the final battles between Wanda and Agnes/Agatha, and between Westview Vision and White Vision in WandaVision were only good for its importance to the characters. The actual battles were just alright. The final battle in Falcon & The Winter Soldier was a little better. That this 'final' confrontation between Loki & Sylvie and "He Who Remains" wasn't a fight at all was sort of a nice change, and it fit what had come before. I had mixed feelings about the final confrontation in Black Widow too, but I don't want to spoil that here. Of the four, I thought Loki's climactic scene worked the best.

Instead it was the realization of Sylvie's goal and it also finally revealed what the heck this show was about, a bridge to what's to come in the MCU. I guess I expected this show to be a self-contained story which still fit in the larger narrative the way WandaVision and TFATWS were. Instead it's all about the larger narrative. Not really good or bad, just caught me off guard.
Until this final episode of Loki, I couldn't decide whether I thought these series should have a direct connection to the ongoing MCU, or should require that the viewer be familiar with it, or whether they should stand alone as self-contained stories. Loki tied into the ongoing story more explicitly than Wanda or Falcon, and I think it benefited from that. I wonder whether people who don't know who Jonathan Majors was playing would say the same, though.

I'm still not fully clear on what makes a variant, a variant and not a different person. The show seems to be saying that free will is the determining factor. When somebody makes a choice that goes against "the sacred timeline" a branch forms. That's why the Loki we've been following is a variant, he took the space stone and got out of NYC. That's also why young and old Loki from episode 5 are variants, because they killed Thor and escaped Thanos respectively. But then there is Slyvie and a bunch of the other Loki's from episode 5 like alligator Loki who seem to be variants just because they were born different. Being born different isn't a choice. It's a biological thing. It's science.
You're right, it is fuzzy. But I'm not sure the free will thing ties directly into who's a variant and who isn't. From Kang's point of view, everyone from a timeline other than his own is a variant, and because he had won the war with the other Kangs, his timeline was the 'sacred' timeline. The reason he had to stamp out every alternate timeline whenever there was a Nexus Event was to prevent any other Kangs from appearing. As for why the Loki variants were all so different from one another, I think that has to do with the nature of Loki. He's an agent of chaos. I bet the myriad Kangs are all going to be played by Jonathan Majors, and won't look real different from one another. I think the various Lokis are more variable than most people's variants.

And if "He Who Remains" really is the controller of all things then that means he is the one that makes people born different. And he is the one who created the TVA in order to send them away to be pruned. And that is just a really dick move to create someone just to torture them for a bit then kill them.
I don't think he really controlled anybody's destiny, in a literal sense. I think that's why he had to remove people's memories, to make them think they'd been created by the "Time Keepers." He controlled people the same way mundane autocrats do, by lying to them. His 'super-power', so to speak, was that he knew everything that was going to happen, until he didn't.


Incidentally, there's a funny alt-history novel written by the actor Stephen Fry called Making History (1996), in which the protagonists are able to meddle in history and prevent Adolph Hitler from being born. That's not a spoiler, though, because that's just the first act of the book. The characters spend the rest of the book desperately trying to undo the damage they've wrought, because the person who filled the historical void left by Hitler's absence turned out to be worse.
 
I am rewatching True detective, series 1 (but only the first 4 episodes, maybe 5).
But already I can spot a lot of things looking worse the second time around :/
 
LOKI, season 1. 5/10. By far the most mediocre of the MCU series to come out.
I think I liked Loki more than Falcon, but mostly because the latter bit off more than it could chew. I know the showrunner has denied that an entire plotline was excised from the series for hitting too close to home*, but it's such a plausible explanation for the uneven story that I almost don't believe him. If Falcon had narrowed its focus and saved something for a 2nd season (or for the next Captain America movie, or both), I think it might have ended up being my favorite series. Whatever the truth of the matter is, though, I feel like there are whole scenes missing. It could have/should have been longer and fuller; if it had been, I'm sure it would've been my favorite of the three. It was right up my alley, it just seemed to be trying to do too much.

Loki and Wanda are kind of in a tie in my head right now, but of course Loki may benefit from recency-bias, having watched it just today.


* The theory is that there was a whole plotline in which the Flagsmashers had stolen either a virus or a vaccine or both, that was removed because of the pandemic. I think there's a YouTube video where someone picks apart certain scenes, and he makes a pretty convincing case. As it was, the Flagsmashers story didn't make a lot of sense and seemed to jump in places, like a record that was skipping (if anyone here remembers vinyl records :lol: ) and the related plotline regarding the Power Broker was uneven as well. The theory about an entire subplot being amputated and backfilled with reshoots in post-production fills at least some of those holes. And reshoots in post-production are so common it's news when a film or series doesn't do them, so they wouldn't even have needed to be stealthy about it. Like I say, the showrunner has denied it.
 
I bastardi di Pizzofalcone (the bastards of Pizzofalcone), starring Alessandro Gassman (son of the great Vittorio) & al.
 
The finale of Loki was great. :D
Just watched it. Fantastic. Also... Once again Disney gives a masterclass on how to make money.
Spoiler :
The way they ended Loki was perfect. They have now given themselves unlimited in-universe, canon excuses to essentially re-boot any superhero story that they want. This was finally an explicit introduction of a "multiverse" into the MCU where literally any version of any superhero can be easily explained as an alternate branch. Now they can change events, outfits, actors, etc., at any time of their choosing without having to break or "re-boot" the canon. Just... brilliant.

It was a nice change of pace to not have an epic battle at the end but instead a sort of battle of wits. The scene was very reminiscent of Neo's encounter with "The Architect" in The Matrix: Reloaded. Loki and Sylvie are presented with a very similar dilemma to Neo. Either go along with the predetermined plan or be responsible for the destruction of everything. What was interesting to me was that almost immediately after Sylvie kills Kang, I realized that the only way for her to prevent Kang from returning to destroy her is if she quickly establishes a sacred timeline of her own, before Kang reappears and reasserts himself, exactly what she killed Kang for doing.

Jonathan Majors did a good job portraying the simultaneous fear, surprise and relief that Kang felt the instant that the timeline progressed beyond his foreknowledge. It was almost as if he had grown bored and been driven mad by the loneliness and predictability of it all. It was also interesting that he chose to define himself as the Devil rather than God.

What I don't fully understand, is why the timeline she sent Loki back to was one where they were apparently unaware of everything that transpired, rather than the one where B-15 and Mobius would know him and be able to help him. Or is the implication that even that particular timeline has already been irreparably altered by the death (and apparent, subsequent return) of Kang? :crazyeye: :confused: Great Scott!! Holy flux capacitor Batman!:eek:
Did anyone else notice the striking similarity between the TVA shock troop uniforms and the uniforms of Superman's army in Batman v. Superman? They are almost indistinguishable, right down to the coloured patches on their shoulders. :think:
 
Loki finale:
Spoiler :
It was a nice change of pace to not have an epic battle at the end but instead a sort of battle of wits.
Agreed. Loki's finale was much more satisfying than Black Widow's, and I think this is why.

Jonathan Majors did a good job portraying the simultaneous fear, surprise and relief that Kang felt the instant that the timeline progressed beyond his foreknowledge. It was almost as if he had grown bored and been driven mad by the loneliness and predictability of it all. It was also interesting that he chose to define himself as the Devil rather than God.
Another contrast with Black Widow, Jonathan Majors ran circles around Ray Winstone, in a very similar sort of role, and in a very similar scene. Majors' performance in that scene felt a bit like a theater scene. Having rewatched Raiders of the Lost Ark recently, which has possibly the best exposition scene in movie history (the two professors explaining the Ark of the Covenant to the two G-men - "Didn't either of you guys ever go to Sunday School?"), Majors' delivery made what amounted to pages of exposition very entertaining. Winstone's villain monologue explaining his plan felt a little dull and lacked the portentousness it should have had.

What I don't fully understand, is why the timeline she sent Loki back to was one where they were apparently unaware of everything that transpired, rather than the one where B-15 and Mobius would know him and be able to help him. Or is the implication that even that particular timeline has already been irreparably altered by the death (and apparent, subsequent return) of Kang? :crazyeye: :confused: Great Scott!! Holy flux capacitor Batman!:eek:
Right, the sequence of events kicked off by the death of He Who Remains is hard to figure. It's as if his death meant that he was removed from the entire timeline. If The Void exists outside time, then I suppose that could explain it: Anyone 'killed' inside The Void not only ceases to exist, they never existed. Anything pruned by the TVA and then consumed by Alioth never existed. At least, that's my sense of it.

Under this interpretation, He Who Remains' final line - "See you soon" - could to be taken to mean that he sees every variant of himself as genuinely himself, unlike Loki, whose every variant is a wildly different person. Perhaps every iteration of Kang is more like The Doctor's "regenerations"; a new person, not just physically but with a slightly different personality, and yet still the same person at the same time.

There's an obvious inconsistency: Throughout the series, it was clear TVA remembered and had records of all the variants and timelines they'd pruned over the years. They wouldn't have been able to do their jobs if they didn't. It was only the death of He Who Remains that effected their memories. But there's an answer to that built into the story already: He Who Remains erased the memories of every TVA agent and hunter. No reason this new Kang wouldn't do the same if he was building the TVA from scratch to suit his own needs. In which case, Sylvie would be able to restore the memories of Mobius and Hunter B-15, and if Sylvie was right and Loki can enchant people, maybe he could too.


 
I won't post them all here, but some of the Emmy nominations are mystifying. As usual, I haven't seen most of the nominees, so I can't render an objective judgment. Based on my limited viewing, Mare of Easttown should win everything.

This has to be the "Group of Death":
Limited Series
I May Destroy You (HBO)
Mare of Easttown (HBO)
The Queen’s Gambit (Netflix)
The Underground Railroad (Amazon Prime Video)
WandaVision (Disney Plus)

Ouch.
 
Loki

I forgot to mention that I thought the music for this series was outstanding. Natalie Holt is the composer. WandaVision had those fun opening credits sequences to its various sitcom homages, but Loki's score wins the prize. I can't find any of the incidental music with a 3-second search, but I thought some of it was great. Here's the main credits theme, anyway.

 
I won't post them all here, but some of the Emmy nominations are mystifying. As usual, I haven't seen most of the nominees, so I can't render an objective judgment. Based on my limited viewing, Mare of Easttown should win everything.

This has to be the "Group of Death":
Limited Series
I May Destroy You (HBO)
Mare of Easttown (HBO)
The Queen’s Gambit (Netflix)
The Underground Railroad (Amazon Prime Video)
WandaVision (Disney Plus)

Ouch.
I'd have to go with The Queen's Gambit by a mile. I can't fathom how WandaVision made that list though. :shake:

I'm pretty happy, that The Mandalorian received 24 nominations! :clap:
 
Series 3 is coming this Fall.
They're doing a marathon to catch up so it's 3 episodes a week until the new one arrives.
 
I'd have to go with The Queen's Gambit by a mile. I can't fathom how WandaVision made that list though. :shake:

I'm pretty happy, that The Mandalorian received 24 nominations! :clap:
It sounds like I enjoyed WandaVision more than you did, but yeah, it's a distant 3rd-place for me, behind Mare and Queen's, and just going by what I've heard and read, the odds-makers would probably rate it behind I May Destroy You and The Underground Railroad, as well. Anya Taylor-Joy is certainly on my list of young'uns to keep an eye on. I think the only other thing I've seen her in was The New Mutants.
 
I finished watching She-Ra and the Princesses of Power (i.e. the 2018 She-Ra series) last night. Yes, I know it's ostensibly a children's cartoon, but it has proper serialised storytelling, character arcs and spoilers ahoy. From what I've read, it's also rather more adult in tone than the 80s' cartoon, but then seeing as I was a young boy back then, of course I wouldn't have been caught dead watching a girl's cartoon. Still, I had great fun watching it over the course of a couple of weeks.

Spoiler :
The LGBT subtext is not exactly subtle throughout the show, what with Bow's dads, his crush on Seahawk or Scorpia's on Catra, but then season five just ramps up the gayness. :love: :grouphug:
 
I watched some "girls" cartoons in the 80's. We had cartoons on around 3pm-5pm but only on one channel.

I liked the 80's She Ra on VHS, Gem and the Holograms. Rainbow Bright was bleah.
 
Last edited:
At that age (the mid-80s), I was watching He-Man, Mysterious Cities of Gold and Ulysses 31, later followed by Defenders of the Earth, Prince Valiant and Brave Starr. I didn't have time for "girls'" cartoons. ;)
 
I was browsing some pages to remind myself what I might've been watching in the early '80s, and I'm struck by the lineup of classic shows that all premiered on US television in the Fall of 1984:

Charles in Charge
The Cosby Show

Highway to Heaven
Hunter

Miami Vice
Murder, She Wrote
Punky Brewster
Tales From the Darkside
The Transformers
Who's the Boss?
Voltron

And then these shows debuted mid-season (so technically early 1985, but part of the 1984 broadcast season):

Moonlighting
Robotech: The Macross Saga

ThunderCats
 
I recall my mother watching Highway to Heaven and (when I was a little older) we used to watch The Cosby Show and Murder, She Wrote together, but that does rather sound like you're easily in your 40s, Egon.
 
Status
Not open for further replies.
Back
Top Bottom