Che Guava
The Juicy Revolutionary
I read an excellent article in the (Canadian) Globe and Mail last week on the effects that narcotics have had on human social evolution, particularly in reference to art. It follows the current work of anthropologist David Lewis-Williams, author Graham Hancock, and thier assertion that cave paintings (and many other advances in visual art) were spawned by the use of psycobilin (the active ingredient in magic mushrooms) and DMT (di-Methyl Tryptamine, known to most as the 'toad-licking' drug). A few exerpts:
full article here
What is really amazing is that DMT is naturally produced in our bodies, and that some people seem to produce a higher than average amount, possibly altering thier perceptions at times. This makes sense in a biochemical sense, since DMT is a close analogue of Tryptamine, an amino acid we require, and that changes in the body's chemistry, brought on by such things as fasting, exhasution, even dancing, could indeed produce enough to put a person in an altered state.
The role of psycobolin in religion and society is just as fascinating. John Allegro, the researcher above who tied christianity to psycobilin, beleived that Jesus's last words were not a lament to god, but rather a call of praise to the mushroom. Allegro had this to say about the link between sex, drugs, and faith:
Sexy stuff, eh?
I have always been keenly interested in the effects that mind altering substances have had on our society, and I would love to hear people's opinions on the effects that they have had on our development as a society and indeed, as a species (I'm lookin' at you, Ram...
).
I would particularly be interested in hearing if anyone has any information on the role of Amanita mushrooms in ancient scnadanavian/finnish/russian shamanism. Amaitas differ in thier chemistry, and produce more auditory, rather than visual effects..
Tune in, turn on...evolve?
On the walls of dozens of caves in southern France and northern Spain lie some of the most majestic works of art ever painted. Drawn 25,000 to 40,000 years ago, the paintings have puzzled anthropologists since they were discovered more than four decades ago.
Where did this astonishing display of talent come from? Why did these prehistoric societies decide to paint these scenes in such remote locations? And what inspired them to paint the strange array of bisons, horses and therianthropes (part animal, part man)?
A scientific consensus of sorts has finally emerged on one of those questions: Although there are still dissenters, a majority of anthropologists now champion the theory that the paintings in Europe were the work of shamans, and in part the product of trance states, likely induced by psilocybin (the psychoactive ingredient in some species of mushrooms).
Similarly, South African anthropologist David Lewis-Williams maintains that the remarkable rock art of the San people of southern Africa, also painted at least 25,000 years ago, is the result of shamanic trances created by drumming and ritual ecstatic dancing.
[...]
Mr. Hancock (previously author of Fingerprints of the Gods and The Sign and the Seal) notes striking similarities between cave paintings produced by shamanic artists 25,000 years ago and the abundant descriptions of fairies, elves, angels and other fantastic creatures commonly reported in Europe from the medieval ages to the 17th century.
And what is their modern equivalent? Mr. Hancock suggests the myriad accounts of alien abduction. His new book devotes several hundred pages to documenting these parallels, showing a surprising commonality of visions.
[...]
Going a few steps further than the late John Allegro, a Dead Sea scholar who suggested in the 1970s that early Christianity was essentially a mushroom-and-sex cult, Mr. Hancock maintains that all religions are "rooted and grounded in shamanic experiences."
In Toronto recently to promote his book, Mr. Hancock said organized religion as we know it is "the attempt to account for and explain those experiences. And then the bureaucrats come in, take it over, become the priesthood, impose themselves as the sole intermediaries, and eventually lose the connection to the spiritual life that once was at the heart of the religion. We've seen that again and again.
full article here
What is really amazing is that DMT is naturally produced in our bodies, and that some people seem to produce a higher than average amount, possibly altering thier perceptions at times. This makes sense in a biochemical sense, since DMT is a close analogue of Tryptamine, an amino acid we require, and that changes in the body's chemistry, brought on by such things as fasting, exhasution, even dancing, could indeed produce enough to put a person in an altered state.
The role of psycobolin in religion and society is just as fascinating. John Allegro, the researcher above who tied christianity to psycobilin, beleived that Jesus's last words were not a lament to god, but rather a call of praise to the mushroom. Allegro had this to say about the link between sex, drugs, and faith:
If rain in the desert was the source of life, then moisture from heaven must only be a more abundant kind of spermatozoa. If the male organ ejaculated this precious fluid and made life in the woman, then above the skies the source of nature's semen must be a mighty penis, as the earth that bore its offspring was the womb. It followed therefore that to induce the heavenly phallus man must stimulate it by sexual means, by singing, dancing, orgiastic displays, and above all by performing the copulatory act itself
Sexy stuff, eh?

I have always been keenly interested in the effects that mind altering substances have had on our society, and I would love to hear people's opinions on the effects that they have had on our development as a society and indeed, as a species (I'm lookin' at you, Ram...

I would particularly be interested in hearing if anyone has any information on the role of Amanita mushrooms in ancient scnadanavian/finnish/russian shamanism. Amaitas differ in thier chemistry, and produce more auditory, rather than visual effects..