That would be incredibly awesome, even more so than your epic Turkish officer.
Must note that I'm kinda jealous and in awe at your drawing, considering that whenever I draw a person it turns out looking like a rubber dog chew toy.
EDIT: I left Tibet, but I wrote something up for it. Your art reminded me that I still need to finish it.
This awesome cultural work of art really set me going, so I finished up a movement.
So here's what I have so far of the Tibetan Suite.
https://soundcloud.com/bairsayshi/sets/nesing-compositions
Mvt. I Prelude Lhasa
I like this one the best of them all. It has plenty of Eastern and Western influences, including a cute little alberti bass that I thought would be a good idea. And right after that it gets rather baroque-ish, and immediately it turns modern-jazz-esque. Really mix of flavors and sounds, and that's why it's the prelude. I chose the name Lhasa because it's the capital of Tibet as well as its 'entryway'.
Mvt. II Toccata Qomolangma
This one has a repeating high E semi-quaver throughout the whole piece. I like to think that it adds some sort of backbone to the piece, but really, it was just an interesting idea that worked out. I got the idea from hearing one of Ravel's wonderful pieces. There's not really a cohesive melody here, but I like how it sounds regardless. There's a short stereotypically Asian motif somewhere near the end. I chose the name Qomolangma [Mt. Everest] because I chose to write it with a surreal feeling, compounded with the high E that sounded so light and airy. It's also sadly short.
Mvt. III Nocturne Shigatse
I must say, I'm not too happy with this one. I went for a Barber-esque modern feel with this, and I had the right hand play a repeating motif through the piece, and I think that sounds awesome, but the left hand is basically me playing eenmy-meeny-miny-moe with the keys and hoping it sounds interesting. I chose the name Shigatse because of the modernization efforts that I wished to take there, and the more mechanical, modern feel of the piece.