Traitorfish
The Tighnahulish Kid
Split from the discussion in the questions-not-worth-their-own-thread thread.
Besides, as I said, pleading demographics tends to hit the stumbling block that mainstream comics have historically been pretty bad at representing their own white male readership even in the United States. How many white male superheroes are Jewish, Polish, Cuban, Serbian? So far as the A-listers go, you've pretty much just got a Jewish Magneto and an informed Irish Steve Rogers/Captain America. So this is about lowest common denominators, not demographics, and it has traditionally been assumed that white, straight, Anglo-Celtic Protestant males, preferably Midwestern in origin, have been the lowest common denominators of American life. From a narrative standpoint, that's sixteen flavours of dumb, and it seems that it's becoming equally questionable from a commercial standpoint.
Like 40%? America has never been exclusively white, and it's certainly never been excursively male. (How would that even work?) And in 1938, the latter at least was firmly reflected in the comics industry, as it was well into the postwar period, with a mountain of "girls' comics" sitting on shelves alongside the "boys' comics", as well as plenty of non-gender-specific titles. It's only really in the last few decades, as kids have lost interest in comics and the medium's dominant consumer have instead turned out to be adolescents and adults, that these have died off. And it's not as if girls and women don't read comics, because they're reading them in larger numbers than they have for years, it's just that they're mostly bypassing the lumbering dinosaurs of Marvel and DC and heading for independent and foreign comics, which aren't so committed to the narrative primacy of straight white dudes. Marvel is attempting to keep up by altering the demographics of it rooster, as it has done many times in the past; the only real difference here is that it's extending these revisions to A-listers....and what was it in 1938 when Superman first appeared?
Besides, as I said, pleading demographics tends to hit the stumbling block that mainstream comics have historically been pretty bad at representing their own white male readership even in the United States. How many white male superheroes are Jewish, Polish, Cuban, Serbian? So far as the A-listers go, you've pretty much just got a Jewish Magneto and an informed Irish Steve Rogers/Captain America. So this is about lowest common denominators, not demographics, and it has traditionally been assumed that white, straight, Anglo-Celtic Protestant males, preferably Midwestern in origin, have been the lowest common denominators of American life. From a narrative standpoint, that's sixteen flavours of dumb, and it seems that it's becoming equally questionable from a commercial standpoint.
I'm not claiming "rampant discrimination". I don't even know what that would mean, in this context. What I'm saying is that mainstream comics have traditionally been very bad at representing American society (let alone humanity-in-general), and that could stand to change. If it doesn't, the decline of superhero comics to a niche will just happen a littler quicker. I'm not terribly invested in either outcome, I'd just prefer the former for the sake of fans (or potential fans) who are quite happy to see a bit more diversity, and maybe don't deserve to lose the series they enjoy because manbabies don't know how to share.White, male writers and artists created white, male heroes because they were white and male. Some white, female characters became popular because, hey, guys do on occasion like girls - even the geekiest of us.
The largest demographic group inevitably gets disproportionate representation because there is no mechanism in a market for counteracting the tyranny of the majority.
Is this right, no. But it does not mean that there is rampant discrimination.