The Pre History Channel was actually one of my main inspirations to start said project, so thank you. I seem to recall having a document of a txt, doc or Google version of the latter (or quite possibly even a spreadsheet), but I think that only covered the "medium" version. Frankly, the full version (which I have never, to my knowledge, uploaded anywhere on the internet) is so vast as to make a catalogue of it a decidedly daunting task, though not an impossible one (and one I'd most likely enjoy, in all likelihood). The selection process is less selective in the 874 file (full) version than the 397 (medium) one, being concerned with doubling the medium's general goal of 50 tracks per era, while the one you're playing with only includes music already in Beyond the Sword or any game before that, for obvious reasons.
Name any track you can think of, and I'll get you the source myself (name, artist and source, obviously any online link would be problematic and superfluous except if you wanted to look at the same or hard-to-find sources.)
The Pre History Channel is a track (actually a composite of several tracks in chronological order, but I digress) from the long-extinct and very obscure console game series Gex: Enter the Gecko played during levels of the same name. I chose these tracks because they were highly evocative and connotated a more aggressive, bestial and warlike tone to the Prehistoric era than the more peaceful, naturelike tracks that the existing C2C tracks and even much of my own selections were yielding.
There is no music specific to wartime in Civ (correct me if I'm wrong, I believe this may only be true for IV), and even were it possible to implement as such the perpetual warfare many have in the Prehistoric and early Ancient with that option whose name escapes me (the one involving no diplomacy until writing that Hydro likes) would make it redundant in this case, but if a proper implementation could be made (which is by no means essential to enjoying the track), this track would by far be my top pick for Prehistoric warfare.
IMDB tells me that game had three composers, none of whose names I recognize and none of whom save perhaps the last, Jim Hedges, appears to have been seriously prolific.