The Poetry Thread

To raise the cultural tone of this forum I have decided to start a thread for your favourite poems. To kick us off here is the poem that was voted Britain's favourite in a 1999 poll. On the Ning Nang Nong by Spike Milligan.

On the Ning Nang Nong
Where the Cows go Bong!
And the Monkeys all say Boo!
There's a Nong Nang Ning
Where the trees go Ping!
And the tea pots Jibber Jabber Joo.
On the Nong Ning Nang
All the mice go Clang!
And you just can't catch 'em when they do!
So it's Ning Nang Nong!
Cows go Bong!
Nong Nang Ning!
Trees go Ping!
Nong Ning Nang!
The mice go Clang!

What a noisy place to belong,
Is the Ning Nang Ning Nang Nong!!


And here is another. If by Rudyard Kipling.

If you can keep your head when all about you
Are losing theirs and blaming it on you;
If you can trust yourself when all men doubt you,
But make allowance for their doubting too:
If you can wait and not be tired by waiting,
Or, being lied about, don't deal in lies,
Or being hated don't give way to hating,
And yet don't look too good, nor talk too wise;

If you can dream---and not make dreams your master;
If you can think---and not make thoughts your aim,
If you can meet with Triumph and Disaster
And treat those two impostors just the same:.
If you can bear to hear the truth you've spoken
Twisted by knaves to make a trap for fools,
Or watch the things you gave your life to, broken,
And stoop and build'em up with worn-out tools;

If you can make one heap of all your winnings
And risk it on one turn of pitch-and-toss,
And lose, and start again at your beginnings,
And never breathe a word about your loss:
If you can force your heart and nerve and sinew
To serve your turn long after they are gone,
And so hold on when there is nothing in you
Except the Will which says to them: "Hold on!"

If you can talk with crowds and keep your virtue,
Or walk with Kings---nor lose the common touch,
If neither foes nor loving friends can hurt you,
If all men count with you, but none too much:
If you can fill the unforgiving minute
With sixty seconds' worth of distance run,
Yours is the Earth and everything that's in it,
And---which is more---you'll be a Man, my son!

Cottleston Cottleston Cottleston pie
a fly cant bird but a bird can fly
ask me a question and I reply
Cottleston Cottleston, Cottleston Pie

Part of a little one by A. A . Milne

The Rime of the Ancient Mariner
Samuel Taylor Coleridge, 1798

Read it here

This has become one of my favourite poems, but I have to attribute it first:

From The Guardian website:
This poem is composed entirely of actual quotes from George Bush. Circulating on the internet for some time, it was reportedly compiled by Washington Post writer Richard Thompson. Here we reproduce it to mark National Poetry Day.

Thursday October 10, 2002

I think we all agree, the past is over.
This is still a dangerous world.
It's a world of madmen and uncertainty
and potential mental losses.
Rarely is the question asked: Is our children learning?
Will the highways of the internet become more few?
How many hands have I shaked?
They misunderestimate me.
I am a pitbull on the pantleg of opportunity.
I know that the human being and the fish can coexist.
Families is where our nation finds hope, where our
wings take dream.
Put food on your family!
Knock down the tollbooth!
Vulcanize society!
Make the pie higher! Make the pie higher!

Jabberwocky

'Twas brillig, and the slithy toves
Did gyre and gimble in the wabe.
All mimsy were the borogoves,
And the mame raths outgrabe.
'Beware the Jabberwock, my son,
The jaws that bite, the claws that catch.
Beware the jubjub bird, and shun
The frumious bandersnatch.'
He took his vorpal sword in hand;
Long time the manxome foe he sought.
Then rested he by the tum-tum tree,
And stood awhile in thought.
And as in uffish thought he stood,
The Jabberwock, with eyes of flame,
Came whiffling through the tulgey wood,
And burbled as it came!
One! two! and through and through
The vorpal blade went snickersnack!
He left it dead, and with its head
He went galumphing back.
'And hast thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjious day! Calooh! Calay!'
He chortled in his joy.
'Twas brillig, and the slithy toves
Did gyre and gimble in the wabe.
All mimsy were the borogoves,
And the mome raths outgrabe.

Lewis Carroll, 1832-1898

If and The Rime of the Ancient Mariner.

Two excellent choices.

I would also add:

Dulce et Decorum Est - Wilfred Owen

Bent double, like old beggars under sacks
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of tired, outstripped Five-Nines that dropped behind.

Gas! GAS! Quick, boys! --- An ecstasy of fumbling,
Fitting the clumsy helmets just in time;
But someone still was yelling out and stumbling
And floundering like a man in fire or lime ---
Dim, through the misty panes and thick green light,
As under a green sea, I saw him drowning.

In all my dreams, before my helpless sight,
He plunges at me, guttering, choking, drowning.

If in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,---
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.

Whatever one's views on war etc, a very powerful poem.

Adam had 'em

Another classic:

Charge of the Light Brigade

Half a league, half a league,
Half a league onward,
All in the valley of Death
Rode the six hundred.
`Forward, the Light Brigade!
Charge for the guns!' he said:
Into the valley of Death
Rode the six hundred.

`Forward, the Light Brigade!'
Was there a man dismay'd?
Not tho' the soldier knew
Some one had blunder'd:
Their's not to make reply,
Their's not to reason why,
Their's but to do and die:
Into the valley of Death
Rode the six hundred.

Cannon to right of them,
Cannon to left of them,
Cannon in front of them
Volley'd and thunder'd;
Storm'd at with shot and shell,
Boldly they rode and well,
Into the jaws of Death,
Into the mouth of Hell
Rode the six hundred.

Flash'd all their sabres bare,
Flash'd as they turn'd in air
Sabring the gunners there,
Charging an army, while
All the world wonder'd:
Plunged in the battery-smoke
Right thro' the line they broke;
Cossack and Russian
Reel'd from the sabre-stroke
Shatter'd and sunder'd.
Then they rode back, but not
Not the six hundred.

Cannon to right of them,
Cannon to left of them,
Cannon behind them
Volley'd and thunder'd;
Storm'd at with shot and shell,
While horse and hero fell,
They that had fought so well
Came thro' the jaws of Death,
Back from the mouth of Hell,
All that was left of them,
Left of six hundred.

When can their glory fade?
O the wild charge they made!
All the world wonder'd.
Honour the charge they made!
Honour the Light Brigade,
Noble six hundred!

-- Alfred, Lord Tennyson

Lights, camera, silence on the set
Tape rolling, 3-2-1-action
Welcome to the church of Suicidal
We'll have a service and wonderful recital
But before we go on, there's something I must mention
An important message I must bring to your attention
I was in meditation and prayer last night
I was awakened by a shining bright light
Over head, a glorious spirit
He gave me a message and you all need to hear it
"Send me your money", that's what he said
He said to "Send me your money"
Now if you can only send a dollar or two
There aint a hell of alot I can do for you
But, if you want to see heaven's door
Make a check out for five hundred or more
"Send me your money", do you here what I'm saying?
"Send me your money"

Now give me some bass, um yea that's how he likes it
Now give me some silence, for all you sinners
Now give me some bass, yea that was funky
Now take them on home Brother Clark, send me your ...money
Here comes another con hiding behind a collar
His only god is the almighty dollar
He aint no prophet, he aint no healer
He's just a two bit goddamn money stealer
Send me your money
Send it, you got to send it
Send me your money
You hear what I'm saying?
Send it, send it
Send me your money
Now how much you give is your own choice
But to me it's the difference between a prosche and a Rolls
Royce
I want you to make it hurt when you dig into your pocket
I want you to make it hurt!
We'll take cash, we'll take checks
We'll take credit cards, we'll take jewelry
We'll take your momma's dentures if they got gold in them
So whose gonna be the next king of the fakers
Whose gonna take the place of Jim and Tammy Faye Bakker?
See my momma, she didn't raise no fool
Cause you can't put a price on a miracle
Amen

Three of my favorites are
The Cremation of Sam McGee
Casey At The Bat
and The Finn Who Wouldnt Take A Sauna
If anyone has links to a place where these are available I would appreciate it
THANKS

Noise, by Pooh
Oh, the butterflies are flying,
Now the winter days are dying,
And the primroses are trying
to be seen.

And the turtle-doves are cooing,
And the woods are up and doing,
For the violets are blue-ing
in the green.

Oh, the honey-bees are gumming
On their little wings, and humming
That the summer, that is coming
will be fun.

And the cows are almost cooing,
And the turtle-doves are mooing,
Which is why Pooh is poohing
in the sun.

For the spring is really springing,
You can see a skylark singing,
And the blue-bells, which are ringing
can be heard.

And the ****oo isn't cooing
But he's ****ing and he's ooing,
And the Pooh is simply poohing
like a bird.

Good choices, Pillager as were the initial two.

And now, some more:

Kipling and Milligan are two very good choices.


Funeral Blues
W. H. Auden

Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.

Let aeroplanes circle moaning overhead
Scribbling on the sky the message He Is Dead,
Put crepe bows round the white necks of the public doves,
Let the traffic policemen wear black cotton gloves.

He was my North, my South, my East and West,
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last for ever; I was wrong.

The stars are not wanted now: put out every one;
Pack up the moon and dismantle the sun;
Pour away the ocean and sweep up the wood,
For nothing now can ever come to any good.

DO NOT GO GENTLE INTO THAT GOOD NIGHT
Dylan Thomas

Do not go gentle into that good night,
Old age should burn and rave at close of day;
Rage, rage against the dying of the light.
Though wise men at their end know dark is right,
Because their words had forked no lightning they
Do not go gentle into that good night.

Good men, the last wave by, crying how bright
Their frail deeds might have danced in a green bay,
Rage, rage against the dying of the light.

Wild men who caught and sang the sun in flight,
And learn, too late, they grieved it on its way,
Do not go gentle into that good night.

Grave men, near death, who see with blinding sight
Blind eyes could blaze like meteors and be gay,
Rage, rage against the dying of the light.

And you, my father, there on the sad height,
Curse, bless me now with your fierce tears, I pray.
Do not go gentle into that good night.
Rage, rage against the dying of the light.

Break, Break, Break
Alfred, Lord Tennyson

Break, break, break,
On thy cold gray stones, O Sea!
And I would that my tongue could utter
The thoughts that arise in me.

O, well for the fisherman's boy,
That he shouts with his sister at play!
O, well for the sailor lad,
That he sings in his boat on the bay!

And the stately ships go on
To their haven under the hill;
But O for the touch of a vanished hand,
And the sound of a voice that is still!

Break, break, break,
At the foot of thy crags, O Sea!
But the tender grace of a day that is dead
Will never come back to me.

High Flight
Pilot Officer John Gillespie Magee, Jr.

Oh! I have slipped the surly bonds of Earth
And danced the skies on laughter-silvered wings;
Sunward I've climbed, and joined the tumbling mirth
Of sun-split clouds, --and done a hundred things
You have not dreamed of - wheeled and soared and swung
High in the sunlit silence. Hov'ring there,
I've chased the shouting wind along, and flung
My eager craft through footless halls of air . . .

Up, up the long, delirious, burning blue
I've topped the wind-swept heights with easy grace
Where never lark, or even eagle flew -
And, while with silent, lifting mind I've trod
The high untrespassed sanctity of space,
Put out my hand, and touched the face of God.

Funeral Blues

Click to expand...

Brillant poem.

Leisure By William Henry Davies

What is this life if, full of care,
We have no time to stand and stare.

No time to stand beneath the boughs
And stare as long as sheep or cows.

No time to see, when woods we pass,
Where squirrels hide their nuts in grass.

No time to see, in broad daylight,
Streams full of stars, like skies at night.

No time to turn at Beauty's glance,
And watch her feet, how they can dance.

No time to wait till her mouth can
Enrich that smile her eyes began.

A poor life this if, full of care,
We have no time to stand and stare.

The Raven by Edgar Allen Poe

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
"'Tis some visiter," I muttered, "tapping at my chamber door —
Only this, and nothing more."

Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow; — vainly I had tried to borrow
From my books surcease of sorrow — sorrow for the lost Lenore —
For the rare and radiant maiden whom the angels name Lenore —
Nameless here for evermore.

And the silken sad uncertain rustling of each purple curtain
Thrilled me — filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating
"'Tis some visiter entreating entrance at my chamber door —
Some late visiter entreating entrance at my chamber door; —
This it is, and nothing more."

Presently my soul grew stronger; hesitating then no longer,
"Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you " — here I opened wide the door; —
Darkness there and nothing more.

Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the darkness gave no token,
And the only word there spoken was the whispered word, "Lenore!"
This I whispered, and an echo murmured back the word, "Lenore!" —
Merely this, and nothing more.

Then into the chamber turning, all my soul within me burning,
Soon I heard again a tapping somewhat louder than before.
"Surely," said I, "surely that is something at my window lattice;
Let me see, then, what thereat is, and this mystery explore —
Let my heart be still a moment and this mystery explore;—
'Tis the wind and nothing more!"

Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately raven of the saintly days of yore;
Not the least obeisance made he; not an instant stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door —
Perched upon a bust of Pallas just above my chamber door —
Perched, and sat, and nothing more.

Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore,
"Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
Ghastly grim and ancient raven wandering from the Nightly shore —
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the raven "Nevermore."

Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning — little relevancy bore;
For we cannot help agreeing that no sublunary being
Ever yet was blessed with seeing bird above his chamber door —
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore."

But the raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered — not a feather then he fluttered —
Till I scarcely more than muttered "Other friends have flown before —
On the morrow he will leave me, as my hopes have flown before."
Quoth the raven "Nevermore."

Wondering at the stillness broken by reply so aptly spoken,
"Doubtless," said I, "what it utters is its only stock and store
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster so when Hope he would adjure —
Stern Despair returned, instead of the sweet Hope he dared adjure —
That sad answer, "Never — nevermore."

But the raven still beguiling all my sad soul into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
Then, upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore —
What this grim, ungainly, ghastly, gaunt and ominous bird of yore
Meant in croaking "Nevermore."

This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamp-light gloated o'er,
But whose velvet violet lining with the lamp-light gloating o'er,
She shall press, ah, nevermore!

Then, methought, the air grew denser, perfumed from an unseen censer
Swung by Angels whose faint foot-falls tinkled on the tufted floor.
"Wretch," I cried, "thy God hath lent thee — by these angels he hath sent thee
Respite — respite and nepenthe, from thy memories of Lenore;
Let me quaff this kind nepenthe and forget this lost Lenore!"
Quoth the raven "Nevermore."

"Prophet!" said I, "thing of evil! — prophet still, if bird or devil! —
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted —
On this home by Horror haunted — tell me truly, I implore —
Is there — is there balm in Gilead? — tell me — tell me, I implore!"
Quoth the raven "Nevermore."

"Prophet!" said I, "thing of evil — prophet still, if bird or devil!
By that Heaven that bends above us — by that God we both adore —
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore —
Clasp a rare and radiant maiden whom the angels name Lenore."
Quoth the raven "Nevermore."

"Be that word our sign in parting, bird or fiend!" I shrieked, upstarting —
"Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken! — quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!"
Quoth the raven "Nevermore."

And the raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon that is dreaming,
And the lamp-light o'er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted — nevermore!

Roses are red
Violets are purple
Sugar is sweet
So's maple syrple.

Originally posted by floppa21
Roses are red
Violets are purple
Sugar is sweet
So's maple syrple.

Click to expand...

Roses are red
Violets are blue
Napalm has no colour
But it sticks to you.

Ah, the poetry of one's youth...

Gr8ful Wes: You mean like these?

The Cremation of Sam McGee

Casey at the Bat

(Sorry, I couldn't find the "Finn" one.)

Originally posted by Simon Darkshade


Roses are red
Violets are blue
Napalm has no colour
But it sticks to you.

Ah, the poetry of one's youth...

Click to expand...

Violets are blue
Roses are red
We're comin' aboard
Prepare to eat lead.

Rip Scallion
Monkey Island 2

One of my favorites, by Robert Browning

Childe Roland to the Dark Tower Came

Particularly the last stanza:

There they stood, ranged along the hillsides, met
To view the last of me, a living frame
For one more picture! in a sheet of flame
I saw them and I knew them all. And yet
Dauntless the slug-horn to my lips I set,
And blew. "Childe Roland to the Dark Tower came."



And another Kipling favorite:

Tommy

I went into a public-'ouse to get a pint o'beer,
The publican 'e up an' sez, "We serve no red-coats here."
The girls be'ind the bar they laughed an' giggled fit to die,
I outs into the street again an' to myself sez I:

O it's Tommy this, an' Tommy that, an' "Tommy, go away";
But it's "Thank you, Mister Atkins,'' when the band begins to play,
The band begins to play, my boys, the band begins to play,
O it's "Thank you, Mr. Atkins,'' when the band begins to play.

I went into a theatre as sober as could be,
They gave a drunk civilian room, but 'adn't none for me;
They sent me to the gallery or round the music-'alls,
But when it comes to fightin', Lord! they'll shove me in the stalls!

For it's Tommy this, an' Tommy that, an' "Tommy, wait outside";
But it's "Special train for Atkins" when the trooper's on the tide,
The troopship's on the tide, my boys, the troopship's on the tide,
O it's "Special train for Atkins" when the trooper's on the tide.

Yes, makin' mock o' uniforms that guard you while you sleep
Is cheaper than them uniforms, an' they're starvation cheap;
An' hustlin' drunken soldiers when they're goin' large a bit
Is five times better business than paradin' in full kit.

Then it's Tommy this, an' Tommy that, an' "Tommy how's yer soul?"
But it's "Thin red line of 'eroes" when the drums begin to roll,
The drums begin to roll, my boys, the drums begin to roll,
O it's "Thin red line of 'eroes" when the drums begin to roll.

We aren't no thin red 'eroes, nor we aren't no blackguards too,
But single men in barricks, most remarkable like you;
An' if sometimes our conduck isn't all your fancy paints:
Why, single men in barricks don't grow into plaster saints;

While it's Tommy this, an' Tommy that, an' "Tommy, fall be'ind,"
But it's "Please to walk in front, sir," when there's trouble in the wind,
There's trouble in the wind, my boys, there's trouble in the wind,
O it's "Please to walk in front, sir," when there's trouble in the wind.

You talk o' better food for us, an' schools, an' fires an' all:
We'll wait for extry rations if you treat us rational.
Don't mess about the cook-room slops, but prove it to our face
The Widow's Uniform is not the soldier-man's disgrace.

For it's Tommy this, an' Tommy that, an' "Chuck him out, the brute!"
But it's "Saviour of 'is country," when the guns begin to shoot;
An' it's Tommy this, an' Tommy that, an' anything you please;
But Tommy ain't a bloomin' fool - you bet that Tommy sees!

Oscar Wilde has some that are really great. Course, I can't type them here from memory...

Faded Dream by Dry Petals

A joke
a game
a score for him
turned my life
changing me forever.
maybe I wouldn't have stayed pure
but his deceit
was a dose of the devil
that spread through me
and not easily cured.

His hot sweaty body
muscular and heavy
weighed mine down
and blurred
my already drunk vision.
Telling me "hold tight"
taming my whimpers and squirms,
I closed my eyes in pain.

He took my innocence away
and who's to say
he regrets this day.
He was rewarded
congratulated
for a piece of my life.
I may be bruised inside,
but growing strong
angels
life me above
his poverty in spirit.
Alone I now find
a jewel so clear inside
that never really was taken.