Wow! Quite simply: wow!
Before I begin, if you haven't yet heard
The Travellers: the Steam Engine by composer Charles Melda then get out and find a music hall or venue that has it playing, and make sure you go hear it. If you have to travel between cities, then do it. If you have to catch the new steam engine running between Haven of Peace and Pulias City, all the better! This is a masterpiece that perfectly encapsulates our modern age of steam. It is
nothing like the infamous work that led to civil disturbance recently.
But I'm getting ahead of myself. The twenty-five year old composer has outdone himself with this piece for the newly developed ensembles known as symphony orchestras. I wondered how the composer completed it so soon after his most recent work, and in correspondence with me he stated that he was already partway through this work's completion when the Anthem Affair broke in the news. This is truly a large ensemble composition, even larger in scale than the military ensemble
Pulias, Rise Like a Phoenix. And what's more: it tells a story; it clearly has a programme which the composer has helpfully included in the liner notes.
The Travellers: the Steam Engine is obviously written as an homage to the newly completed railway line between Haven of Peace and the capital. It tells the story of a group of intrepid travellers using a steam engine for the first time. The piece opens sagely, perhaps indicating the early morning dawn of the adventure. The music swells with grandness at the first sight of the gleaming new steam engine. From there the piece bounces along with pride as the travellers soar down the railway line on the great and powerful steam engine.
A darker section based on the earlier theme emerges, which involves an aburdly-horrible fellow traveller referred in the liner notes as simply 'the evil one': firstly the anticipation of this detested person's arrival, then high-pitched shrieking clarinet, followed by drunken low brass while the strings pluck as accompaniment. After this character passes, 'Nicole's theme', the theme for one of the travellers in the group is introduced and then reiterated in grand style.
After a brief return to the main travelling theme, 'Thomas's theme', a bouncing theme for another one of the travellers is heard which is less happy in tone. Duelling, or perhaps duetting horns finish up 'Thomas's theme' before the piece changes mood entirely into a section titled 'The Night Comes to Life'. Mister Melda claims this is part of the journey during the night, and the passengers look out to behold supernatural happenings as the night comes to life. This eventually leads back to a quieter section depicting another dawn, which builds back up to the main travelling theme again. It all builds up to a grand, stately finale.
I was completely blown away by the expressiveness of this piece. And I tell you now, after hearing it I will certainly be travelling to the capital to get my own first-hand experience of the technological marvel of the age that inspired
The Travellers: the Steam Engine.
Portrait of Charles Melda, composer (1830)