This question was conceived, or rather made sort of current, in another thread, namely if science or art is the most cerebral, potentially most intellectual occupation of a refined individual.
My own claim was that while science seems to be at least equally able to form intricate ideas, it appears that there those ideas have to be based (unless they are hypotheseis) on existent metaphorical pillars which hold them. Of course every now and then an intuitive great mathematician can arrive and leave a hypothesis, without proving it, but appearing to be correct nonetheless from practical/experimental data accumulated for it.
This general dependence of science on forms, patterns and developments already existent limits its scope historically, in relation to art, for art can have a vast depth already in the cave drawings (for example it has been theorized that at least some cave drawings were an attempt of animistic early humans to pray for a good hunt; and this is just the simple summation of that idea, and of just one idea which appears to be interesting by itself to me). Of course art too can be progressing, for example painting in the classical era of the realist style was founded as much on talent as it was on actual mathematical principles and calculations, and thus too has a partly specific historical position as well, like science.
However art seems to me to be able to include (either consciously, but usually not consciously) patterns, themes, even "equations" (by which i mean set relations between variables, the variables being objects or ideas in art) which can be of significantly higher level than what has been covered already in literary theory (which is poor, but can be argued in a way to be the relative of scientific theory, the analogous meta-glance on the phenomenon itself).
I stated that while one could theoretically even include science itself in art (i gave the example of a person proving the Riemann hypothesis in a work of art, utilizing the work of art to describe the proof) in science i do not see how one could define art in such an immediate way. Could the motifs existent in Kafka's work be portrayed in equations of the mathematical kind? Probably yes, but not as science is now. Maybe in a golden era of science all of the arts will become one with science, all will be one phenomenon in different appearances, and truth will be sought by all, scientists and artists.
Anyway, not sure if people here are really interested in such questions, but i will stop this opening post here and wait to see if anyone wants to participate in a relevant discussion
My own claim was that while science seems to be at least equally able to form intricate ideas, it appears that there those ideas have to be based (unless they are hypotheseis) on existent metaphorical pillars which hold them. Of course every now and then an intuitive great mathematician can arrive and leave a hypothesis, without proving it, but appearing to be correct nonetheless from practical/experimental data accumulated for it.
This general dependence of science on forms, patterns and developments already existent limits its scope historically, in relation to art, for art can have a vast depth already in the cave drawings (for example it has been theorized that at least some cave drawings were an attempt of animistic early humans to pray for a good hunt; and this is just the simple summation of that idea, and of just one idea which appears to be interesting by itself to me). Of course art too can be progressing, for example painting in the classical era of the realist style was founded as much on talent as it was on actual mathematical principles and calculations, and thus too has a partly specific historical position as well, like science.
However art seems to me to be able to include (either consciously, but usually not consciously) patterns, themes, even "equations" (by which i mean set relations between variables, the variables being objects or ideas in art) which can be of significantly higher level than what has been covered already in literary theory (which is poor, but can be argued in a way to be the relative of scientific theory, the analogous meta-glance on the phenomenon itself).
I stated that while one could theoretically even include science itself in art (i gave the example of a person proving the Riemann hypothesis in a work of art, utilizing the work of art to describe the proof) in science i do not see how one could define art in such an immediate way. Could the motifs existent in Kafka's work be portrayed in equations of the mathematical kind? Probably yes, but not as science is now. Maybe in a golden era of science all of the arts will become one with science, all will be one phenomenon in different appearances, and truth will be sought by all, scientists and artists.
Anyway, not sure if people here are really interested in such questions, but i will stop this opening post here and wait to see if anyone wants to participate in a relevant discussion