Watcha Writin'?

Egad, I had an idea for yet another novel last night. :wallbash:

I woke up enough to write down 500 words, enough to establish a setting, my main character, the tone, the hook, and the theme. This way, I'll have a foundation to build upon when I come back to it. :yup:
 
Egad, I had an idea for yet another novel last night. :wallbash:

I woke up enough to write down 500 words, enough to establish a setting, my main character, the tone, the hook, and the theme. This way, I'll have a foundation to build upon when I come back to it. :yup:
:lol:

That's how it happens. :thumbsup: You're minding your own business, and suddenly a story idea pops into your head and you have to write it down.

I've had snippets of a crossover story between Doctor Who and The Borgias (the Showtime version with Jeremy Irons, though he won't be in this story) pestering me the past few days (Fifth Doctor, Tegan, Nyssa, and Turlough have a run-in with Cesare, Lucrezia, and assorted others on the road between Rome and somewhere else, and the TARDIS happens to be blocking the path (it picked a hell of an inconvenient place for a malfunction so they can't just get back in and dematerialize).

Tegan's freaking out because she was taught in school about what horrible, murderous people they were, and the Doctor is trying to reassure her that the 15th century wasn't that bad (I'm going to have to look up the Fourth Doctor story Masque of Mandragora, as it took place in Renaissance Italy, though I don't remember if it was 14th or 15th century). And then there's the issue of the Fourth Doctor popping into Leonardo's workshop and writing "This painting is a fake" in felt pen on the back of the Mona Lisa (in City of Death). Historically, Cesare Borgia and Leonardo da Vinci were acquainted, as Leonardo had some rather interesting ideas for various war-related engineering projects.

I originally had this idea a couple of years ago, but I've been watching a lot of The Borgias videos on YT and reading a lot of fanfic over the past week, and now this project is telling me to write it.
 
1220 words in & it's time to put this story to bed for awhile.
From my notes on structure, it appears I should next be moving onto introducing characters:

Let readers learn about characters;
understand what is at stake for them
Story ideas originate from characters
Figure out why they do what they do
Est. protagonist and antagonist early to start conflict
+ love interest, sidekick, mentor
The more characters, the more confusion
Driven by conflict, tension & high stakes
Character enters with what they care about and what is threatened.
Show character in normal world
The more you show of character’s investment, the higher the stakes when threatened.
 
It happened again. :wallbash: Depressed at my inability to produce an acceptable map for Wee's cover art. I began flipping through old stubs of stories.

One of them takes place on a planet which as neither land nor sea. All is airborne...which means no metal and no electricity. The story never worked before because I kept trying to connect it with a great off-planet civilization, which means interstellar trade bringing in both metal and electricity. :dunno:

This time I thought of it as a long-abandoned colony, cut off from humanity for thousands of years. Story ideas/world-building ideas suddenly began flooding in. I oozed out a thousand words before falling asleep.
 
It happened again. :wallbash: Depressed at my inability to produce an acceptable map for Wee's cover art. I began flipping through old stubs of stories.

One of them takes place on a planet which as neither land nor sea. All is airborne...which means no metal and no electricity. The story never worked before because I kept trying to connect it with a great off-planet civilization, which means interstellar trade bringing in both metal and electricity. :dunno:

This time I thought of it as a long-abandoned colony, cut off from humanity for thousands of years. Story ideas/world-building ideas suddenly began flooding in. I oozed out a thousand words before falling asleep.
Why is this a bad thing? :confused:
 
Why is this a bad thing? :confused:
Don't get me wrong. This is a wondrous story. [party] I'm mesmerized by the idea of gently flying around everywhere. :) But while I'm busy with this, Wee isn't getting published, Lovelash Locket isn't getting corrected, my Count of Monte Banco is bankrupt & powerless, my MC in Erebus is imprisoned on a submarine, my elf guy is headed to the evil bishop's hotel room where he will discover how the bishop is cheating at cards, etc. There's just a lot on my plate. :crazyeye:

BTW: Up to 1,500 words. :D
 
Don't get me wrong. This is a wondrous story. [party] I'm mesmerized by the idea of gently flying around everywhere. :) But while I'm busy with this, Wee isn't getting published, Lovelash Locket isn't getting corrected, my Count of Monte Banco is bankrupt & powerless, my MC in Erebus is imprisoned on a submarine, my elf guy is headed to the evil bishop's hotel room where he will discover how the bishop is cheating at cards, etc. There's just a lot on my plate. :crazyeye:

BTW: Up to 1,500 words. :D
You might want to read Isaac Asimov's autobiography some day (it's in 3 very large volumes, so it'll take awhile). One of the secrets to his prolific writing career is that he always had at least half a dozen projects on the go at the same time. That way, if he hit writer's block with one, he could always go on to another. He didn't regard that as a bad thing.

As for characters being stuck, what about my female Park Ranger? She's been stuck standing on the end of a pier since the end of July, trying to figure out how to get that abandoned tire out of a rowboat that some idiot thoughtfully didn't bother tying up, and it's too deep to just wade out and grab.
 
A little help from Mussie, Cressie, Ogopogo, Igopogp, Manipogo, or Zkribbopogo?
or -- winds & thunderstorm?
or - throws a chain to try & snag the boat, only to capsize it [tire floats free].
 
Last edited:
A little help from Mussie, Cressie, Ogopogo, Igopogp, Manipogo, or Zkribbopogo?
or -- winds & thunderstorm?
Unlike my other fanfics, this isn't either science fiction or fantasy. It's based on the Vacation Adventures: Park Ranger computer game. If I put Ogopogo into this game, it would have to be set in the interior of British Columbia, in the Okanagan. Its supposed actual setting is somewhere in Washington state, but whoever did the artwork for some of the scenes screwed up and used a location that anyone familiar with Banff/Jasper National Parks in Alberta would recognize instantly.

I can't use a wind storm or thunderstorm, because I already wrote one in as having just blown through (which is why there are so many hidden objects all over the place - lots of stuff got blown around/lost in the campground, and part of the character's job is to tidy it up (which explains the list of hidden objects, recyclables, and lost and found items that have to be found).

In one scene I decided that the people who own the cooler on the ground beside a picnic table come back, and she drafts them to help clean up the mess (the motive for them actually going along with it is because one of the hidden objects is a fancy ring - that I decided was an engagement ring one of the women lost, so of course they want to help find it... and along the way, the picnic site gets cleaned up). My character is going to run into these people a couple more times in the next few in-story days. The only way to make this kind of game-story make any sense has been to create a slew of characters or use in-game characters and give them names, backgrounds, and reasons for interacting.
 
I received a PM suggesting I read Niven's Integral Trees. I respect Niven as one of the best (if not the best) world builders around. :hammer: I tend to find his plots & characters boring :sleep: and so I avoid his stuff unless he's teamed with Jerry Pournell. :hug: In Integral Trees, Niven puts his sealess/landless world it an atmospheric torus [donut] in orbit around a black hole [or neutron star?]. But the people in his world are weightless, a road I don't wish to travel down. :shake:

This means I will have to deal sometime with my physics problem: What kind of world can maintain a 1-G oxygen-nitrogen, body-temperature atmosphere if it has no solid or liquid core? Even our gas giants, with their solid H/He cores can only maintain an H/He atmosphere. My planet's core would have to have even more mass to maintain a oxygen-nitrogen atmosphere. :huh: This is something for me to think about...later. :think:

Meanwhile Ben, my main character, is playing hooky from work as a herdsman so he can search out a really important job. My task: figure out what this could be. :hmm:
 
I received a PM suggesting I read Niven's Integral Trees. I respect Niven as one of the best (if not the best) world builders around. :hammer: I tend to find his plots & characters boring :sleep: and so I avoid his stuff unless he's teamed with Jerry Pournell. :hug: In Integral Trees, Niven puts his sealess/landless world it an atmospheric torus [donut] in orbit around a black hole [or neutron star?]. But the people in his world are weightless, a road I don't wish to travel down. :shake:

This means I will have to deal sometime with my physics problem: What kind of world can maintain a 1-G oxygen-nitrogen, body-temperature atmosphere if it has no solid or liquid core? Even our gas giants, with their solid H/He cores can only maintain an H/He atmosphere. My planet's core would have to have even more mass to maintain a oxygen-nitrogen atmosphere. :huh: This is something for me to think about...later. :think:

Meanwhile Ben, my main character, is playing hooky from work as a herdsman so he can search out a really important job. My task: figure out what this could be. :hmm:
There are some good books written by pro science fiction authors, dealing with the science of world-building.

BTW, Niven's novel A Gift From Earth has an interesting bit of world-building. The only habitable part of the world is a very tall mountaintop poking out of a toxic soup of an atmosphere. Mount Lookitthat is comprised of several plateaus, and the society is sharply divided between crew (descendants of the original colony ship's crew) and colonists (descendants of the original colonists). The crew are the elite and the colonists are basically slaves.

Naturally, some of the colonists are planning a revolt, but most don't want to risk the consequences of being caught. Capital punishment is the only punishment on this world, and the sentence is to be taken to the Hospital, killed, and harvested for body parts. Absolutely nothing is wasted, and the law says even children can be executed for body parts. The recipients are the crew, of course.
 
:smug: Okay, here we go: :high5:

A gigantic iron core, rapidly spinning, creates powerful magnetic forces. On Earth, the weight of our mantle is what turns our core molten. On my planet, it's the magnetic attraction of the core on its iron constituents which turns the core molten. [Over the core, is a layer of non-ferrous lava]. The mass of this iron core is sufficient to maintain the planet's O2-N2 atmosphere. :yup:

My planet orbits a blue-white giant. The deadly radiation from the star is captured by the planet's magnetosphere resulting in a perpetual, planet-wide aurora borealis. The deadly radiation also explain why the humans on my planet have been functionally cut off from the rest of humanity.

This means a quick rewrite of the scene where Ben returns at night to his city and finds it lit with bio-luminescence. Now the lighting will be from the aurora borealis. :cool:
 
:smug: Okay, here we go: :high5:

A gigantic iron core, rapidly spinning, creates powerful magnetic forces. On Earth, the weight of our mantle is what turns our core molten. On my planet, it's the magnetic attraction of the core on its iron constituents which turns the core molten. [Over the core, is a layer of non-ferrous lava]. The mass of this iron core is sufficient to maintain the planet's O2-N2 atmosphere. :yup:

My planet orbits a blue-white giant. The deadly radiation from the star is captured by the planet's magnetosphere resulting in a perpetual, planet-wide aurora borealis. The deadly radiation also explain why the humans on my planet have been functionally cut off from the rest of humanity.

This means a quick rewrite of the scene where Ben returns at night to his city and finds it lit with bio-luminescence. Now the lighting will be from the aurora borealis. :cool:
There is a basic problem here: Blue-white giants are very young stars that go through their fuel really fast. They're one of the kinds of stars that end up as supernovas, blowing themselves up after only a brief time (in astronomical terms). They're so young that they go through their life cycles too fast to be able to support planets that would be capable of supporting life. You can see Vega from your latitude, right? It's only 26 light-years from here, which means we can basically watch it in real-time as it was 26 years ago. That's like current events in astronomical terms. There was a point made in Carl Sagan's Contact that the Message couldn't have come from Vega because it's too young. The book/movie provided an explanation to account for this.

It's why any SF story that takes place on a planet orbiting Vega or Rigel is either obsolete or needs one hell of a good science-based explanation. It's why I've become less fond of specific Star Trek episodes. I understand that Roddenberry, et. al wanted to use star names they thought would be more familiar to fans, but it caused a lot of problems when it came to figuring out the warp system (some of the stars are waaay too far away for the Enterprise to have visited, and don't get me started on the visits to the edge of the galaxy or the centre of the galaxy). Some of the planets shouldn't have existed, let alone harbored intelligent life.
 
They're so young that they go through their life cycles too fast to be able to support planets that would be capable of supporting life.

I have a rudimentary history of how & why humans got there, and I've established that my people excel at gene altering (e.g. their floating city is built inside a single genetically-modified beast), but you're right: I must establish where all these flying critters came from.
Thanks :hatsoff:you've given me a problem & solving it will make my story even better. :clap:

Ironically, I spent the early morning hours creating an out-of-city economy. For example, I have rogue bad guys. This means I will need lightweight armor for flying steeds. I'm thinking wood...or woodish. So I've come up with "tumbling forests," lighter-than-air forests that blow through the skies like tumbleweeds. Then I'll have nomadic lumberjacks & armor weavers. Now, as you've pointed out, I need an explanation of where the "trees" came from. They obviously didn't evolve naturally. :dunno:
 
I need an explanation of where the "trees" [etc.] came from. They obviously didn't evolve naturally. :dunno:

I will need an ark. I will need a reason why the ark wasn't cannibalized for its metal.
I will need a home planet with lots of flying critters. (Altho once they get to their new planet, they will need the ability to fly in perpetuity.)*
I will need lightweight wood, but even bamboo, when it falls, falls down not up.

I will need a reason for this migration...Valka's toxic mists?

_________________________________
*I'm thinking of a decades-old SF story entitled "With Morning, Comes Mistfall," i.e. with dawn. the planet-wide mist that covered everything receded. If my home world had these mists & if they are Valka's toxic mists, this would explain why the birds have evolved to fly at night instead of nest. :yeah:
 
Back
Top Bottom