Nice generalisation there.White people: I don't see race, stop talking about it!
Also white people: *types 15 paragraphs about how STUPID, HISTORICALLY INACCURATE, and frankly OFFENSIVE it is that they cast a black guy to play Hannibal*
Nice generalisation there.White people: I don't see race, stop talking about it!
Also white people: *types 15 paragraphs about how STUPID, HISTORICALLY INACCURATE, and frankly OFFENSIVE it is that they cast a black guy to play Hannibal*
Leftists: White people can't play black people, that's racist!White people: I don't see race, stop talking about it!
Also white people: *types 15 paragraphs about how STUPID, HISTORICALLY INACCURATE, and frankly OFFENSIVE it is that they cast a black guy to play Hannibal*
Leftists: White people can't play black people, that's racist!
Also leftists: What do you mean black people can't play white people? What are you, some kind of racist?
Unless the show was was supposed to be realistic.
I don't know how that would be so. Obviously it's a piece of fiction, but a piece of fiction that is set somewhere in the northern hemisphere around modern day Finland or Karelia mostly in an iron age setting. Not very many people of immediate african descent there during those times. Things that would also make it unrealistic include, but are not limited to: gunpowder, the stirrup, compasses, huge castles etc.A realistic Kalevala seems like a contradiction in terms.
Leftists: White people can't play black people, that's racist!
Also leftists: What do you mean black people can't play white people? What are you, some kind of racist?
In what sense is Achilles, the character, "a white person"? In what sense, and to what degree, is this an important aspect of his character?Leftists: White people can't play black people, that's racist!
Also leftists: What do you mean black people can't play white people? What are you, some kind of racist?
In what sense is Achilles, the character, "a white person"? In what sense, and to what degree, is this an important aspect of his character?
As I pointed out before, the Homeric myths, as imagined by most Westerners, have very little to do with Greece, and everything to do with a jumbled, half-articulated concept of "Western civilisation". Greeks may regard Achilles as a specifically Greek figure, as a national ancestor, but that legacy has been so heavily plundered that, to non-Greeks, insisting that Greeks are Greek-speaking Greek people from Greece seems quaint and parochial. Hollywood certainly has no tradition of portraying ancient Greece, even in the historical era, with any real interest in Greek culture. They could usually be dressed up as vikings or Romans or knights and it wouldn't make any fundamental difference to the story, so long as the audience understands that these are people from Ancient Times who care about Honour and Courage and Yelling Real Loud About Honour and Courage. The last real swords-and-sandals hit, 300, was more or less a garbled retelling of the British mythology of the Second World War, distinguished mostly by the fact its Churchill-figure had more muscles and less clothes than traditional depictions. "Greece", in these films, has no more historical existence than Gondor, because it's not supposed to represent a real place, but a mythological starting-point for a Western civilisational identity. Achilles, then, is only as "white" as the West is white, and the West is increasingly not-white, so why should we insist that its myths not follow?
As to the second point, a large part of the reason that casting white actors in originally non-white roles is that non-white roles are so relatively limited in Western media that racial background does tend to become constitutive of the character, whether or no it's the authors intention. It feels like a misstep and even an insult in a way that casting a non-white actor in an originally white role does not. Casting a black actor as Heimdall doesn't really change anything, because Heimdall's race is pretty much irrelevant to the character. Casting a white actor as Black Panther, well, that's a different story, because Black Panther in his fundamental premise a black character.
And that's not to say that there are not certain characters who are not integrally white. Steve Rogers pretty much has to be white, because his whole deal is that he's a distillation of the 1940s United States- or perhaps, more specifically, American progressivism of the 1940s- and just as his strength derives from its virtues, so his failings derive from its weakness. Captain America has to be a straight white male, and just a little clueless about it, because how characters related to Cap is in part an expression of how they related to America's past, and that past is dominated by clueless straight white men. A black Cap would have to be a post-Rogers Cap, which is why even the ham-fisted vandals who run Marvel Comics had the sense to make their black Cap a friend and protege of Rogers, rather than just rebooting him.
As to the second point, a large part of the reason that casting white actors in originally non-white roles is that non-white roles are so relatively limited in Western media that racial background does tend to become constitutive of the character, whether or no it's the authors intention. It feels like a misstep and even an insult in a way that casting a non-white actor in an originally white role does not. Casting a black actor as Heimdall doesn't really change anything, because Heimdall's race is pretty much irrelevant to the character. Casting a white actor as Black Panther, well, that's a different story, because Black Panther in his fundamental premise a black character.
And that's not to say that there are not certain characters who are not integrally white. Steve Rogers pretty much has to be white, because his whole deal is that he's a distillation of the 1940s United States- or perhaps, more specifically, American progressivism of the 1940s- and just as his strength derives from its virtues, so his failings derive from its weakness. Captain America has to be a straight white male, and just a little clueless about it, because how characters related to Cap is in part an expression of how they related to America's past, and that past is dominated by clueless straight white men. A black Cap would have to be a post-Rogers Cap, which is why even the ham-fisted vandals who run Marvel Comics had the sense to make their black Cap a friend and protege of Rogers, rather than just rebooting him.
You say that, but Egyptians are rarely portrayed by Egyptians. Cleopatra has been portrayed by actresses from Theda Bara to Elizabeth Tayor to Monica Belluci, but the only actual Egyptian portrayal I can find was Amina Rizk in the 1943 hit كليوباترا, which I think we can fairly say sits somewhere outside the Hollywood canon. We're not looking at a sudden disruption into a world of hitherto scrupulous historical rigour. We're looking at the same use of history as a handy reference point for what are essentially fantasy stories; all that changes is the skin-tones.I agree with most of the above, but I think there are more cases where attention to the actor's skin colour is important. Even in cases where the original character isn't defined around race much, it still wouldn't make sense to me to cast a bunch of Chinese actors to play Egyptian slaves building the pyramids for instance. Or a black king of Poland. Or a Swedish man playing Cleopatra. Unless the movie was specifically a farce of those events i.e. a comedy making a mockery of some sort of the events in question, or an alternate history type of movie maybe.
If you make the Iliad about an inter-cultural conflict between two groups are within themselves largely homogenous but see each other as the other than Achilles sort of has to be identifiable with his allies and separable from the Trojans. That doesn’t mean he necessarily must share an ethnicity, but it needs to be made clear to the viewer that Achilles is Greek as is Ajax and Agamemnon, etc.In what sense is Achilles, the character, "a white person"? In what sense, and to what degree, is this an important aspect of his character?
You say that, but Egyptians are rarely portrayed by Egyptians. Cleopatra has been portrayed by actresses from Theda Bara to Elizabeth Tayor to Monica Belluci, but the only actual Egyptian portrayal I can find was Amina Rizk in the 1943 hit كليوباترا, which I think we can fairly say sits somewhere outside the Hollywood canon. We're not looking at a sudden disruption into a world of hitherto scrupulous historical rigour. We're looking at the same use of history as a handy reference point for what are essentially fantasy stories; all that changes is the skin-tones.
... but they could be a little less reckless than filling those quota in series set in the archaic age Greece, and moreover using the main protagonists of that setting. It just seems more trolling than anything rational, given they could easily not do it and don't seem to have the show gain from this decision either.
Given that it's unlikely that any of the actors will be Greek and only a few (if that) will be at all Mediterranean, I am struggling to see your concern as anything other than a little bit racist. Seriously, your main concern appears to be the colour of their skin!
Eh, is this the emperor's new clothes? Isn't the discussion about using people who look VERY clearly different than expected for a part?
That isn't racism; i am not against them due to their skin-colour, i am certainly against using them in these roles, what is wrong with that in your view?![]()
That isn't racism; i am not against them due to their skin-colour, i am certainly against using them in these roles, what is wrong with that in your view?![]()