Kingdom of Heaven

thetrooper

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Good day CFC World History regulars and visitors!

Kingdom of Heaven is a movie directed by Ridley Scott, set in the 12th century >> Crusades/Jerusalem. Main characters are Saladin (Ghassan Massoud), Baldwin IV of Jerusalem (Edward Norton) and Balian of Ibelin (Orlando Bloom).

There is a wikipedia-entry for this movie, but I turn to you guys before I read that one (take that as a compliment).

How historically accurate do you think this movie is?

You are allowed to skip comments on the romantic digression. ;)
 
Thanks for the lazy-link Rambuchan.

Man is this annoying:

1. Cinema.
2. Release the 'import' DVD.
3. Release the regular DVD.
4. Release the extended version.

+ video games, soundtrack etc.

I'm really interested in comments on the Saladin character in this movie.
 
Kingdom of Heaven is an appalling distortion of history. This poor excuse for a movie was sir Ridleys attempt at endorsing dishonest PC crusade history.
Kingdom of Heaven is a classic cowboys and indians story in which Muslims are noble and heroic and the crusaders are the barbarous villains. The Knights Templar in particular are unjustly depicted as cruel religious fanatic savages.
A comment I found amusing by the French actress Eva Green who played the role of Sibylla, she said "It's not like some stupid Hollywood movie" refering to sir Ridley's crusader flick. Yes Sibylla you are right. It's like some stupid English movie.

Aside from being a boring and poorly scripted movie, Kingdom of Heaven messes up names, invents fictional premises and fabricates events which amounts to nothing but a vandalization of history.
 
Mott1: I don't seek to defend or comment on the film's historical accuracy. I don't know enough about it. But I do wish to point out that, in the light of many of your posts on matters Islamic, you seem to have let your personal bias infect the cutesy and impassioned broadside that you've posted above. Care to give us a more objective verdict?
 
Every source I've seen so far portray Saladin as a noble man Mott1 so this is hardly a plan that Scott hatched all by his own. And don't forget that the Balian character is also portrayed like a noble man.
 
Personally I really enjoyed Kingdom of Heaven - it has all the pros and cons of all of Ridley Scott's films, really. I wouldn't call it a vandalisation of history. History stays the same whatever films are made depicting it. It's a fictionalisation of history, same as all films or novels that are "based on" history. There's nothing wrong with doing that in a film unless you actually claim that it's historically accurate.

From what I know, Saladin was represented fairly accurately in this film - quite noble, though brutal. I believe that the incident with the cup, where he kills the prisoner who drinks without being asked, is the one incident in the film that really happened pretty much as depicted.

I don't understand the claim that the Muslims are represented as good and the Christians as bad. There were plenty of positive and negative characters on both sides (King Baldwin was incredibly positive, for example, far more than he probably was in real life). The problem with this film was the same as with all of Scott's films: every character is either completely good or completely evil, without anything in between.

Otherwise, as I understand it, the broad story of the film (about the surrender of Jerusalem to Saladin) is roughly what happened. But, like all films, the characters and details of the plot are fictionalised to varying degrees. For example, I believe that Balian was actually a real person, but not much like the character in this film.

Although the depiction of burly professional soldiers as quite keen on war is surely pretty accurate. One of the good things about first the Crusades and then the Christian occupation of the Outremer, from the point of view of Europe, was that it got all those belligerent fighter-types out of the way and gave them something to do a long way away.
 
Sybilla was quite inaccurately portrayed, for one. She became queen after her son with her first husband died, and she agreed to get rid of her husband (Guy) so long as she could choose her new one. She annulled her marriage with Guy, and then chose him as her next husband! So the portrayal that she detested him is not very good.

Balian was also portrayed as being better than in real life, and anyway, what the hell would a son of an important noble in Outremer be doing as a blacksmith in France?

Inaccuracies aside, though, I did enjoy the film very much.
 
thetrooper said:
Which names are messed up?

There were many, but from the top of my head Guy Lusignan was no Templar grandmaster, much less a Templar. Guy was a minor noble with amibitions in outremer, Gerrard de Ridefort was the head of the Templars at that time.
Orlando Bloom's character Balian was not a pivotal historical figure and was definately not a love interest of Sibylla. Also Godfrey was not his father. Balian's older brother Baldwin was favored by the leper king of Jerusalem (BaldwinIV) to marry his sister Sibylla. Unlike how she is represented in the movie, Sibylla actually supported the Knights Templar and against her brother's wishes, wanted to marry Guy as opposed to the elder Baldwin.
Unlike the movie, Balian actually accompanies the Jerusalem army that confronts Saladin and does not advise Guy and Gerrard against marching to the horns of Hattin, Raymond of Tyre actually pleads with the now king Guy not to go. Balian escapes the battle and returns to Jerusalem to take part in its surrender to Saladin.


Every source I've seen so far portray Saladin as a noble man Mott1 so this is hardly a plan that Scott hatched all by his own. And don't forget that the Balian character is also portrayed like a noble man.

I am not only speaking about Saladin, but how the movie potrays the Muslim as the good guys and the crusaders (especially the Templars) as the bad guys. Unlike his predecessors, Saladin was actually practical and pragmatic. This does not define someone as noble, I doubt anyone was entirely noble at that time by our standards.
After the Battle of Hattin which seen the defeat of the army of Jerusalem, "noble" Saladin had all captured Templars and Hospitaler knights beheaded one by one. Saladin gave the privilege of execution to the most fanatical non-combatant Muslim clerics who answered the call of jihad, these beheadings were often gruesomely botched by these amatuer swordsmen of the mosque. I recall watching the history channel special called the The cresent and the cross, in it an Islamic historian described this systematic execution as the Muslims version of shock and awe used by the U.S. on Saddam. He was absurdedly presenting this execution by Saladin as a brilliant tactical move as opposed to what it really was, a brutal act of villainy.
The rest of the regular Jerusalem contingant prisoners were sold into slavery, while all the lay nobles were spared by a "gracious" Saladin. This is actually a pragmatic Saladin not a noble Saladin for he knew he could exchange them for great sums of money.
In the movie Saladin kills Reynaud de Chatillon himself but this is not entirely true. Saladin first offers Reynaud to convert to Islam in classic Islamic fashion, when Reynaud refused Saladin stabbed him in the shoulder, he watched him suffer for awhile then a bodyguard decapitated him. Guy falls to his knees fearing he is next but Saladin assures him that "kings do not kill kings", that is if the enemy king is worth alot of money of course.


Rambuchan: I don't see how my supposed biased position alters the historical facts. You want my objective opinion of that time period? Ok.
Atrocities existed on both sides of the conflict, no one side was the heroic good guys while the other the villainous bad guys which is clearly portrayed in the movie.

Plotinus said:
There's nothing wrong with doing that in a film unless you actually claim that it's historically accurate.

I agree, however the producers make claims that the movie was historically accurate. The New York Times basically gushed that the Muslims at that time were bent on coexistence until the Crusaders ruined everything. And even when the Christians are defeated the Muslims were so so generous to give them safe passage back to Europe were they belong. Which is absurd and untrue.
The whitewash of Kingdom of Heaven was made for the purpose of promoting the false notion that all the troubles between the Islamic world and the West has been caused by Western predatory colonialism, and that the glorious paradigm of Islamic tolerance, a "beacon" to the world, could be reestablished if only the wicked Westerners would be more tolerant.

I don't understand the claim that the Muslims are represented as good and the Christians as bad. There were plenty of positive and negative characters on both sides (King Baldwin was incredibly positive, for example, far more than he probably was in real life). The problem with this film was the same as with all of Scott's films: every character is either completely good or completely evil, without anything in between.

I disagree with you, what Muslim character in the movie was portrayed in a negative light? What Muslim character was portrayed as a warmonger like so many are portrayed by their Christian counter-part? Yes the leper king Baldwin was portrayed as a positive character, thats probably because he was in fact a very positive figure in that time period. Historical documentation, both Islamic and Christian, demonstrate this.

Why did the Producers feel the need to demonize the Templars? Historical documentation present a different picture.

Latin and Templar/Hospitaler Middle Eastern intigration and religious tolerance is demonstrated by many Islamic documents. We owe many of these observations to Usamah ibn Munqidh, a Muslim diplomat from Shayzar.
Munqidh sheds a different view of the Templars than the one given to them in the movie, he writes:

When I used to enter the Aqsa Mosque, which was occupied by the Templars, who were my friends, the Templars would evacuate the little adjoining mosque so that I may pray in it. One day I entered this mosque, repeated the formula, "Allah is great," and stood up in act of praying, upon which a Franj (Muslim name given to crusaders, regardless of their European origin) rushed on me, and turned my face eastward saying, "This is the way thou shouldst pray!" A group of Templars hastened to him, seized him and repelled him from me. I resumed my prayers and the same man rushed on me once more. The Templars again came to him and expelled him, they apologized to me saying, "This is a stranger who has only recently arrived from the lands of the Franks and has never before seen anyone praying except eastward."

I have a problem with any historical based movie which falsifies and distorts history for the purpose of persuing an agenda.
 
Thanks everyone for your input. I'll have to watch the movie again - the extended version this time.
 
Mott1 said:
I disagree with you, what Muslim character in the movie was portrayed in a negative light? What Muslim character was portrayed as a warmonger like so many are portrayed by their Christian counter-part?

The "great cavalier among the muslims" who Balian kills in the desert isn't exactly portrayed positively.

And the cleric who advises Saladin could be any generic modern day warmongering jihadist/terrorist so I think that discludes him from being a "good guy."
 
This is kind of pre Third Crusade, and I focus more on the Crusades themselves.

Spoiler :
Just after Saladin took Jerusalem, and Orlando Bloom meets up with Richard the Lionhearted back in his hometown.

So I'm not really all that knowledgeable about it.

Though I did know that Saladin brutally beheaded all the members of religious orders that fought at Hattin (I believe). I also know for a fact that Saladin personally executed Raynald de Chatillon, as he had sworn to do.
 
The first step to take is to ask yourself - how do you know how accurate this film is? Historians will have thousands of different opinions as to every event that happened because there are no 100% accurate records of the time. Everything written down will have been biased in some way or another, so you've never got the 'truth'. To say you know this film is inaccurate is to state a given fact, because nobody has every fact right.
This leads onto my second point - does it matter if it's not accurate? If it 'feels' accurate and correct, does that not tell you enough about history really? If you wanted to be educated, a 3 hour film would not tell you enough. Historical accuracy is more than just the 'facts'. The debates here alone prove there are hundreds of ways of interpreting the events - what makes any particular interpretation more correct?

Regarding the 'kings do not kill kings' bit, this is a convention that as far as I know has some factual basis, although as to it's accuracy regarding the Crusades, I would not know.
 
Mott1 said:
Kingdom of Heaven is an appalling distortion of history. This poor excuse for a movie was sir Ridleys attempt at endorsing dishonest PC crusade history.
Kingdom of Heaven is a classic cowboys and indians story in which Muslims are noble and heroic and the crusaders are the barbarous villains. The Knights Templar in particular are unjustly depicted as cruel religious fanatic savages.
A comment I found amusing by the French actress Eva Green who played the role of Sibylla, she said "It's not like some stupid Hollywood movie" refering to sir Ridley's crusader flick. Yes Sibylla you are right. It's like some stupid English movie.

Aside from being a boring and poorly scripted movie, Kingdom of Heaven messes up names, invents fictional premises and fabricates events which amounts to nothing but a vandalization of history.
The Europeons were barbaric, cruel, religous, fanatic savages. Maybe not the templar, well even them had something wrong with them, they didnt consider muslims humans.
 
One thing the movie did get right was that a lot of the politics of that period was trying to keep Guy de Lusignan from becoming king of Jerusalem. Unfortunately they underestimated Sibylla.

The Crusaders really did go to Hattin without an adequate supply of water. I think they were counting on capturing one of the sources the Muslims were protecting.
 
It's Hollywood.
I'm im fact becoming increasingly happy with the fact that at least these super-commercial film makers are trawling through history and literature for filmable stories, settings etc.

It's all about the lowest common denominator for the largest possible audience. There's a lot of interesting history that won't get filmed as there is no "peg" with the audience to hand them upon — people in general aren't that knowledgeable or interested about history.

Those historical settings where it can be reasonably assumed people at least still know something about have a chance to get filmed. And as they get filmed the audience's awareness in reinforced. Should Hollywood abandon historical flics for long enough, my prediction is that the general western historical awareness would in fact drop.

I'm happy they made something like "Troy". I'll definately catch "300". "Kingdom of Heaven" could have been less rambling in its storyline, but I don't mind. The Brits might be upset with being the bad guys of "The Patriot" (and the English about "Braveheart") but at least some of their history gets filmed (or a butchered version of it), meaning there will be awareness and room for discussion.

I can think of one instance where Hollywood has dealt with Swedish history, indirectly, as it was a mini-series about Tsar Peter the Great of Russia, so naturally the Swedes were the Bad Guys. (Bad people really. Unlike poor, reasonable Peter.)

The historical Bad Guy syndrome in Hollywood movies is quite irritating. Otoh when someone like Ridley Scot goes off on a crusade, trying not to villify either side, it seems the lack of a clear-cut division into the Good and the Bad side means Hollywood storytelling falters.
 
AxiomUk said:
The first step to take is to ask yourself - how do you know how accurate this film is? Historians will have thousands of different opinions as to every event that happened because there are no 100% accurate records of the time. Everything written down will have been biased in some way or another, so you've never got the 'truth'. To say you know this film is inaccurate is to state a given fact, because nobody has every fact right.

If that is the case then the question you should really be asking yourself is which historical records do the producers of this film rely on and why. Ridley made this movie to provide a message to the audience or to present a "moral to the story." The PC motivations behind this movie is clear: to show that what interferes with peacful coexistence between Muslims and non-Muslims is "fanaticism," and nothing at all to do with any element of religious traditions or doctrines.
According to the Times, sir Ridley "said he hoped to demonstrate that Christians, Muslims and Jews could live together in harmony-if only fanaticism were kept at bay." This is admirable, however the irony has obviously eluded him. Ridley could not make this film without first omitting essential religious traditions that defined that time period such as dhimmi and jihad for fear of offending the sensibilities of a certain religious group. This completely undermines and insubstantiates his message that fanaticism alone is the cause of today's religious dilemma.
Their are loads of historical records and documents on that time period, historians have a very good grasp on the historical framework of the crusades. They certainly know enough to conclude that Kingdom of Heaven is a fictional movie loosely based on historical events.
Professor Jonathan Riley-Smith, one of the world's leading historians of that time period, called the movie "rubbish."

"It sounds absolute balls. It's rubbish. It's not historically accurate at all. They refer to The Talisman, which depicts the Muslims as sophisticated and civilised, and the Crusaders are all brutes and barbarians. It has nothing to do with reality."

Prof Riley-Smith added: "Guy of Lusignan lost the Battle of Hattin against Saladin, yes, but he wasn't any badder or better than anyone else.There was never a confraternity of Muslims, Jews and Christians. That is utter nonsense."

In bold is exactly what I meant about sir Ridley inventing a fictional premise. In the movie he invents a peace-and-tolerance group called the "brotherhood of Muslims, Jews and Christians" and they were enjoying their lives, then the Crusaders/Templars come and spoil everything.

Professor Riley-Smith also states:

Prof Riley-Smith added that Sir Ridley's efforts were misguided and pandered to Islamic fundamentalism. "It's Osama bin Laden's version of history. It will fuel the Islamic fundamentalists."

According to the professor, Ridley's admirable intentions with his movie backfired.

http://www.telegraph.co.uk/news/main.jhtml?xml=/news/2004/01/18/wcrus18.xml

AxiomUk said:
This leads onto my second point - does it matter if it's not accurate? If it 'feels' accurate and correct, does that not tell you enough about history really? If you wanted to be educated, a 3 hour film would not tell you enough. Historical accuracy is more than just the 'facts'. The debates here alone prove there are hundreds of ways of interpreting the events - what makes any particular interpretation more correct?

When the movie is advertised and promoted as an historically accurate movie or touted as a fascinating history lesson, then yes it does matter if the movie is not historically accurate.
People who are not historically inclined or have little knowledge of that time period will take the historical veracity of the movie at face value. It is movies like Kingdom of Heaven and PC academia that are responsible for people who have this type of thinking and mindset:

Kartik said:
The Europeons were barbaric, cruel, religous, fanatic savages. Maybe not the templar, well even them had something wrong with them, they didnt consider muslims humans.

The above is a testament to Western apologetic academia. I can only assume the reason no one rebuked Kartiks opinion is because either they agree with him or that it is acceptable to have this kind of understanding of that time period.
However If I were to make the same statement but replaced the word Europeans with Arabs, I can only imagine the lengthy admonishments and scoldings I would receive.
 
All I can say is that when I watched it I didn't get any sense that it was motivated by what you call "PC" concerns or anything similar. Even if it did present a distorted view of the period by portraying all Muslims as wonderful and all Christians as evil (which, as we've said, it did not do at all), then I don't see what's "PC" about that or what relevance it would have to the situation in the modern world.

As I understood it, the film was about the decent rulers of Jerusalem who were concerned to maintain peace between their lot and the Saracens. The decent rulers of the Saracens also hoped to maintain peace. The situation gets ruined by the Templars, who want war. I don't see how this is either anti-Christian or pro-Muslim. Neither do I see how it whitewashes one side and villainises the other. The people who are villainised are the Templars. And that's a distortion, of course - but still, they are not an entire "side" in this film. They are a faction nominally under the control of the peace-loving leaders of Christian Jerusalem.

I don't understand the claim that the portrayal of Baldwin IV is positive only because Scott was somehow constrained by history - on the contrary, although Baldwin IV seems to have been decent enough, no way was he the saint-like character who appears in this film. In reality he was much more warlike. The character of Saladin in the film was probably whitewashed to a certain extent, but still they did portray his brutality - killing a prisoner, wiping out an entire enemy army, etc. And the main event of the film's climax - the fact that Saladin allowed the civilian population of Jerusalem to leave safely when the city surrendered - was of course true.

I note that Riley-Smith's comments in the cited article make it clear that when he made them he hadn't actually seen the film, which had then only just begun shooting!

I found an interesting article here which argues that the main points of the film, including its portrayal of the Muslims and Christians, are actually backed up by Riley-Smith's own work...
 
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