christos200
Never tell me the odds
- Mongol Painting of Alexander the Great.
- Alexander the Great depicted in a 14th-century Byzantine manuscript.
- Post-Islamic Persian miniature depicting Khidr and Alexander watching the Water of Life revive a salted fish.
- Persian Painting of Alexander the Great
Look at those pictures. In one picture Alexander is a Mongol Warrior. In the other, a Byzantine Emperor. In the others, a Persian King. Alexander is part of the mythology of all people. Medieval Europeans viewed him as a Christian Knight who fought the enemies of Christianity. In Byzantium, he was viewed as a Byzantine Emperor leading his men against the enemies of the Empire. In Ancient Greece, he was seen as a God who fought with the Amazons and found the Water of Life. In Islam and the Arabs, he is seen as a Muslim King who believed in Allah and waged Jihad. In Persia, as a wise Persian King. Firdausi's Shahnameh ("The Book of Kings") includes Alexander in a line of legitimate Iranian shahs, a mythical figure who explored the far reaches of the world in search of the Fountain of Youth. Later Persian writers associate him with philosophy, portraying him at a symposium with figures such as Socrates, Plato and Aristotle, in search of immortality. In China, he is seen as fighting with the mythical Chinese heroes.
No man, except for Prophet Mohament, Buddha and Jesus, has ever been so adopted in the mythologies of so many nations and was given so diverse depictions. For example, look at this Malay epic:
Hikayat Iskandar Zulkarnain is a Malay epic describing fictional exploits of Iskandar Zulkarnain who is Alexander the Great. The oldest existing manuscript is dated 1713, but is in a poor state. Another manuscript was copied by Muhammad Cing Sa`idullah at about 1830.
One interesting aspect of the history of Isakandar Zulkarnain is his link with the Minangkabau Kingdoms of Sumatra, Indonesia. Its rulers claimed their lineage directly from Iskandar Zulkarnain. The best known Minangkabau ruler, Adityavarman, who ruled over Sumatra between 1347 and 1374 AD claimed for himself the name Maharaja Di Raja, 'a great lord of kings.' It was William Marsten who first publicized this link at the end of the 18th century. (Early Modern History ISBN 981-3018-28-3 page 60)
About the Ottomans:
At the time of the conquest of Constantinople and during the period of the reign of Mehmed II he himself had access to at least a double tradition on the figure of Alexander: first, there was the learned Greek tradition, as his library possessed copies of the Greek text of Arrian. Further, his biographer Critobulus and other Greek learned men at his court constantly compared him to Alexander and discussed Alexander with him. Ιn addition there was the long mesenvi of Ahmedi (early fifteenth century), the Iskandarname, a poem on the deeds of Alexander the Great that goes back to the Persian model of Nizami (second half of the twelfth century) in over 10,000 verses.
About the Serbs:
The Serbian version of the Pseudo-Callisthenes Alexander seems also to have been widely diffused, influential and popular among the Serbs of the Ottoman period. This is particularly demonstrable for the literary Serbian world of that period, as some 350 manuscripts of the romance are known. Marinkovic states that generations of Serbs formed their tastes, style, and literary language on the basis of this change, which in time underwent changes of language, content and tone. But though the Byzantine origin of the original Serbian is neither proven nor disproved, nevertheless, the contents go back to the Pseudo-Callisthenes.
According to the Quran (Surah 18:89-98) Alexander the Great was a devout Muslim and lived to a ripe old age.
About Greeks:
Veloudes in his remarkable book has stated that the modern Greek Alexander romance is the only one, which stands at the end of a 2,000 year development. Its development phases are not interrupted by translations from foreign languages and it is marked by an unbroken series of reworking within the same language. He concludes, from the oldest Pseudo-Callisthenes text to the last edition of the modern Greek popular book in 1926 that there is no decisive break. Naturally the question of the priority of the late Byzantine romance or the Serbian Alexandrida remains unsolved, but even if the priority of the Serbian should later be demonstrated, it would not substantially take away from the case which Veloudes has made. It would be well to pause for a moment and to consider his conclusions as they bear upon the question as to how widespread this material was among Greeks during the Ottoman period. Veloudes found and catalogues 46 separate editions of the printed form of the prose Alexander romance in Greek, the editions dating from 1680 to 1926. Thirteen, or a little over a third, date from the period before the outbreak of the Greek Revolution. Ιn the form of what he calls and defines as a Volksbuch the romance circulated among Greeks via public readings and recitations by wandering reciters, was very popular, and was heard throughout the Greek-speaking world. But beyond popular consumption, the figure of Alexander was the subject in one form or another of Greek historians during the Turkokratia, who often went back to the original sources, and of literary figures who utilized the example of Alexander only for moral, rhetorical, comparative reasons, but also as an expression of national aspirations. The uniqueness of the Greek Alexander tradition is further illustrated, Veloudes quite properly asserts, by the vast proliferation of the legend in oral materials: lore, tales, folk songs, magical imprecations. His figure early penetrated that spectacular borrowing from Turkish popular culture, the shadow plays of Karagoz. For the Greeks, the Alexander legend was extremely widely diffused in many of its literary and oral manifestations. And, as Veloudes has asserted, this was a survival and further development of the Byzantine version of the Pseudo - Callisthenes.
It is just amazing how the story of this man could spread all over the world. Do you have and other paintings/examples of Alexander in the mythology of varius nations?