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I think, Mr. Dictator, as cute as the attempt was, and as poetic as the classifications are, they are totally bogus. I have a habit of writing the majority in Dminor and I produce some very varied works.
 
Gamez (or anyone interested), where did you get most of your musical learning? School music classes, private lessons, or teach yourself?
Yes, yes, and yes. I have done all of those methods at various times in my life.

What are you guys' thoughts on this?

Spoiler :
from Christian Schubart's Ideen zu einer Aesthetik der Tonkunst (1806)

C Major
Completely Pure. Its character is: innocence, simplicity, navety, children's talk.

C Minor
Declaration of love and at the same time the lament of unhappy love. All languishing, longing, sighing of the love-sick soul lies in this key.

Db Major
A leering key, degenerating into grief and rapture. It cannot laugh, but it can smile; it cannot howl, but it can at least grimace its crying.--Consequently only unusual characters and feelings can be brought out in this key.

C# Minor
Penitential lamentation, intimate conversation with God, the friend and help-meet of life; sighs of disappointed friendship and love lie in its radius.

D Major
The key of triumph, of Hallejuahs, of war-cries, of victory-rejoicing. Thus, the inviting symphonies, the marches, holiday songs and heaven-rejoicing choruses are set in this key.

D Minor
Melancholy womanliness, the spleen and humours brood.

Eb Major
The key of love, of devotion, of intimate conversation with God.

D# Minor
Feelings of the anxiety of the soul's deepest distress, of brooding despair, of blackest depresssion, of the most gloomy condition of the soul. Every fear, every hesitation of the shuddering heart, breathes out of horrible D# minor. If ghosts could speak, their speech would approximate this key.

E Major
Noisy shouts of joy, laughing pleasure and not yet complete, full delight lies in E Major.

E minor
Nave, womanly innocent declaration of love, lament without grumbling; sighs accompanied by few tears; this key speaks of the imminent hope of resolving in the pure happiness of C major.
F Major
Complaisance & Calm.

F Minor
Deep depression, funereal lament, groans of misery and longing for the grave.

F# Major
Triumph over difficulty, free sigh of relief utered when hurdles are surmounted; echo of a soul which has fiercely struggled and finally conquered lies in all uses of this key.

F# Minor
A gloomy key: it tugs at passion as a dog biting a dress. Resentment and discontent are its language.

G Major
Everything rustic, idyllic and lyrical, every calm and satisfied passion, every tender gratitude for true friendship and faithful love,--in a word every gentle and peaceful emotion of the heart is correctly expressed by this key.

G Minor
Discontent, uneasiness, worry about a failed scheme; bad-tempered gnashing of teeth; in a word: resentment and dislike.

Ab Major
Key of the grave. Death, grave, putrefaction, judgment, eternity lie in its radius.

Ab Minor
Grumbler, heart squeezed until it suffocates; wailing lament, difficult struggle; in a word, the color of this key is everything struggling with difficulty.

A Major
This key includes declarations of innocent love, satisfaction with one's state of affairs; hope of seeing one's beloved again when parting; youthful cheerfulness and trust in God.
A minor
Pious womanliness and tenderness of character.

Bb Major
Cheerful love, clear conscience, hope aspiration for a better world.

Bb minor
A quaint creature, often dressed in the garment of night. It is somewhat surly and very seldom takes on a pleasant countenance. Mocking God and the world; discontented with itself and with everything; preparation for suicide sounds in this key.

B Major
Strongly coloured, announcing wild passions, composed from the most glaring coulors. Anger, rage, jealousy, fury, despair and every burden of the heart lies in its sphere.
B Minor
This is as it were the key of patience, of calm awaiting ones's fate and of submission to divine dispensation.

Translated by Rita Steblin in A History of Key Characteristics in the 18th and Early 19th Centuries. UMI Research Press (1983).
Interesting, since I tend to associate certain keys with colors and moods. I disagree with some of the quoted list, though.

BTW, I play the organ (the real kind, not these silly modern keyboards with everything programmed into them so you don't need to do much by yourself). I also used to play the accordion (until I lost my accordion when the basement flooded :().
 
Today I had the opportunity to play the guitar in a concert with a local Jazz Band. It went rather well, I had already knew about half the songs played, but there were a few I had trouble keeping up with. I did get a couple solos in, though. :)
 
Any recordings?
 
I had recordings of various solos, either improvised or note by note copies of other guitarists, but they were all on tapes(should tell you how old those were ;) ).

I used to compose on the computer too, later on,but gave that up as well since it took too much time and i already have my literature to express myself with.

I still think of getting new strings for the guitar,and playing again, but obviously it would take me at least one month to get my fingertip skin ready for real soloing... ;)
 
I'd give it a week, tops. :p
 
Today I had the opportunity to play the guitar in a concert with a local Jazz Band. It went rather well, I had already knew about half the songs played, but there were a few I had trouble keeping up with. I did get a couple solos in, though. :)

I'm picturing you looking around, not knowing the track, so saying fuggetit, jumping out of your jazz band chair, and shredding to the dumbfounded looks of the other band members.
 
I am a music illiterate (We had music class 2 hours a week in secondary school but we didn't really learn anything can't be taught less than an hour) But i really want to understand music. Where do i start? (don't have time or money for private lessons)
 
Having some kind of instructor is the best thing you can have. However, what kind of instrument are you interested in?
 
I am not interested in playing music. More like understanding it when i am listening. I would like to able to tell more than hmmm this is good. I would like to understand what goes in background.
 
or with composition. or with production. A lot of what goes on in music today is less compositionally interesting than it is productionally interesting.
 
what's your take on copyright issues, online download of music (legal and not), and new business models opened by internet for musicians?

I know it's really an open question... I would like to have your opinion in general on this topics and maybe ask more direct questions later.

One of the very direct is: do you believe that the current copyright system really protects the author... even when it covers his music 90 years after his death?
How would you envision a more fair system?

have you ever heard of bamm.tv ?
 
Honestly, I'd prefer a system where music that is copyrighted could still be shared for free. I think that it should only be illegal to sell pirated music, not share it.
 
I think its really only fair to share copywrite material if some other fund is established to bring down the costs for touring musicians. If musicians must depend on labels for underwriting tours, then they really deserve to get paid for those recordings. Touring is *expensive* yo.
 
Honestly, I'd prefer a system where music that is copyrighted could still be shared for free. I think that it should only be illegal to sell pirated music, not share it.
let me be the devil's advocate: if people can share, who will buy the songs?

Anyway I agree with you. if given a fair and easy system to buy single songs (like iTune started doing) then people will actually buy songs without any need of dealing with rapacious labels.
 
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