Ferocitus
Deity
Yes. I enjoyed it for what it was, not as an interpretation of Lem's story. It missed a few points.
Although Stanisław Lem worked with Tarkovsky and Friedrich Gorenstein in developing the screenplay, Lem maintained that he "never really liked Tarkovsky's version" of his novel.[29] Tarkovsky wanted a film story based on the novel but artistically independent of its origin. However, Lem opposed any divergence of the screenplay from the novel. Lem went as far as to say that Tarkovsky made Crime and Punishment rather than Solaris, omitting epistemological and cognitive aspects of his book.[30] Tarkovsky claimed that Lem did not fully appreciate cinema and that he expected the film to merely illustrate the novel without creating an original cinematic piece. Tarkovsky's film is about the inner lives of its scientists as human beings. Lem's novel is about the conflicts of man's condition in nature and the nature of man in the universe. For Tarkovsky, Lem's exposition of that existential conflict was the starting point for describing the inner lives of the characters.[31]
Lem was scathing about the 2002 version.
...to my best knowledge, the book was not dedicated to erotic problems of people in outer space... As Solaris' author I shall allow myself to repeat that I only wanted to create a vision of a human encounter with something that certainly exists, in a mighty manner perhaps, but cannot be reduced to human concepts, ideas or images. This is why the book was entitled "Solaris" and not "Love in Outer Space".
— Stanislaw Lem, Solaris Station (December 8, 2002)
Last edited: