I think George Carlin had it right when he said that elements of comedy are about a reaction to a percieved loss of power by white, straight, cismales as well as insecurities about their own place in the world. Minorities and women being less restricted represent a percieved threat to these people, one which CurstSibling is all too willing to pander to, you know, the crude base, the constant refrain of feminists as ********'s, the depiction of transpeople as ugly beasts, the co-opting of fascist imagery which is in direct opposition to minorities, the dismissal of those that take issue with the status quo as "SJWS", labelling those men that do not hold the same orthodoxy as he as being "betas" or "soyboys" or "Soymales" or whatever terminology the alt-right (purely coincidently i'm sure) currently use.
At some point it transcends being merely comedic and starts being about an ideology that is being propogated in the form of insincere, edgy, deliberately offensive media. When it's barely distinguishable from the rhetoric and actual views of fascists, nazis, bigots etc that's a big problem and not one that can be merely dismissed as "comedy".
It's the same issue that people like Stonetoss try to muddy up; that somehow comedy and parody are get out clauses when challenged about the content, implications and ideology behind media that is put out.