Probably due to individuals like confucius, mencius and laozi. Olmecs as Aesthete seems more off to me.Aesthete?
Interesting.
Probably due to individuals like confucius, mencius and laozi. Olmecs as Aesthete seems more off to me.Aesthete?
Interesting.
Probably due to individuals like confucius, mencius and laozi. Olmecs as Aesthete seems more off to me.
It seems the cover art for the Zhou is different from the Chinese culture card we already knew. Will that be a different Chinese dynasty perhaps?
I understand that there would be multiple dynasties, but what I meant was that I thought the image I posted above were the Zhou, but seeing that the Zhou have a different artwork, the dynasty above is a different dynasty from the Zhou.If the Zhou were the only one, they'd likely just call it "Chinese".
Well, it looks like Go, and that apparently got in particular famous during the Tang dynasty.I understand that there would be multiple dynasties, but what I meant was that I thought the image I posted above were the Zhou, but seeing that the Zhou have a different artwork, the dynasty above is a different dynasty from the Zhou.
Any speculation on what the dynasty in my last post might be?
We might be able to get some leads from analyzing the board game they are playing
I agree it looks like go, despite the stones not all being on the intersections of the lines. Also, the board has only 17x17 lines. I believe that by the Edo period it was standardized to 19x19; earlier boards had more variation. It's a plausible board position, could have been taken from depictions in Chinese or Japanese art. Black seems to have a solid lead.Well, it looks like Go, and that apparently got in particular famous during the Tang dynasty.
Edit: I just read it also got very famous in Japan during the Edo period. And if Edo Japan is gonna be an aesthete culture as well (as opposed to possible Japanese cultures before and after), then it could also fit, I guess.
I agree it looks like go, despite the stones not all being on the intersections of the lines. Also, the board has only 17x17 lines. I believe that by the Edo period it was standardized to 19x19; earlier boards had more variation. It's a plausible board position, could have been taken from depictions in Chinese or Japanese art. Black seems to have a solid lead.
I'm not sure the artists would go as far as to precisely look up the appropriate size of the board for the given time period and culture.![]()
Perhaps now is the time a mod should change the title of this thread? I'm sure it's a misconception that neither Firaxis nor Amplitude want to promote.
I think HK could definitely steal players from the civ playerbase. The reason is because HK has the same "stone age to space age" historical setting as civ. So HK is in the same house as civ. The thing with Endless Legend is that while it shared some 4X similarities with civ, it had a lot of fantasy elements that made it a different game entirely. There was no overlap there. HK and civ do overlap eventhough they may have some different game mechanics.
The key will be how the game plays. If HK is more "grand strategy" and tries to follow real history too much then I could definitely see civ players staying with civ since they prefer more the "what if" history of civ games. But if HK plays a lot like a civ game, just with different graphics and different mechanics, then I could see it stealing civ players. It also depends on good HK is. If the game is not that good, and releases with bugs and missing features, then no, it won't steal civ players. If HK is super good and super addictive and has that "just one more turn" feel, then yes, it will steal civ players.
Well the Zhou look pretty cool, but I can't say that I expected them to be another "Aesthete" civ. I assume this means they'll have some similarities to a culture/religious focus if we are thinking in Civilization terms.
Can anyone who has a better knowledge of Chinese history shed some light on why they may have gone in this direction rather than warmonger or something like that?