It's actually a good argument. It only doesn't work if you're taking the game far too seriously.
Specifically, Staler87 said "The game really doesn't need to have a serious tone, I mean, it is a game, I don't know about you but I do in fact play games for fun."
So by definition, they're saying that the game doesn't need a serious tone, that games should be fun. So you've completely missed their point.
No. You're reading whatever you want into a statement that has an inherent specific meaning.
There is no inherent relationship between the degree to which a game has a "serious tone" (as a whole) and the amount of fun anyone has with it. The two are completely and utterly disparate, and have no direct connection to each other whatsoever. One is a description of a
type of style, the other is a description of a
player response. The
type of style, or
type of formal attributes, of any aesthetic object doesn't factor into how much "fun" (an emotive response) it elicits in the player.
Since I repeat, almost verbatim, what you're saying I've misunderstood, in my previous post, I think it's fair to claim that I, in fact, did not miss anything at al-—and that it's not a bad idea to read texts thoroughly before responding to them.
I'm not sure what point you're attempting to make with Anchorman vs Schindlers List, but the argument doesn't hold true. Subject matter has no need to be conveyed in any other way than the artist conveying it wishes to. Mel Brooks has done comedies on WWII, it would only be an extension of that apply the same artistic formula to any given subject matter. Star Wars could have been done like any other space opera of it's era. We're lucky that it broke that mold.
So you claim my argument "doesn't hold true", then repeat one that is similar, if not the exact same, as a "counter-argument"? I don't even know how to respond to that.
Let me make this a bit easier for you.
Everything else being equal, would you think a serious monologue about the Holocaust would fit in a film like
Anchorman? What about a slapstick sequence in
Schindlers List?
If I were to say to you that both those changes in
style, or
formal qualities would diminish the extent of my having "fun", would that clear things up for you? It's not the
type of style that is the issue, it's that type of style not fitting into the existing aesthetic. I can enjoy both a "serious tone" and a "comedic tone", but if it's not integrated into an aesthetic whole that makes sense as an autonomous work, I will not be having "fun".