Glinka said:Just change, really--not advancement. Styles come and go. Complexity and contrapuntal music were big in the Baroque. Then the Classical period revolted against that. Then the Romantics revolted against what they considered the superficial simplicity of the Classical, etc. The 20th century saw plenty of self-righteous types saying they were the vanguard because they promulgated 12-tone music and later, minimalism. But then audiences got excited when a few dodecaphonists broke ranks and began writing tonal music, again. Suddenly, it was the 12-toners and the minimalists who were stick-in-the-muds, arch-conservatives, and the tonalists who had once been called old-fashioned (and worse) were radicals blazing new paths.![]()
That's the sound of a lot of people whipping out their dictionaries.




