EgonSpengler
Deity
- Joined
- Jun 26, 2014
- Messages
- 12,260
I'm not saying that it's not racist, but on this scale it involves an awful lot of humans to have them all being racist.
One of the reasons I'm a little surprised by the resistance to the very idea of systemic racism is that it would seem to take a little of the weight off the shoulders of people who don't want to examine their own baggage too closely.And indeed, if you raise the issue, they tend to get defensive. They can't be racist, they're good people.
Yeah, there's a whole [bucket]load of classic blues, soul, R&B, funk and disco sprinkled liberally throughout subsequent music (rock & roll, hip-hop, and 77 different flavors of pop). Most of the time it's fun, but sometimes it gets downright contentious (e.g. Led Zeppelin) and even litigious (e.g. C+C Music Factory; Robin Thicke/Pharrel Williams).TIL the Men in Black theme is a derivative of Forget Me Nots, a 1982 song co-written and performed by American R&B musician Patrice Rushen. Good tune.
There are millions, I'm sure, but here're a couple of my favorites:
Spoiler :
Isaac Hayes put a piano riff waaaaay in the back of "Hyperbolicsyllabicsesquedalymistic" (1969), I think around the 6 or 7-minute mark...
...and then Public Enemy took a piece of that and made it the spine of "Black Steel in the Hour of Chaos" (1988)
And Hayes' "Walk on By" was used by Hooverphonic in "2Wicky" (1996) to good effect.
...and then Public Enemy took a piece of that and made it the spine of "Black Steel in the Hour of Chaos" (1988)
And Hayes' "Walk on By" was used by Hooverphonic in "2Wicky" (1996) to good effect.
