Installment Two: The Streets of Sheffield
Sheffield wasn't quite what John Cutter remembered it to be. Getting off the train at Sheffield Station, Cutter looked about him for the comforting, familiar signs of his home town; but they were not to be seen. Instead, he saw a city in decline; the streets were dirty, homeless dressed in rags lined the sidewalks, the air was heavy with industrial smoke, and yet factories lay dead and dorment. This was not the vibrant city he had grown up in.
Cutter made his way back to his old family home. He had a simple plan: he'd walk right in the front door, walk to the ice box, grab a beer, and give his mum a hug. He couldn't imagine a happier moment.
Ten minutes' walk brought him to the old brown-brick home he had lived in as a boy. Trying the doorknob, he found the door locked. Undeterred, he knocked, knowing his mum or dad would open the door and be overcome with joy.
Cutter waited. And waited.
The door did not open. No lights were on inside the house.
Cutter decided to take a different approach; he would find his old schoolmate Oliver who lived nearby, and ascertain the whereabouts of his parents.
A few minutes' walk brought Cutter to Oliver's door. A knock on the soot-dirtied door caused it to be opened; the following moment was one of the warm reconnection between old friends. Oliver hadn't seen John in years. He invited Cutter inside, offered him a drink, and they caught up on old times.
They discussed the war, what they had been doing, old times in school; then Cutter asked the question he had come for.
"Oliver, mate, d'you know where my parents are at the moment?"
Oliver looked at Cutter sadly, but did not speak. Cutter, tired and not in the mood for solemn silences, asked again.
"I said, mate, do you know where my family is?"
"John, I hate to have to say this. Your parents are dead. Almost a year now. They were killed by a homeless fellow; he tried to mug 'em, demanded their money and your mum's jewelry. Your dad, bless his soul, tried to protect her; he stabbed 'em both to death, then run off. The police got 'im, but I don't suppose that's much comfort. I'm sorry, mate."
Cutter just sat in stunned silence for a moment. He couldn't believe it. His parents...dead.
Overcome, the usually-stoic ex-Commando got up and ambled aimlessly out of the house and onto the street, ignoring the shouts of his friend. Cutter began to walk towards his old home; a home he now realized was no longer his. Truly, he no longer had a home; he owned no house, had no family, had left his city, and was dead to his country.
Then he saw it. Out of the corner of his eye he saw the shadow in the alleyway. He heard a muffled cry of distress. The grey-shaded shapes of men who walked down the street in the descending darkness, hidden in their overcoats from the rest of the world, paid no heed to the soft cry from the alley. He wasn't sure why, but Cutter did listen to that cry. He walked, first without clear purpose, then more quickly and resolutely, toward the source of the voice. A dark alley, between two dirty old brick buildings.
A woman, not a wealthy one, a working-class woman like his mother had been. Somewhat younger, how he remembered her from his childhood. A man, clothed in rags, an unkempt beard on his face. A knife in his hand. The realization dawned on the stunned Cutter, belatedly: she was being mugged.
"You there! Stop!" he called out to the dark, unkempt figure in the alley. "Let her go!"
The man turned, surprised, and suddenly afraid began to lift the knife to her throat.
Cutter didn't know what he was doing. In a sudden burst of fury and power, he charged towards the man, and, remembering his Rugby days, squared his shoulder to the man's chest. The impact resounded in the narrow alley like a cannon shot; the man was thrown off his feet, into the blackened brick of the alley wall. Cutter grabbed the man by his throat, held him up in the air, ready to end his life with one swift and effortless move.
And then he stopped. He dropped the man to the ground, unconscience. He could not kill this man, however much he might want to.
"You'd better head along, ma'am," he said to the shocked woman. "He won't bother you any more."
The woman ran as fast as she could, unsure of who to be more afraid of: the homeless man who tried to rob her, or the madman in the iron shirt who nearly broke the blighter's neck with a Rugby tackle. In any case, she ran home, safe from harm.
The ragged man lay in a crumpled heep on the alley floor, breathing shallow breaths, his fac bloodied. Cutter ran out onto the street and summoned a policeman, who had the derelict taken into custody. Before anyone could ask Cutter's name or what had happened, he had run off.
Oliver, hearing the knocking at his door, answered it. Standing in the doorway was John Cutter, a strange look of resolve on his face.
"Oliver, do you think I could stay here for a bit?" he asked.
"Uh, sure, John, of course. I'll get a spare bed set up in the basement. You can stay here as long as you like."
That night, as Cutter lay down in an English bed for the first time in four years, images of the alleyway played over and over in his mind. And his mind kept coming back to a single image, the tiny writing on the blade of the poor man's knife:
"Sheffield Steel"
OOC: And btw, I don't have stats on the front page.