Aimee, I don't think anyone here starts flamewars over music. Last time you just yelled at us for not spending enough time reading your website; that wasn't a flame war.
So, assuming we are specifically talking about debut albums that were particularly noteworthy for one reason or another, I'll take a predictable choice and nominate Phish's Junta album, released back in 1988. These guys were either in college or just out of it and had been playing together for a few years, yet their debut album sounds unlike anything else that was going on in the late 80s. More than 20 years later, those compositions don't sound dated (though the production values do). Many of those original compositions - "You Enjoy Myself," "Fluffhead," "Golgi Apparatus," "Divided Sky," "Foam," and "David Bowie" - are still staples of the band's live sets to this day. At the time, these songs defined Phish's musical style - that prog-rock-meets-classical-symphony kind of sound (Trey was listening to a lot of Zappa back in the 80s, apparently).
Studio albums have never been Phish's strong suit - their strength lies in live improvisation - so I don't even know if I'd go so far as to call Junta a great album, in terms of evaluating the album as an art form in and of itself. But as a collection of songs unlike anything else that was popular at the time, I think it's a pretty laudable debut.
So, assuming we are specifically talking about debut albums that were particularly noteworthy for one reason or another, I'll take a predictable choice and nominate Phish's Junta album, released back in 1988. These guys were either in college or just out of it and had been playing together for a few years, yet their debut album sounds unlike anything else that was going on in the late 80s. More than 20 years later, those compositions don't sound dated (though the production values do). Many of those original compositions - "You Enjoy Myself," "Fluffhead," "Golgi Apparatus," "Divided Sky," "Foam," and "David Bowie" - are still staples of the band's live sets to this day. At the time, these songs defined Phish's musical style - that prog-rock-meets-classical-symphony kind of sound (Trey was listening to a lot of Zappa back in the 80s, apparently).
Studio albums have never been Phish's strong suit - their strength lies in live improvisation - so I don't even know if I'd go so far as to call Junta a great album, in terms of evaluating the album as an art form in and of itself. But as a collection of songs unlike anything else that was popular at the time, I think it's a pretty laudable debut.