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I see. Well your use (or lack thereof) of punctuation is surprising and compelling, very unique, very edgy. I like it, it seems to expose the narrator's (and author's?) psyche as being deeply confused yet at the same time so far ahead of his peers that he is misjudged and misunderstood, like so many other great geniuses and visionaries. I also like the style of language used, it appears rusk yet hides deeper allusions to the mind and to the darkness within. I like that. But what I like most was that it contained mermaids. I like mermaids.
 
There are like 150,000 authors who will never get published YOU WILL NEVER GET PUBLISHED.
 
I think perhaps what he meant to say was this: 1 out of every 150,000 writers gets published.
 
These paragraphs are wonderful. They have all the potential of becoming the beginning of an epic post-modernistic masterpiece that will forever change people's views on consciousness and morality. By the virtue of my free epoche with respect to the being of the experienced world, the momentous fact is that we must not let ourselves be frightened by considerations of the ego cogito and cogitationes, and the description of Tom's struggle the maitre reminds us about it. Multiplicities of immanent time call our attention to the fact that cogitationes need to be criticized with regard to their validity and range, before they can be used for the purposes of a radical grounding of the fundamental form of this universal synthesis, by the fundamental nature of multiplicities of the task of clarifying noetic acts, which is drawn to our attention by the original "reverse mermaid" concept.
 
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