Superheroes!

Comedy-man...

For a minute, I thought your first line, before I read further, was referencing an appearance by a far less known Joe Schuster comicbook character (with a slightly different variant name):

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And, there's Crusher (sometimes Rock Crusher) who later became one of the signature villains of the '80's comicbook, toy, and Saturday morning cartoon series, "COPS 'n Crooks."
 

We’re just getting started. #Superman - Only in Theaters and @imax, July 11 #LookUp #SupermanDay “Superman,” DC Studios’ first feature film to hit the big screen, is set to soar into theaters worldwide this summer from Warner Bros. Pictures.

In his signature style, James Gunn takes on the original superhero in the newly imagined DC universe with a singular blend of epic action, humor and heart, delivering a Superman who’s driven by compassion and an inherent belief in the goodness of humankind.

DC Studios heads Peter Safran and Gunn are producing the film, which Gunn directs from his own screenplay, based on characters from DC, Superman created by Jerry Siegel and Joe Shuster.

The film stars David Corenswet (“Twisters,” “Hollywood”) in the dual role of Superman/Clark Kent, Rachel Brosnahan (“The Marvelous Mrs. Maisel”) as Lois Lane and Nicholas Hoult (the “X-Men” movies, “Juror #2”) as Lex Luthor. The film also stars Edi Gathegi (“For All Mankind”), Anthony Carrigan (“Barry,” “Gotham”), Nathan Fillion (the “Guardians of the Galaxy” films, “The Suicide Squad”), Isabela Merced (“Alien Romulus”), Skyler Gisondo (“Licorice Pizza,” “Booksmart”), Sara Sampaio (“At Midnight”), María Gabriela de Faría (“The Moodys”),Wendell Pierce (“Selma,” “Tom Clancy’s Jack Ryan”), Alan Tudyk (“Andor”), Pruitt Taylor Vince (“Bird Box”) and Neva Howell (“Greedy People”).

“Superman” is executive produced by Nikolas Korda, Chantal Nong Vo and Lars Winther. Behind the camera, Gunn is joined by frequent collaborators, including director of photography Henry Braham, production designer Beth Mickle, costume designer Judianna Makovsky and composer John Murphy, along with composer David Fleming (“The Last of Us”), editors William Hoy (“The Batman”), Jason Ballantine (the “IT” films, “The Flash”) and Craig Alpert (“Deadpool 2,” “Blue Beetle”).
 
I lost track of what the MCU was doing past couple years. Looking back on Disney, and there's a show called Agatha All Along. It's a follow-on from WandaVision. It's pretty good. Kathryn Hahn is the lead. Aubrey Plaza is in it. Debra Jo Rupp also. I don't know any of the others.
 
Agatha All Along was really very good. It also has Joe Lock, the young Manx actor from Heartstopper.
 
Biggest summer block-buster movie of 2025?



‘Superman’ Faced Major Changes After Test Screenings — Reshoots, Less Humor, Shorter Runtime, New Editor & Composer​

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After today’s reveal of the “Superman” runtime, the real story might be what’s happening behind the scenes. I started asking around, and uncovered that the road to release has been anything but smooth for DC Studios’ flagship reboot.

Tensions are high at Warner Bros., where CEO David Zaslav and DC Studios leads James Gunn and Peter Safran are scrutinizing every frame to avoid another franchise misfire.

Sources close to the production say the film received a mixed reception at earlier test screening, triggering a cascade of changes. Gunn’s original cut apparently leaned heavier on humor—something the execs weren’t entirely sold on. In response, several comedic beats were cut, trimming down both tone and runtime.

More intriguingly, one of the film’s editors was quietly removed mid-process, leading to a slight reworking of the film’s structure. This was somewhat of a “tweak,” and signaled a slight shift in how the story was being presented. Some key sequences were shuffled, and minor scenes were added during recent reshoots.

The music department wasn’t spared either. A second composer was brought in late in the game to reshape the score, suggesting the tone may have been in flux as recently as a few weeks ago. It’s all part of what one insider described as a “slight course correction.”

Altogether, about 25 minutes of footage has been trimmed from earlier versions, giving the final cut a leaner feel. The adjustments hint at a studio anxious to get it right—especially with this being the first major installment in the rebooted DC Universe.

The last test screening is set to happen this week. Whether these eleventh-hour changes will pay off remains to be seen, but there is a tad more confidence now that the finished product, which is officially in the can, turns out to be a great film.

 
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