I disagree. In my opinion, the AI is a tool, not an author. So if someone used an AI to write a book, I would still consider them the author.
Ripping plagiarism-relevant chunks out of other peoples work is a problem, of course. But if it can be ensured that this does not happen, I do not see a problem in principle. If someone manages to get an AI to produce a magnificent story, I am all for it.
The real problem is that AI enables creating a heap of low-quality work that no-one really wants. The question is, how to we make efficient quality control (for all books, not just AI written books)?
Yes, if you are a decent writer. But there are certainly people who cannot write as well as an AI.
And how would you "ensure" that no plagiarism occurs?
The real problem isn't producing low-quality crap that nobody wants. The real problem is people being cheated in thinking that what they're buying is at least acceptable quality and getting nonsense instead. An even more real problem is stealing real authors' identities to market this stuff.
As for quality control... other than the mechanics of it (ie. making sure the formatting, spelling, grammar, punctuation are correct), "quality" is subjective. There are people who can't wrap their minds around Margaret Atwood's writing style, for example, and therefore deem it to be garbage. I happen to think her style is very good, and definitely different and complex in ways that a lot of other authors' styles aren't. That's one reason why it's taking literally decades for me to figure out that Handmaid's Tale/Sliders fanfic I started back in the '90s - trying to combine both Atwood's style, Sliders' characterization and dialogue, and make them a coherent, harmonious story (albeit a really violent one) is a challenge.
But at least I'm not claiming to have created either the Republic of Gilead or the characters and setting of the Sliders series. Two things that story is supposed to accomplish are to explore what happened to the Waterfords' previous Handmaid (the one who hanged herself) and find a way to get rid of a Sliders character I really loathed ('bye, Maggie, I won't miss you!). A third thing it's supposed to accomplish is to see if I'm up for the challenge of writing multiple sets of the same characters from different universes, in two distinct writing styles at the same time.
It can't be sold, of course. It can't even be offered as a free e-book. That would be illegal, and both Margaret Atwood and whoever holds the rights to Sliders would be really unhappy. I can, however, post it on a fanfiction site with the requisite disclaimers that I don't claim ownership of others' copyrighted works and make it clear what, if any, part of either Atwood's book, the 1990 movie, or the Sliders episodes I might directly quote. Those are mandatory on the fanfic sites.
Unless one uses very refined prompts, and also provides cgpt with an elaborate idea, it is next to impossible to get it to produce anything other than utter garbage.
As you can see, with the bad (very general and not leading to specific forms/themes) prompts I gave it ^^
View attachment 670165
Or, you know, maybe the typo killed it. Typos aren't as anodyne as one might think.
If anyone's wondering, yes, I have gotten cgpt to write a half-decent story. But it took time and thought on my part, and the story still isn't good.
If I ever try again, I'd first create a table of analogies and feed those to the program, before asking it to use masks for the analogies and their prompted relations and depth of relations. That might work. But obviously it would work for the same reason you can program a sprite to move differently if you wish to assign it different speed stats.
Hm. It's cute. It's even a really simple sonnet format. Parts of it make no sense, but it does rhyme.
Can machines touch the heart? Only if they're one of those Pioneer and Voyager probes that are somewhere on the outskirts of the solar system. For some reason I tend to tear up when I think of the immense journey those probes are undertaking.
There is spectrum, but the important point about plagiarism is the dishonesty between the author and the reader. If this is presented as an authoritative treatise by someone who has earned a doctorate in something, but is actually just the result of a statistical algorithm for "what are the most likely words to make a book about the Maui fire" then there is some dishonesty going on, and so "a bit like plagiarism".
What is a "plagiarism-relevant chunk"? We probably will over the next year or two know a lot more about what makes up enough to be a count as a derivative work, and what is fair use in this area, but unless microsoft completely losses with the Github Copilot case then I think the creative output is definitely not going to be a copyright breach of its source. Unless a plagiarism-relevant chunk is the same as that, in which case is it different from copyright breach, then that does not help us anyway.
As far as the general question of how much we should allow AI to intrude into the market for creative work, I think it is likely to be unstoppable and we should benefit in aggregate, but I definitely see problems and I expect there will be many more that I do not see.
The way it has always worked before is you have trusted reviewers. It seems it must be possible, between hard encryption ensuring text is produced by who it says it is produced by and the general tend for people to talk about cultural works online should allow the better works to float to the top of the pile.
There are reviewers that are actually just "house names". I giggle whenever I hear someone brag that "Harriet Klausner" liked their book. If this was a real person, she'd have to read and review over half a dozen books a day, 24/7/365, and that's a conservative guesstimate. There is an insane number of reviews attributed to Klausner. It's impossible for one person to produce all that. This has been going on for a very long time.
Mediocre and would-be writers who cannot sell their own work will be the ones who use AI in an effort up their game and try to earn a living through AI books. Good writers don't need AI. Bad ones will try to get the AI to "write like Stephen King". Seems to me that AI writing will flow into fanfiction easily since there are no copyright issues. And what about NaNoWriMo? A couple of thousand words a day might pretty easy for AI. Planning an AI written book is not writing it; it just producing it. Editing after the fact is editing (a different job) and not writing it. AI is for the untalented and the unskilled. That doesn't mean it won't have it place though.
Okay, maybe I should take a crack at this. Offer an AI the same prompts that Merlin fanfic writers use for their Whumptober stories (a fanfiction event that takes place in October, where the goal is to produce 31 short stories that use one or more prompts that have been provided) and see if the AI comes up with anything close to some of the stories I've read (I've never tried this event myself, though I'm considering it as a warmup to the November NaNo). To succeed, the AI's story will either have to make me laugh and giggle for at least 5 minutes, or be moved to cry over one or more of the characters, while providing a good exploration of character and/or an adventure.
That's what humans produce for this event (some of those stories will be among my fanfic recommendations when I get that thread going in A&E). And even though I'm not into the explicit smut part of the 'ship stories, I wonder what an AI would come up with.
As for NaNoWriMo, of course a couple of thousand words/day would be easy for an AI. An AI could do it in seconds, right? Maybe a few minutes? After all, there's no real thought involved, just lifting material from this and that source, and throwing it together. Just think - if I really wanted to cheat, I could have my 50k words done in the first half hour.
And y'know what? I'd be disqualified. Do you really think NaNoWriMo is some place where there are no rules?

The most words I ever did in a single day numbered about 8500 or so (I'd have to look at my old notes to be sure). That was on November 30, 2018, when I had to cram 4 weeks' worth of writing into 3 weeks due to the worst case of writer's block I'd ever had taking up the first week. I validated at less than 5 minutes to the deadline.
Obviously 8500 words/day is doable by a human. Even 10k/day is doable, if you've got nothing else to do all day and your hands don't cramp up (writing that much in a day is physically painful, particularly when you've got that 11:59 pm deadline looming and 2018 was one of the years when you had to copy/paste everything into the part of the site where it would validate the number of words you did, in order to claim a win; it's on the honor system now).
My BS detector would go off if someone claimed much more than 10k/day, though. NaNo's BS detector would probably go off for something like 15k and over.
You know how in some stories the protagonist in a way is not a character but the world itself, which sets a trap or presents other danger? (eg a famous one on the web is Enigma of Amigara Fault). Imagine being in a world with traps but lacking awareness not only of the traps existing, but the very notion of trap. And then there are the bad limitations of ai.
Hm. I'm reminded of Alan Dean Foster's Mid-World novels. Mid-World is a planet almost completely covered in jungle, where about 99% of it wants to eat you in some way or use you to help it propagate. Nevertheless, there are humanoids living there who have figured out how to do it safely. Visitors to the planet usually end up dead because they don't know what's safe and what isn't. Even escaping to a mountaintop isn't safe, because there are plants with tendrils that will reach out of the canopy to try to drag you back so they can kill and digest you.
Mid-World itself is as much a protagonist as Flinx (the human who visits there).
Ditto Majipoor, in Robert Silverberg's novel
Lord Valentine's Castle. Majipoor is an immense planet, home to humans and many other sentient species, very Earthlike, and is amazing. Silverberg has always refused to allow his Majipoor novels to be optioned, as he has NO trust in Hollywood to do justice to either his world or the characters populating it. And that's a shame; even
Lord Valentine's Castle itself would make a great miniseries. There's too much to cram into a single movie, though if it were ever done as a 2-part movie, I know exactly where I'd put the dividing point (it would be quite the cliffhanger).
In general, yes, but when it comes to writing books, AI replacing humans requires new skills. The skill will be in writing the best prompts not stories, characters or coherent text. Creative "programmers" will get the best results. The question remains whether or not those with the "talent of Stephen King" can coax their brains to write good enough prompts to replace the hard work of writing from scratch.
Writing a good prompt is no guarantee of a good story.
AI certainly can DM for DnD
It can, but it's inadequate. A good DM has to be flexible and creative, which an AI DM cannot do.