EgonSpengler
Deity
- Joined
- Jun 26, 2014
- Messages
- 12,260
Yes, anyone who watches these movies and ignores their social commentaries or political subtexts can enjoy them just fine, but I think anyone who did really missed a lot:I agree that these deliberate aspects of the movies exist, but in my opinion they are nothing more than finishing touches, painted on the near-finished product as an afterthought, rather than being an attempt to attempt to revolve the movie around them.
They're all a bit hollow when compared to movies that pull off these things in style, such as say.. oh I don't know. Citizen Kane? Or whatever.
The focus is fights, action, explosions, sex appeal, and other such things that will attract the desired demographic (males, 18-30?) to the theatre. The things you mention are inserted overtop, in an attempt to make the movie a bit less cartoony and a bit more "realistic", perhaps gritty, perhaps relatable to some sort of political controversy or point of interest.
It adds a bit more depth to the movie, but not really that much. It's for the most part, with a couple exceptions, seriously lacking. I mean, it's perfectly appropriate for the sort of movies that they are (action movies), but I don't think we should be trying to convince ourselves that they're anything but.
In The Winter Soldier, the question of who really serves the interests and upholds the ideals of our country was basically the entire movie. Who was really the true winter soldier? Bucky or Steve? And while the connection between Steve and Sam, that they're both war veterans dealing with readjusting to civilian life, was a subplot, it was pretty important to the characters and their instant friendship.
In Iron Man, Tony's anger and sense of responsibility upon the realization that the terrorists were using Stark Industries weaponry against civilians was a vital part of his character arc, and his disagreement with Obadiah over their role as iron-mongers was the central conflict of the final act.
In X-Men, the allegory about the difficulty of being a persecuted or oppressed minority is in the movie's, ahem, genes and the "Martin and Malcolm" relationship between Prof. X and Magneto is the whole reason they're in conflict. There would be no movie without that allegorical, "frenemy" relationship.
Nolan's Batman movies practically bludgeoned me into submission with their socio-political commentary. My ears are still ringing. (The 2nd and the 3rd movies, at any rate, I don't really remember the first one.)
You could watch any of these movies just for the pretty people and the explosions, but I think you would be really missing out. Maybe I've misunderstood what you think we're trying to convince ourselves of.