1500 Out of 12 million Germans, only 1.5 million live in cities. With 50,000 inhabitants, Augsburg is the largest city, followed by Cologne (40,000) and Nuremberg (30,000). In Free Imperial Cities (Freie Reichstädte) such as Basel, corporations (Zünfte) are represented on municipal councils, along with members of patrician families (Geschlechter).
early 16th century Swiss physician Philippus Aureolus Paracelsus (ca. 14931541) rejects the prevalent medical belief of his time that physical illnesses are caused by an imbalance of the body's four "humors" (melancholic, choleric, sanguine, and phlegmatic). He proposes instead that the body is weakened by external conditions and toxic agents, and may be treated with a number of chemical remedies. Although influenced by contemporary mysticism and the occult, Paracelsus' medical observations lay the foundation for modern diagnostic methods.
1509 Merchants and bankers Ulrich and Jakob Fugger, among the wealthiest men in Europe, sign an agreement with the Carmelites of Augsburg for the construction of a funerary chapel for themselves and their deceased brother Georg in the convent church of Saint Anna. Often in Venice for business, they wish to emulate the example of Italian merchant dynasties. Jakob Fugger insists on the consistent application of Italianate forms and ornaments. Although the Fuggers have every means to award the ambitious project to a Venetian master, they ask Dürer to design the tombs and entrust the execution to an Augsburg workshop, presumably the Daucher firm. Completed in 1517, the Fugger chapel is the earliest and purest example of German Renaissance architecture; the Fuggers' status ensures that its influence resonates immediately throughout the empire.
15111516 Matthias Grünewald (1475/801528) paints a double set of wings for a large shrine, delivered by Strasbourg sculptor Niclaus of Haguenau before 1505, for the high altar of the chapel of the Antonines at Isenheim in Alsace (Musée d'Unterlinden, Colmar). At this time, the Antonines run a hospital for plague victims and sufferers of ergotism, a disease with plaguelike symptoms, who are probably able to identify with the imagery of this altarpiece. On the closed wings of the polyptych, they may see a parallel for their ailments in the tortured, already decomposing Christ towering over a barren landscape and a night sky in one of the most disturbing renderings of the Crucifixion. On Sundays, the shutters are opened to reveal the Nativity accompanied by an angelic concert, with the Annunciation on the left and the Resurrection on the right. With strident chromatic contrasts, the interior is as luminous as the exterior is dark. On high feast days, a second set of wings with scenes from the life of Saint Anthony flanks his carved effigy.
by 1515 Polish astronomer Nicolaus Copernicus (14731543) develops the heliocentric theory of planetary motion, proposing that the earth and other planets move in orbit around a stationary sun. This opposes Ptolemaic theorywidely accepted through the sixteenth century and incorporated into church doctrinein which Earth is the fixed center of the universe. Copernicus provides a catalyst for the surge of astronomical study and discovery that begins in the sixteenth century; his ideas are taken up by Galileo in Italy, and by the Danish astronomer Tycho Brahe and his assistant Johannes Kepler, who further define the laws of planetary movement.
1517 Martin Luther (14831546), professor of theology at the University of Wittenberg, posts his 95 theses regarding corruption within the Roman Catholic Church. Convinced on studying Saint Paul that salvation is achieved through faith alone, he questions the validity of an organized church and is particularly enraged at the sale of indulgences (the temporal remission of punishment in Purgatory). This act precipitates the Reformation in Germany, and for it Luther is excommunicated in a papal bull of 1520. He takes refuge at the Wartburg, castle of Elector Frederick III the Wise of Saxony, where he completes a German translation of the New Testament. During Luther's exile, Philipp Melanchthon (14971560) prepares the Augsburg Confessiona statement of Lutheran belieffor the Diet of Augsburg in 1530. Emperor Charles V rejects the Confession, and tensions between the Catholic emperor and Protestant princes persist until a temporary settlement is reached in 1555. The Peace of Augsburg of that year establishes that the religion of each state of the Holy Roman Empire is to be determined by its ruler.
15191556 Charles V is Holy Roman Emperor (also king of Spain as Charles I, r. 151656). His reign is beset by religious and political turmoil, including peasant uprisings (152426), Ottoman assaults on Austria and Hungary, and the Habsburg-Valois Wars, an ongoing struggle with French king François I for possession of several Italian states. Although François relinquishes his claims in Italy, in 1526 he organizes an anti-imperial alliance with various Italian states, leading to the invasion of Italy and the sacking of Rome (1527) by an imperial army. Charles is then crowned in Bologna in 1530. He summons the celebrated Venetian painter Titian (ca. 14881576) to Augsburg in 1548, where the artist executes numerous portraits of the emperor and members of the nobility.
1521 Desiderius Erasmus (ca. 14661536) settles in the Swiss town of Basel. An influential scholar and author, Erasmus at first supports the church reforms called for by Luther, later dismissing them as too radical. Erasmus' works of the 1520s reflect the broad scope of his intellectual interests and lifelong concern with the advancement of scholarship, and include treatises on the education of children, the reshaping of classical form in modern dialogue, and the art of letter writing.
from the 1520s Considering religious images idolatrous, Protestants stir a wave of iconoclasm that persists until the Counter-Reformation at the century's end; thousands of artworks are destroyed.
1526 Hans Holbein the Younger (ca. 1497/981543) paints his last and most complex religious work before leaving Basel for England: the Virgin with the Family of Jakob Meyer (Schlossmuseum, Darmstadt). In a decade when Basel adopts the Reformation and iconoclasts destroy much religious art in the city, Burgomaster Meyer remains staunchly Catholic. The altarpiece is intended for his private chapel on his estate outside Basel, where it would be seen by very few, a matter of great concern to both patron and artist. The Virgin's mantle stretches to cover Meyer's shoulders, following the traditional iconography of the Virgin of Mercy. The altarpiece, however, reflects the degree to which Holbein has assimilated the lessons of the High Renaissance, either through a hypothetical journey to Italy or through Italian works of art north of the Alps: its pyramidal composition derives from Raphael, the chiaroscuro in the faces owes much to Leonardo, and the gesture of the Christ Child, reaching out toward the viewer, is borrowed from Michelangelo. The painting, which appears to be a continuation of the viewer's world (the younger Meyer child nearly falls in our direction), would have offered justification and comfort to Meyer in his attachment to the Catholic faith.
1556 Charles V resigns the imperial crown, formally abdicating in 1558. He divides the empire between his son Philip, to whom he gives the Spanish kingship, Naples, and Sicily, and his brother Ferdinand, who receives the Austrian territories and succeeds Charles as Emperor Ferdinand I (r. 155864). Ferdinand resides at the Hofburg in Vienna, the traditional home of the Habsburgs. Having suffered a severe fire in 1525 and Ottoman siege in 1529, the city benefits greatly from imperial patronage under Ferdinand and his son and successor, Maximilian II (r. 156476). Ferdinand encourages a flourishing of Italian art at his court, and Maximilian commissions a summer palace, the Neugebäude, that sets the precedent for a surge of construction at mid-century.
1576 Rudolf II, son of Emperor Maximilian II (r. 156476), king of Hungary from 1572 and Bohemia from 1575, is elected Holy Roman Emperor (died 1612). He establishes his court in Prague, which becomes a center of Mannerism. Rudolf surrounds himself with painters such as Bartholomeus Spranger (15461611), Giuseppe Arcimboldo (15271593), Hans von Aachen (15521615), and the Dutch sculptor Adriaen de Vries (1545/461626).
1600 The Frankfurt-born painter Adam Elsheimer goes to Rome, where he remains until his early death in 1610. On his journey, he passes through Bavaria and Venice, where he sees works by Albrecht Altdorfer, Veronese, and Jacopo Bassano, whose styles inform his own. He is especially celebrated for his small-scale works on copper, which display both a miniaturist's feeling for sharp detail and the monumentality of Roman Baroque work.
1614 The devoutly Catholic Habsburg emperor Ferdinand II (r. 161937) invites Jesuits, Theatines, Augustinians, and other missionary orders to Vienna in order to convert his many Protestant subjects. Most of those who answer the call are Italians, who bring with them Italian architects and artists to build churches for them, as well as composers and musicians to animate their liturgy. As a result, the Roman Baroque style, a primary source for the Viennese Baroque of the late seventeenth and early eighteenth centuries, is introduced into the Habsburg capital.
1618 In Prague, a predominantly Protestant city, a mob of citizens angrily throws the resident Habsburg governors from a castle window. This so-called Defenestration of Prague marks the beginning of the Thirty Years' War, in which the ambitions and animosities fueled by the Reformation in central Europe erupt in a generation-long conflict. The situation creates a slim market for painters, sculptors, and architects, and stalls the training of apprentices in those arts. As a result, when peace is declared in 1648, few central European artists are available, and commissions go instead to artists recently arrived from Italy and France.
1631 The wealthy mercantile city of Augsburg in southern Germany, eager to protect itself against the mounting dangers of war, sends an ebony cabinet of local manufacture as a diplomatic present to one of the belligerents in the Thirty Years' War, Gustavus Adolphus, king of Sweden. Intended as a microcosm of the entire world, the cabinet (now in the Universitet Konstsamling, Uppsala) incorporates precious materials, the work of several skilled craftsmen, and the learned advice of the humanist scholar Philipp Hainhofer. A generation later, after the conclusion of the Thirty Years' War, Augsburg has become an important center of production for luxury furniture, including pieces embellished with silver overlays, hardstones, exotic woods, and a profusion of classical ornament. Noblemen throughout central Europe, fascinated by wonders and eager to impress their own courts as well as their rivals, eagerly collect these splendid pieces.
1634 A group of Jesuits recently arrived in the Hungarian town of Györ begin to build a church there, dedicated to Saint Ignatius Loyola. The central section of the facade, like a Roman Baroque structure, is crowned with a rounded pediment flanked by volutes, but the towers on either side are crowned with squared onion domes of local inspiration. Encouraged by the Habsburgs in their efforts to convert the largely Protestant Hungarian population, the Jesuits launch another program of artistic patronage in the 1740s, when they commission ceiling frescoes and altarpieces by Paul Troger (16981762), the most celebrated painter in Vienna at that time.
1640 Frederick William becomes elector of Brandenburg in northern Germany. Under his leadership, Prussian armies repeatedly triumph, leaving him in a position to challenge the authority of the Habsburg emperors to whom he is nominally subject. In keeping with his growing ambitions, he invites engineers and architects from Holland to enlarge the city of Berlin by draining marshes, extending parks, and constructing new planned neighborhoods. His rule raises Prussia to new prominence in European affairs, and he is remembered as the "Great Elector." When he dies in 1688, his heir sees the chance to build on his foundations and, in 1701, is crowned King Frederick of Prussia.
1648 György Rákóczi II becomes prince of Transylvania, a region whose boundaries embrace parts of modern-day Hungary and Romania. Long subject to Ottoman rule, Transylvania is still nominally part of the Ottoman empire, but under the energetic leadership of the Rákóczi princes in the first half of the seventeenth century, it enjoys considerable independence.
1667 For his court in Vienna, the Habsburg emperor Leopold I (r. 16581705) spends lavishly on an equestrian ballet meant to demonstrate the splendor of his rule. The spectacle involves fleets of ships afloat on artificial lakes, parades of horses and carriages, some seeming to fly through the air, and thousands of fireworks sent up around models of Mount Etna and Mount Parnassus.
1669 The Hanseatic League meets for the last time
1683 Ottoman armies sweep westward through Hungary and lay siege to Vienna. An army led by the Polish king John III Sobieski (r. 167496) and commanded also by the twenty-year-old Eugene of Savoy (16631736) at last relieves the city, and the Ottomans are driven back to their former borders. The memory of the Ottoman campaign, however, leaves a profound impression on the arts in the Habsburg lands. Vienna becomes the chief residence of the emperors, an imperial capital in every sense. The city center must accommodate the enormous number of personnel employed at court, which by 1730 comprises a quarter of Vienna's population.
1689 Stanislaus Studzinski completes the organ in the abbey church of Lezajask in eastern Poland. Situated in a region through which hostile armies repeatedly march, the monastery is surrounded by imposing fortifications, but inside is sumptuously adorned. The cases for the organ pipes, lavishly embellished with gilt wooden sculptures of classical and biblical personages, complement the ornately carved choir and altar furnishings. The interplay of differently treated wooden surfaces creates a visual effect reminiscent of contrapuntal music, the sort played on the organ here and elsewhere in the Baroque period. Two of the most celebrated Baroque composers, Johann Sebastian Bach and Georg Frideric Handel, are born in Germany in 1685.
1690 The Habsburg court sculptor Matthias Steinl (ca. 16441727) carves an equestrian statue of Leopold II (today in the Kunsthistorisches Museum, Vienna). Although Leopold (r. 179092) fled from Vienna during the Ottoman siege, in the statue he is shown on a rearing horse below whose hoofs a Turkish adversary cringes in defeat. A fine example of the Austrian Baroque, the statue displays a feeling of heroic drama typical of Italian work as well as ornamental details derived from late Gothic sculpture, such as the fine curls of the horse's tail and the elaborate patterns of Leopold's saddle cloth.