Chuck Norris vs Communism (History Documentary)

[abradley]

Hattip to NefariousKoel

Chuck Norris vs Communism (History Documentary)

No this isn't a 'Missing in Action 1001', rather about sneaking western films into Romania where they were dubbed in Romanian and people would gather to watch, wondering at all the goodies the capitalist west took for granted.

6/10 A Nostalgia Soufflé
http://www.imdb.com/title/tt2442080/?ref_=nv_sr_2
22 July 2015 | by tributarystu (Timisoara, Romania) – See all my reviews
In spite of being born towards the end of the 80s, I recall several "Margareta Nistor movies", her trademark dubbing scarring my youth alongside the zombies of Return of the Living Dead. It's funny, particularly because her often inflection-less voice made the humor of the movie much harder to understand at the time. Then again, maybe that had more to do with me being less than a decade old myself and thinking I might be immune to the undead.

At its heart, CNvsC is a film about the passion of movies. During communist Romania, in the especially dire last ten years of Ceausescu's reign, an illicit business venture involving the dubbing, copying and distributing of Western cinema spawned and spread like wildfire in what became a cultural landmark of the times. Rocky, Missing in Action, Once Upon a Time in America, Bloodsport, Dirty Dancing are just some of the many movies featured. Using current day interviews with both the protagonists of the movement (foremost Mrs. Nistor as the "localization" specialist, Mr. Zamfir as the ambivalent VHS peddler) and Romanian personalities, as well as laborious reenactments of key events, director Calugareanu portrays the dichotomous fear/love relationship of treading the anti-establishment line. At its best, the film is humorous and playful, insightful with a dark edge in exploring the oppressive machinations behind the scenes. While hyperbolizing, it sets itself up as a thoroughly enjoyable ode to a movement that played a part in empowering the Romanian people.

But the causation is forced and based on weak evidence. The urge to make such a powerful claim and even the attempts of dramatizing certain events play against what CNvsC is really strong at: highlighting the cultural impact and the adventurous affairs surrounding a seemingly banal act of translation. What it fails to do is look beyond the immediate effects of the whole process and the romance of movies as an escape from the everyday. Questions like how the exposure to a fairly homogeneous body of films affected Romanians' world-view, especially given that most of the films were not quite paragons of Western film-making, is not tackled. Nor is the matter of how the practice of what essentially is piracy contributed to a certain cultural acceptance of digital duplication in decades to come, as seen across the Eastern block. At the screening, Nistor mentioned that she had met her counter-parts from Estonia or Russia, who were different to her only in that they were all men.

So, while on the one hand the documentary works as a look into a pretty special phenomenon, it is frustrating that it avoids going deeper into either the social ramifications, or further exploring the more personal experiences of the likes of Mrs. Nistor to let the local interpretations take hold of an otherwise too descriptive approach - aimed to a more universal audience, with little knowledge of Romanian oddities.

https://www.youtube.com/watch?v=Tpy...eKedbEoM7minpelfyw-KKiMusozORAg&nohtml5=False

NefariousKoel:
"A documentary about the people distributing & watching forbidden western movies in Ceaucescu's closed Communist Romania during the 80s.

http://www.imdb.com/title/tt2442080/?ref_=nv_sr_2


A good watch.

-Just showed up on Netflix-

I had seen/read a few accounts of people watching the illegal film & music stuff in that period, smuggled in under the restrictive communist regimes. But nothing that also covers those who were actually sneaking them in, translating, and distributing them. The end viewers' accounts are also quite enjoyable."

 

[warpus]

Westerns were super popular in Poland when I was there, as a young kid, during communist times. They weren't easily accessible, but everybody knew what they were. I had an uncle who owned a mink farm, I'm not sure how he owned a business under communism, but whatever, he was the "rich" member of my dad's side of the family, he could afford a decent car, colour TV, and VCR. When I visited him he would show me movies like Smokey and the Bandit, which is not a western, but.. it sort of bleeds America in the same fashion.

Anyway, my point is that Walker, Texas Ranger is a very popular show in Poland, or at least was about 10 years ago. My grandfather watched it religiously.

 

[Archbob]

Reagan didn't defeat the Soviet Union, Chuck Norris did.

 

[Wrymouth3]

Osterns are actually a very good genre and shot pretty well. I urge anyone with remote interest to give White Sun of the Desert a good look.

 

[Zkribbler]

Reagan didn't defeat the Soviet Union, Chuck Norris did.

No one defeated the Soviet Union. It collapsed because of its own internal rot. Marxist-Leninism was a bankrupt economic model which was foredoomed from the beginning.

"Mr. Gorbachev, tear down this wall!" These bold words did nothing. Mr Gorbachev did not tear down the Wall. Mr. Reagan did not tear down the Wall. The people of Berlin came out one night with sledge hammers and chisels and tore down the Wall.

 

[Lay_Lay]

Gorby was all, "Tear down your own stupid wall. I didn't put it up."

 

[REDY]

Osterns are actually a very good genre and shot pretty well. I urge anyone with remote interest to give White Sun of the Desert a good look.

Thank you for tip. My favorite movie all the time is Lemonade Joe, or the Horse Opera. My previous avatar was from this movie. But its pure comedy

 

[abradley]

Osterns are actually a very good genre and shot pretty well. I urge anyone with remote interest to give White Sun of the Desert a good look.

Watched and enjoyed.

Thanks.