...Until they lead to bad actions, cruelty, or oppression.Personal aesthetic preferences can be neither right nor wrong.
...Until they lead to bad actions, cruelty, or oppression.Personal aesthetic preferences can be neither right nor wrong.
Actually, when the author describes a character a certain way, I appreciate when casting is at least close to that description. David Lynch got it right with Duke Leto and Lady Jessica in his movie. He got the Fremen right. He got Paul's hair color right, but Kyle MacLachlan didn't look like a small teenager. In this instance, I will admit that Timothee Chalomet's casting as Paul in the new movie was more accurate because he physically resembles Frank Herbert's description of Paul (at least in look; I'm not sure how tall he is). He looks young. And he's not blond, like the miniseries Atreides.Sure, but this is your interpretation. That doesn't make the casting inherently correct. It just means you've found a reason that satisfies your own threshold of tolerance in an adaptation.
As long as this "reflection of society" doesn't veer off into the ridiculous, as Villeneuve's excuse for genderswapping Liet-Kynes is. There was no valid reason for it, and his excuses don't wash. For those of us who delved into the broader Duniverse and looked beyond the bare novels into what sort of place the Imperium itself is, this miscasting just breaks the fourth wall.I think a lot of this ultimately comes down to preference, rather than "right" or "wrong". You seem to prefer adaptations to be as accurate as possible (like Akka, I believe).
We're going to see that happen less over time, as casting calls get more diverse simply as a reflection of society. It doesn't have to be anything political, or some kind of social commentary. Of course, it can be, and the difference in our opinions will be our tolerance for that, generally.
...Until they lead to bad actions, cruelty, or oppression.
Indeed. If someone's preference is for all white actors in a show that does not need it and the person is loud about it, then that should be called out.
Same with preference for black actors in roles that don't need it or is even causes problems with the story.
Why are black actors to be limited to only roles that require black actors?
Most roles in a contemporary setting work equally well regardless of race.
Please don't try strawman argument, that's dishonest.
There are roles that require actors of suitable race and/or sex. Anne Boleyn, for example. Or, as was mentioned here, Fringilla from Witcher-in books, her semblance to another person played role in plot. Both roles show heavyhanded tokenism that's unfortunately endemic to modern entertainment industry.
You were the one objecting to black actors in roles that don't need them.
While I agree with this, I think the point some people are raising, including myself, is that if you want to cast Frodo as black, or Asian, or Indian, or whatever, you need to cast the whole Shire as that race. What you can't do, & still maintain story integrity, is to have a remote area like The Shire where travel more than a few dozen miles away is nearly unheard of & different races (be they mythical or like our world) are an unusual spectacle to be remarked upon by the inhabitants, is to have that area be an entirely integrated, fully diverse melting pot.I personally can't see any difference in (for example) Frodo's character, because his defining characteristics were his relative youth, his proximity to Bilbo (who was seen as a hobbit who had gone a bit wrong, doing adventures and other stuff) and . . . from memory, his association to Gandalf and I think elves too?
...Until they lead to bad actions, cruelty, or oppression.
That is not what I said.Indeed. If someone's preference is for all white actors in a show that does not need it and the person is loud about it, then that should be called out.
It is a sign of a culture in transition.Both roles show heavyhanded tokenism that's unfortunately endemic to modern entertainment industry.
No. I object to black actors in roles which are unsuitable to them. Do you understand the difference?
It is a sign of a culture in transition.
That wasn't what you said. To quote you again, Same with preference for black actors in roles that don't need it
That is what is interesting about transitions; you often cannot predict what future they hold. In this case I think we are moving into a period where hyper individuality will some kind of norm. The simplicity of three races and two genders will fade into one race and a multitude of individual categories by which one can classify oneself.Transition to what exactly?
I have no opinion on said genderswapping, sorry (I'm only tangentially familiar with Dune), but I would still insist this comes down to a personal threshold of the suspension of disbelief.As long as this "reflection of society" doesn't veer off into the ridiculous, as Villeneuve's excuse for genderswapping Liet-Kynes is. There was no valid reason for it, and his excuses don't wash. For those of us who delved into the broader Duniverse and looked beyond the bare novels into what sort of place the Imperium itself is, this miscasting just breaks the fourth wall.
My question in this specific scenario would be: why does the whole Shire need to be? The first Dwarf Lords were hewn from stone by . . . I want to say Aule. I don't have the Silmarillion or the umlaut to hand, nor the energy to Google (I'm about to crash for the evening, hah). Hobbit ancestry is even more vague than that. We're talking mere skin tone here, not necessarily the entire culture of a specific real-world demographic.While I agree with this, I think the point some people are raising, including myself, is that if you want to cast Frodo as black, or Asian, or Indian, or whatever, you need to cast the whole Shire as that race. What you can't do, & still maintain story integrity, is to have a remote area like The Shire where travel more than a few dozen miles away is nearly unheard of & different races (be they mythical or like our world) are an unusual spectacle to be remarked upon by the inhabitants, is to have that area be an entirely integrated, fully diverse melting pot.
This makes perfect sense to me. Of course that is your personal preference, which is going to be shared to some degree, by some people, and not shared, in differing degrees, by others.Actually, when the author describes a character a certain way, I appreciate when casting is at least close to that description.
I get what you are saying and it makes sense, but I want to pushback a little on this concept. The first thing that jumped into my mind when I read this was squirrels. What I mean is, that squirrels come in a variety of colours, from brown to reddish-orange to jet black, in addition to the common familiar gray that we are all most familiar with, and they all live in the same areas, sometimes.While I agree with this, I think the point some people are raising, including myself, is that if you want to cast Frodo as black, or Asian, or Indian, or whatever, you need to cast the whole Shire as that race. What you can't do, & still maintain story integrity, is to have a remote area like The Shire where travel more than a few dozen miles away is nearly unheard of & different races (be they mythical or like our world) are an unusual spectacle to be remarked upon by the inhabitants, is to have that area be an entirely integrated, fully diverse melting pot.
Hobbits in The Shire are all played by Pacific Islanders or Hispanics is OK*. Hobbits in the Shire are a modern mix of races like you would see in a Los Angeles (for example) is not OK*, because it breaks the structure of the world as it has been built.
So you're dismissing my views about something you admit to being "only tangentially familiar with").I have no opinion on said genderswapping, sorry (I'm only tangentially familiar with Dune), but I would still insist this comes down to a personal threshold of the suspension of disbelief.
Fine, and to take your metaphor literally... if I were to use squirrels in a story and used a type of squirrel not native to the region where my story takes place, someone very familiar with squirrel habitats would be justified in saying, "You made a mistake."Sommerswerd said:The first think that jumped into my mind when I read this was squirrels. What I mean is, that squirrels come in a variety of colours, from brown to reddish-orange to jet black, in addition to the common familiar gray that we are all most familiar with.
I absolutely appreciate your opinion. I'm not sure how you got to the notion that I'm dismissing it just because I'm saying it's your own personal preference.So you're dismissing my views about something you admit to being "only tangentially familiar with").
I cut your quote for brevity, but I get what you're saying. But! I feel like you can't really compare squirrels to humans, or hobbits. It's just not a good analogy, if only due to lifespans & completely different pressures of natural selection. Squirrels live, at most, 20 years, tops (had to Google that myself). Also, you're getting into evolutionary pressures about how natural selection might favor certain random mutations over others over a *super long*, almost unfathomable to us, period of time. Just a bad analogy, IMO, no offense.I get what you are saying and it makes sense, but I want to pushback a little on this concept. The first thing that jumped into my mind when I read this was squirrels. ...
I've said earlier in the thread, if people want to add diversity to an existing story, that's all well & good, but... it's clearly an "outside the story" reason, i.e. to satisfy modern sensibilities. As opposed to an in-story reason.I think that 20 years ago, I would have agreed with your point without question, but a non-insignificant of the shows/movies that are coming out nowadays are very casual about the race/ethnicity of the characters and generally its fine.
That is not what I said.
Okay, fine. I've just figured out how to appease you. Let's ban all white people from TV, movies, stage, comics, graphic novels, and as computer game characters, regardless of the source material.It isn't? So perpetuating the dominance of one race for "aesthetic preference" doesn't cause harm?