It expires right now! And here are the answers, in unnecessary detail.
(1) Which great reformer and philosopher, credited with igniting a renaissance in his own country, published his first book in Persian in 1803?
Ram Mohan Roy, one of the most significant figures in modern Indian culture.
The great-grandfather of the constructive partnership of Christianity and Hinduism was Ram Mohan Roy, who was born in Bengal in 1777 to a noble family (indeed, he could call himself a Rajah). Roy was highly educated and studied both Indian and Western languages and ancient texts, publishing a number of important translations and commentaries. Roys research led him to conclude that the basic ideas of most religions were essentially the same, revolving around a belief in God. Such a belief is innate to all people and the history of different religions is simply a history of how people have added to or otherwise obscured this belief. Instead, religion should aim to get back to its roots through the exercise of reason, since no-one should believe anything that is contrary to what can be demonstrated. Roy thus had a lot in common with the Deists of Enlightenment Europe indeed, his first book, published in 1803 and written in Persian, was entitled A gift to Deists. As a result, he came to question the then-prevalent interpretations of Hindu texts, and in particular what he regarded as the corrupt or degenerate perversions of Hindu religion. These were both cultic practices such as the use of idols in temples and social evils such as sati, the very practice which the British authorities were also trying to stamp out at the same time.
Roy wanted to escape what he regarded as the irrational claims to exclusivity of the different religions. It was in this spirit that he published The precepts of Jesus: the guide to peace and happiness in 1820, in which he praised the moral teachings of the New Testament. But Roys insistence on the basic agreement of Christianity and Hinduism on monotheism, and his attempt to examine Christian ethics apart from Christian doctrines such as the incarnation, led to controversy with missionaries in India. Roy argued that Jesus had taught that living a moral life is the way to salvation, something that angered some missionaries. And in 1821 he helped to set up the Calcutta Unitarian Committee to help promulgate Unitarianism, understood as the theological and moral teachings which bridged religions rather than divided them. The orthodox churches, in Roys view, had abandoned the worship of the true Creator for irrational rites and unworthy doctrines, such as the belief that God requires blood before he can exercise his mercy, or the division of God into Father, Son and Holy Spirit.
Roys work, which included founding new schools, helped to spark what is sometimes called the Indian Renaissance in Bengal, and his sympathetic but critical engagement with Christianity from a reforming Hindu perspective left an important intellectual legacy. That legacy was fostered by the society he founded in 1828, the Brahmo Sabha, dedicated to the worship of the one true God. This society was later renamed the Brahmo Samaj, and under the influence of the philosopher Devendranath Tagore its members adopted the simple precepts to worship only God and to live virtuously.
(2) Who told the world in 1927 that they hadnt heard anything yet?
Al Jolson, in the film The Jazz Singer. Jolson plays the part of Jakie Rabinowitz (or Jack Robin), the son of a Jewish cantor, who defies his father to become a jazz singer. Contrary to popular belief, this film was not the first film with sound. There had been attempts to match sound to pictures before, and The Jazz Singer was actually mostly a silent film. But it was the first film to be widely seen that featured sound. In the famous sequence, Jolson suddenly says the following words:
Wait a minute, wait a minute, you aint heard nothin yet! Wait a minute, I tell ya! You aint heard nothin! You wanna hear Toot, Toot, Tootsie? All right, hold on, hold on. [Walks back to one of the band members.] Lou, listen. Play Toot, Toot, Tootsie, three chorus, you understand. In the third chorus, I whistle. Now give it to em hard and heavy, go right ahead.
And then he sings, and the movies would never be the same again.
(3) This object is valued at nearly half a million US dollars. What empire does it come from?
From China. It is a jade water buffalo from the Ming dynasty.
(4) What was this used for?
This is a fumie, which means picture to stamp on. By the early sixteenth century, the Jesuit missions in Japan had had great success, with some 300,000 Catholics now in the country. But there was still great resentment towards the Christians by some, including many local lords. Christians found themselves banished, or forbidden to preach, in various provinces. In 1614, Tokugawa Iyeyasu reversed his previous edict and ordered all missionaries out of the country, stating:
The Kiri****an band have come to Japan, not only sending their merchant vessels to exchange commodities, but also longing to disseminate an evil law, to overthrow true doctrine, so that they may change the government of the country and obtain possession of the land. This is the germ of great disaster, and must be crushed.
Once again, this order was not enforced owing to more important political and dynastic struggles. But in 1616, Iyeyasu was succeeded by Tokugawa Hidetada, who was even more determined to put down Christianity. Under him, systematic searches for missionaries were carried out, especially in Nagasaki, where the Jesuits had had most success. Hidetadas son, Tokugawa Iyemitsu, who reigned from 1623 to 1651, completed the clampdown. There were more searches for missionaries still in the country, and all foreign ships were closely searched for hidden missionaries before they could dock. The mass burnings and beheadings continued, and the crowds, sometimes of thousands, who had gathered to watch the early ones and pray for the martyrs slowly dwindled. It is unknown quite how many people died in these extraordinarily merciless persecutions, though it was certainly thousands. Recognising that they could not realistically kill every single Christian in Japan, the authorities tortured many thousands more into renouncing their faith. They were forced to stamp or spit on icons of Christ, known as fumie, and many chose to do so when told that the alternative was for their friends to be executed. Many thousands of Christians perhaps hundreds of thousands were driven from their homes or lost their possessions.
Fumie were initially simple crosses or pictures of Jesus or Mary. But soon they were custom made, generally as bronze crucifixes or plaques. They were made at Nagasaki and sent out to local governors to test suspected Christians with. They remained in use throughout the Tokugawa period until 1858.
(5) Which US state became burned over in the 1830s?
New York state, the centre of Christian revivals from the 1820s. A key figure here was a Presbyterian minister named Charles Grandison Finney who preached in upstate New York. Finney was an original and compelling preacher, who transferred the style of the camp meetings of the rural South to a more urban environment, hiring halls and other venues for week-long meetings. A lawyer by training, Finney recognised the importance of rhetoric and emotional appeal in making a case: his sermons were marked by powerful reasoning and direct appeal to the listener, and his innovations included the appointment of ministers of music to ensure that the music at his services was as effective as possible. The revival spread throughout upstate New York, until Finney moved to New York City itself before accepting a teaching post in Ohio in 1835. That year saw the publication of his Lectures on Revivals of Religion, which defended his methods and was extremely influential. The effect of the revivals upon New York state and the surrounding area was intense: it was sometimes known as the burned-over district, an expression that evoked the speed and fury of a forest fire as well as its devastation.
(6) A certain man was known as the Columbus of subterranean Rome. Who was he and what did he do?
Antonio Bosio, born in 1576 in Malta, and died in 1629. When he was two, an underground cemetery was discovered in Rome. Most people thought it was a one-off, but Bosio was convinced there was more to be found. He studied an enormous number of books from antiquity to try to uncover the secrets that lay beneath the city, and when he found a lead, he would travel to the place indicated, search carefully for some long-lost stairway or tunnel, and enter. Bosios discoveries were incredible. Long tunnels, vast galleries, innumerable crypts. Virtually no-one know of his work, though, until three years after his death, when his Roma sotteranea was published, describing what he had found.
What had he found? The catacombs, which were used between the second century AD and the seventh. The catacombs were primarily places to bury the dead, and they were used by pagans, Jews, and Christians alike. But by the third century, the Christian burials were outnumbering the others. This was partly because the Christians, who believed in the future resurrection of the dead, did not practise cremation as pagans often did. Moreover, most Christians were still fairly poor. They could not afford normal burial plots, and so a lack of space led them to resort to digging caves instead. The early burials here are correspondingly simple: the dead are wrapped in white cloths and laid directly in the niches carved from the rock, without coffins, just as Jesus himself had been.
It is often thought that the catacombs were used for more than this. The Christians held services there, and even used them as hiding places during times of persecution. In fact, this romantic image is probably false. The catacombs do contain rooms with benches, suggesting some kind of use beyond simply burying people, and it is likely that services, including the Eucharist, were occasionally held there. But we shouldnt think of a scared community retreating en masse into the caves to escape the authorities, like Londoners hiding in bomb shelters during the Second World War.
However, there was a sense that the catacombs were a holy place. If they were founded out of financial pressure, they developed out of religious motives. They became extremely extensive. Most catacombs began with a stairway dug down to a depth of perhaps forty feet or more, which would then open out into the narrow galleries, with the niches on either side. Other passages would lead out from these galleries, leading to more, and stairs would lead down to deeper levels sometimes a total of three or four. The catacombs contained literally millions of bodies, and it has been estimated that if all the passages were laid out in a straight line, they would extend further than the length of Italy. Most of this was dug by the Christians themselves, working by lamplight, carrying the rock and soil to the surface in bags. In the catacombs the dead all lay as if in a vast dormitory. For that was, of course, what it was to the Christians, who believed that they would all rise together at Jesus return. The use of the catacombs, remote from the city, where all the dead lay together, reaffirmed the Christians sense of themselves as a community set apart, whose members were all in it together. Little wonder that rooms were set aside for holding services or remembering the dead for the Christians, like most Romans of this time, probably shared meals to remember the dead.
The catacombs also offer the first extensive collection of Christian art, for the Christians painted images onto the walls of the tombs and the chambers, just as the pagans and Jews did in their catacombs. A number of images are especially prominent. Jesus occurs frequently, as you would expect; he is generally represented as a young, beardless Roman. His youth is not only historically accurate (Jesus was probably in his early 30s when he died) but testifies to the youthfulness of the faith Jesus is, as it were, a young god, come to replace the old Roman cults. Jesus is often portrayed as a healer, laying his hands or a staff on the sick and the dying. This contrasts with traditional Roman religion, where Asclepius (the Roman god of healing) is never seen to touch people in this way. Thus, Jesus, in these images, is much closer to the people than the old Roman gods. Jesus is also portrayed as the Good Shepherd, carrying a sheep on his shoulders, to represent the way he carries the believers soul.