Superheroes!

Ep 4 The 🐧 -

Ladies Arkham is nuts.
Sofia killed it, carried that lovely yellow dress too.

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Ep 4 The 🐧 -

Ladies Arkham is nuts.
Sofia killed it, carried that lovely yellow dress too.
I am really enjoying this. It is rare I have so little idea about what is going to happen in such a major media work.
 
I am really enjoying The Penguin, and now there is another superhero thing coming up that I am really looking forward to.
I bailed on The Franchise. I tried it, was not for me.

Penguin is great fun though, as good as expected. I did not love the whole recent Sofia episode, but I like her as a character.
 
@EgonSpengler Was the whole hullabaloo about none of the supporting cast coming back for the final season of Superman & Lois just a bamboozle? I just caught up on the episodes out thus far and I think I've seen all the characters they said weren't returning. I don't recall seeing any articles that they ended up being signed again. I'm happy, mind, but confused since there was such a fuss about how gutted it was going to be.
 

Daredevil Born Again, Ironheart, Spiderman, Marvel Zombies, What If, Wonder-Man and Eyes Of Wakanda


‱ What If? S3 - Dec. 22
‱ Your Friendly Neighborhood Spider-Man - Jan. 25
‱ Daredevil Born Again - Mar. 4
‱ Ironheart - June 24
‱ Eyes of Wakanda - Aug. 6
‱ Marvel Zombies - Oct ‘25
‱ Wonder Man - Dec ‘25


Jon Bernthal/The Punisher (DDBA) -

 
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Batman who? Why The Penguin is TV’s biggest surprise of the year​

Colin Farrell’s show-stopping turn, and a scene-stealing Cristin Milioti, make this DC crime series an unlikely winner


HBO’s DC show The Penguin is one of those rare treats that comes along almost completely unexpectedly, like Batman cracking a smile, or Harley Quinn making sensible life choices. Nobody really expected a show about the second banana in the dark knight’s famed rogue’s gallery to be up to much even if Colin Farrell’s performance, under all those prosthetics, in The Batman was a startlingly grimy diversion from the gloomy glamour of Matt Reeves’s elegant vision of Gotham City’s proto dark knight. But an entire series based on Oswald Cobb’s bloody rise through the ranks of Gotham City’s lurid underworld always seemed a little superfluous to the main event, a spiky little sideshow to keep us entertained, deep down in the gutter with a villainous Humpty Dumpty, while DC works out what to do with the highfalutin’ sequel.

Past the season’s midway point, and it’s clear it’s more than just filler, and could yet be DC’s most unexpected hit since Aquaman turned murmuring sweet nothings to swordfish into a billion-dollar box office splash. Farrell, who at times looks like Danny DeVito on a diet of gas station sushi and sheer spite, is clearly having so much fun as the Penguin that it might even make up for having to sit for three hours to undergo his daily transformation. This was supposed to be a novelty, the chance to see the Oscar nominee literally disappear into the role of Gotham’s most likable dirty little rat, but the twists, turns and power struggles are so fast and fabulous that spending each episode trying to spot the handsome Irishman underneath all that silicone would be like attending a Vegas magic show just to figure out how the rabbit got in the hat.

Part of the show’s success is its ability to humanise the Penguin. While DeVito’s take drew empathy for his excruciatingly awful entry into life, that performance was so heavily into pantomime that we only really felt sorry for him for about 90 seconds. By contrast, Farrell’s Oz might be little more than a sleazy mafioso with a waddle and an eye for destruction, but he has genuine relationships with the likes of Rhenzy Feliz’s Vic, his deeply green driver and personal enforcer. He’s quite content to frame his enemies for murder, or even set them on fire, but is equally happy to forgive and forget when his young aide admits he was about to skip town with his girlfriend for a new life far from Gotham. It helps of course that the lowlifes Oz spends most of his time taking down are usually even further down on the ladder of ill gotten gains than our hero himself.


Another positive here is that while The Penguin ties loosely into Reeves’s version of Batman, the show has absolutely no need for multiversal shenanigans or a shared universe with other famed superheroes to ensure its success. This is an old school affair, more likely to introduce Gotham gangsters such as Rupert Thorne or Roman Sionis (Black Mask) in future episodes than it is to suddenly show us Superman soaring above the Gotham skyline. Oz is never going to jump into a spaceship and fly off to Thanagar to meet Hawkman, and frankly he’s all the better for it.

And yet for all Farrell’s excellence, the real showstopper here (despite being a character who might be less than well known to those not fully invested in the comics) is surely Cristin Milioti’s Sofia Falcone. She’s not so much a woman on the edge of a nervous breakdown as a roaring, wide-eyed, fluffy little bundle of hate - the kind of gangster in a slinky dress who after a decade stuck in Arkham Asylum (being tortured daily and punished for murderous crimes she did not commit) would probably wake up to a Godfather-style horse’s head in her bed and remind herself to tip the maid.

Between Falcone and Oz, this show is like watching two scuzzy raccoons fight over the last slice of rancid pizza in a back alley from the depths of DC hell. Neither is prepared to end up second best, and both have shown themselves capable of mass murder to avoid having to settle for it. It reminds me of that scene in Christopher Nolan’s The Dark Knight in which Heath Ledger’s Joker snaps off a pool cue and invites two wannabe goons to fight to the death for the chance to be one of his henchmen.

One reason many fans might consider watching The Penguin is the expectation that Robert Pattinson’s Batman is likely to turn up at some point to show both who’s really in charge. In reality, both the showrunner, Lauren LeFranc, and Reeves have said that’s unlikely to happen any time soon, but the splendid thing about the show is that we barely miss the caped crusader. This is Gotham at street level, the city’s grimy underbelly exposed in all its filth and fury, while Batman’s place is above the city’s streets, looking down on the scum below like an avenging dark angel. Who knew that one of those unfortunate wretches scurrying about the gutter might just be capable of carrying an entire show on his doughy shoulders?

Sure, the ultimate expectation is that the Penguin will at some point climb his way up the greasy pole of power to become an A-list villain for Pattinson to take down in a future movie. But right now, watching Farrell shuffle through the shadows like a cross between Machiavelli and Harvey Weinstein after a fight with a dumpster, the whole thing is so engrossing that there’s absolutely no rush.

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Cold Penguin -

 
Joker II flops big-time, Tarantine watched it -

Quentin Tarantino Unironically Loves Joker 2 and Calls It a 'F*ck You' to Hollywood and to Comic Book Fans​

"The Joker directed the movie," Tarantino says.​


Joker: Folie Ă  Deux has been a major bomb at the box office, earning scathing reviews from fans and critics alike. But it has at least one big fan in director Quentin Tarantino, who praised the unfortunate sequel at length on The Bret Easton Ellis Podcast, calling it the "Natural Born Killers I would have dreamed of seeing."

“I really, really liked it, really. A lot. Like, tremendously, and I went to see it expecting to be impressed by the filmmaking,” Tarantino said. “But I thought it was going to be an arms-length, intellectual exercise that ultimately I wouldn’t think worked like a movie, but that I would appreciate it for what it is. And I’m just nihilistic enough to kind of enjoy a movie that doesn’t quite work as a movie or that’s like a big, giant mess to some degree.

He continued, "And I didn’t find it an intellectual exercise. I really got caught up into it. I really liked the musical sequences. I got really caught up. I thought the more banal the songs were, the better they were. I find myself listening to the lyrics of ‘For Once in My Life’ in a way I never have before.”

Tarantino, who apparently wasn't a fan of the original outside of its final scene, saw Joker 2 in an "almost empty IMAX theater," which enabled him to "laugh without bothering anybody." While Tarantino has directed some of the best movies of all time, he's also noted for his affection for grindhouse cinema and films that critics might otherwise reject. Joker 2 seems to fit the bill, with Tarantino praising star Joaquin Phoenix for "one of the best performances I've ever seen in my life" while comparing director Todd Phillips to the Joker.

I’m just nihilistic enough to kind of enjoy a movie that doesn’t quite work as a movie or that’s like a big, giant mess to some degree

“
"The Joker directed the movie. The entire concept, even him spending the studio’s money — he’s spending it like the Joker would spend it, all right?” Tarantino said. “And then his big surprise gift — haha! — the jack in the box, when he offers you his hand for a handshake and you get a buzzer with 10,000 volts shooting you — is the comic book geeks. He’s saying f*ck you to all of them. He’s saying f*ck you to the movie audience. He’s saying f*ck you to Hollywood. He’s saying fudge you to anybody who owns any stock at DC and Warner Brothers... and Todd Phillips is the Joker. Un film de Joker, all right, is what it is. He is the Joker.”

On that last point, especially, Joker 2 has been quite controversial. While Phillips said the film was "never about addressing toxic fandom," he reportedly refused to work with DC Studios on the project. Fans, for their part, have uniformly rejected Joker 2, with the film ultimately pulled in around $201 million in the global box office — a massive drop from the billion dollar success of the original movie.

"The worst thing about Joker: Folie Ă  Deux is its unfulfilled potential. It begins with the promise of a novel approach to the Joker and Harley Quinn, placing them in a world where the opposite of cruelty is musical romance," we wrote in our review. "Unfortunately, the DC sequel gets bogged down by a lengthy courtroom saga, which not only keeps the dazzling Lady Gaga away from the spotlight, but centers the movie entirely around its own predecessor, without doing or saying anything new."

Like other films that have bombed at the box office, Joker 2 is already on its way to digital and home video. As for Tarantino, his 10th and final film remains up in the air in the wake of his shocking decision to scrap The Movie Critic back in April.

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Holy Nerdgasm!

Today I just realized that the one of the Nazis that Michael Fassbender's Magneto takes revenge on, in X-Men First Class, is the same actor that played one of the Nazi Officers in Schindler's list :eek:

Holy in-universe consistency Batman (yes I recognize the inconsistency of that reference. It's 3AM, I must be... drunk)

Anyway, the actor is Ludger Pistor. Here are the scenes:

Schindler's List (officer in spotlight):


X-Men: First Class (same actor that Magneto first focuses on):

 
Episode seven of this season of Superman & Lois was really great, easily top five of the entire series. I'm not sure anyone will supplant Tom Welling as my favourite Superman/Clark Kent, but Tyler Hoechlin is securely in second place.
 

You wanted monsters? You got motherf*ckin’ monsters.

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With the animated series Creature Commandos gearing up for a December 5 debut on Max, James Gunn and Peter Safran’s new DCU is almost here. The show stars the voices of Frank Grillo (“Rick Flag Sr.”), Maria Bakalova (“Princess Ilana”), David Harbour ("Eric Frankenstein"), Indira Varma ("the Bride"), ZoĂ« Chao (“Nina Mazursky”), Sean Gunn (“GI Robot” and “Weasel”), Steve Agee (“Economos”), Alan Tudyk (“Dr. Phosphorus”), and Viola Davis ("Amanda Waller").We recently sat down to discuss the animated show with James Gunn, who is Executive Producer, wrote all seven episodes of Season 1, and also happens to be DC Studios Co-Chair and CEO., and Dean Lorey, Executive Producer and Showrunner.The Creature Commandos is, like the Suicide Squad, yet another team of misfit mercenaries handpicked by Amanda Waller, only this time they are specifically made up of just monsters. And man, what a group they are...During our extended interview with Gunn and Lorey, we spoke not just about the debut of Creature Commandos, which also happens to be the debut of the new DC Universe, but also about some of Gunn's plans for that movie world -- from characters appearing in animation and live-action like Superman, to Lanterns casting, to Justice League continuity in Peacemaker Season 2, to what's DC canon and what's not these days, and much more. So be sure to watch the whole chat!
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Cap's back -

Chris Evans Sets Marvel Return in ‘Avengers: Doomsday’ | Exclusive​


The actor most recently appeared in “Deadpool and Wolverine” as his “Fantastic Four” character Johnny Storm

Chris Evans is returning to the Marvel Cinematic Universe as part of the cast for “Avengers: Doomsday,” the highly anticipated sequel that will also star Robert Downey Jr. as Doctor Doom, The Wrap has learned exclusively. Evans will be involved in some capacity, but the extent and exact nature of his role is unknown.


After sunsetting his Steve Rogers character in 2019’s “Avengers: Endgame,” Evans recently made a brief MCU return in this summer’s “Deadpool and Wolverine,” but as his character Johnny Storm from Fox’s “Fantastic Four” movies, not as Captain America.


The Russo Brothers, who directed both Evans and Downey Jr. in “Captain America: Civil War,” “Avengers: Infinity War” and “Avengers: Endgame,” are returning to direct “Avengers: Doomsday” and its direct sequel “Avengers: Secret Wars.”


“Avengers: Doomsday” is slated for release on May 1, 2026.


Evans return to the MCU has long been rumored in fanboy circles, but Marvel declined to comment. The circumstances of his return are of particular interest given that his Steve Rogers character was an old man by the end of “Avengers: Endgame.” But Downey Jr. is returning to Marvel as a Tony Stark variant after his onscreen version of Stark died in “Endgame,” so all options are on the table.


Evans’ team did not immediately respond to TheWrap’s request for comment.

Evans last appeared as Captain America in 2019’s “Avengers: Endgame.” Anthony Mackie is Captain America in the current iteration of the MCU and he’ll next be seen in the Marvel film “Captain America: Brave New World” opposite Harrison Ford which opens on on Feb. 14, 2025.


Evans first appeared as the super-soldier in 2011’s “Captain America: The First Avenger” and reprised the role in the sequels “Captain America: The Winter Soldier” and “Captain America: Civil War,” in addition to starring in four “Avengers” movies.


Outside of Marvel, Evans also starred in 2019 murder mystery “Knives Out,” the Apple TV+ limited series “Defending Jacob” in 2020, Pixar’s 2022 animated film “Lightyear” and he played villain Lloyd Hansen opposite Ryan Gosling in 2022’s “The Gray Man” directed by the Russo Brothers.


Most recently, Evans starred alongside Emily Blunt in 2023’s “Pain Hustlers” and “Ghosted” a romantic action-comedy with Ana de Armas. Evans can currently be seen in Amazon MGM’s “Red One” opposite Dwayne Johnson.


Evans is repped by CAA, Sloane, Offer, Weber & Dern.
 
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