madviking said:It's a Flat World, After All by Thomas Friedman
Terrible in general. His writing is awful. And his argument is utterly divorced from reality.
madviking said:It's a Flat World, After All by Thomas Friedman
...
State of Fear by Michael Crichton
...
Why?
I rather read a Friedman tome than that,
It's the required reading for our environmental science course...
My summer reading list for school next year. Tell if any of these are great.
The Lexus and the Olive Tree by Thomas Friedman
It's a Flat World, After All by Thomas Friedman
The End of Poverty by Jeffrey Sachs
The Post-American World by Fareed Zakaria
Brave New World by Aldous Huxley
State of Fear by Michael Crichton
Who laid upon you this dreadful burden? I would rather read the entire Ayn Rand Collection.
I'm taking a humanities course called "Topics in Globalization" next year. If it sounds kinda loaded it probably is...
I'm taking a humanities course called "Topics in Globalization" next year. If it sounds kinda loaded it probably is...
Who laid upon you this dreadful burden? I would rather read the entire Ayn Rand Collection.
madviking said:But this has reminded me another of another book I've read for leisure, Niall Ferguson's The Ascent of Money, which I would recommend for more historical, rather than financial, reasons. But, just keep in mind, I read the entire book on a plane fight from Frankfurt to DC.
The Ascent of Money is a historian doing a hack-job of economic history with a strong partisan bent. I'd rather read Thomas Friedman..
I read Colossus, also by Ferguson. The facts are straight; it's the posturing he does with them that's the liability.
The Ascent of Money is a historian doing a hack-job of economic history with a strong partisan bent. I'd rather read Thomas Friedman..
You get the sense that its bad from the cover quotes. Gaddis: No contemporary historian rivals Ferguson for the range, productivity, and visibility of his scholarship. Ernest May: Every page of Colossus is provocative. Paul Kennedy: Amid the seemingly endless writings and decisions about America as Empire, the most prominent recent voice is that of Niall Ferguson. Even Max Boot: Colossus is sure to shake the assumptions of both fans and critics of American Empire. Clever readers will note whats missing from all of these; an actual endorsement of Fergusons work. Hes provocative, productive, visible, prominent, and assumption shaking, but none of the esteemed reviewers can actually bring themselves to say his argument is compelling, well reasoned, or sensible. Getting hit in the head with a 2×4 is provocative, after all.