Plotinus said:
That is a very good point, very well put.
I think the clear conclusion from all this is that history is a damnably slippery thing.
I agree.
And what Vrylakas brought up is the reason for the situation that every generation tends to rewrite history from its own perspective.
History isn't something immutable, set down in stone once it's been committed to paper, people (not just historians) are always playing around with it, reinterpreting it.
History writing is also inherently political. It's not by chance that rulers of nations have for centuries been avid readers of works of history.
History has been veeery useful for a lot of people over time. Who's using it in your neighbourhood right now? For what purpose?
Reading history is in itself an activity that changes it. We don't just write or read the stuff, we use it, and using it changes it. Gibbon, in Vrylakas' example, certainly couldn't imagine the audience he would have today, or the uses his book would be put to in the period inbetween him and us.
There are other historians who's work is more politically charged than Gibbon's of course.
Someone like the late 18th c. German historian Herder has achieved the remarkable status of being at the same time a major inspirer for Nazism (exceptionality of a German Kultur under threat) and at the same time of anthropological cultural relativism (respect for the exceptionality of all cultures and the need to understand them from an inside perspective).
Of course, it's not really Herder doing all this, it's the different uses he's been put to by others.
In any case, it usually pays to take notice (or try to work out should it not be overly obvious, and mostly it isn't) of a writers unstated agenda.
What's the writers view of agency in history?
Who is/are the subject/s, the actor/s, in history? (In Christian historical narrative it used to be God. From the 18th c. it increasingly tends to be the state.)
What's the object of study? Stated and/or implicit? (God, states, great men, genius of the human spirit, rulers, the people, culture, society, civilisation, science, chance, some other concept?)
What's the writers view of causality? (What is it that needs explaining, and what is it that provides an explanation? What's the role of luck/chance/providence etc?)
What's considered a sufficient explanation/cause in a narrative? (We generally tend to have an easier time accepting reasons of economy or power than say religion in our historical narratives these days.)
Who's the intended audience? What purpose is this written for?
I usually start there abouts.
Culture, society etc. usually comes in under what explains/what needs explaining in a narrative. (Always watch out for circular arguments.)
Oh, unfortunately, the way I tend to go about things, all history is technically "bad" (biased, flawed) if the objective is seen as writing it "as it actually was".
The good parts are still interesting though, for a variety of reasons, and could perhaps be said to be "bad, but a very high level" (that's a quote).
