I just really disliked every episode that included tribbles.
In general I view TOS poorly, and then having tribbles show up again in DS9, and Enterprise, and Discovery, and some of the movies...
Noooooo.
Tribbles appeared in only one TOS episode: "The Trouble With Tribbles" and one TAS episode: "More Tribbles, More Troubles". Both were written by David Gerrold. I mostly liked the "Trials and Tribble-ations" DS9 episode (David Gerrold finally got a cameo part; originally he'd written in the part of Ensign Freeman with the intention of playing it himself... that was the crewman who said "I don't know, sir" when Kirk asked who started the fight in the bar).
The part I didn't like was Jadzia vapidly reminiscing about loving all the 23rd century stuff, and how a former female Dax host had known Dr. McCoy - I'd be willing to bet McCoy probably forgot all about her. And I
really didn't like the ending where Sisko went up to the bridge to meet Kirk. That scene was never in the "Tribbles" episode - that was taken from "Mirror, Mirror" when Marlena Moreau (the non-Mirror Marlena) turns up with a report for Kirk to sign and informs him that she just came aboard recently. When I was watching Sisko with Kirk, I kept thinking about Kirk's line when Spock asked, "Do you know the young lady?" and Kirk says, "No, not really. She just seems like a nice, likeable girl. We could be friends."
I never saw the Enterprise or DiscoTrek episodes to which you're referring. I did see the tribble that got cured with nuKhan's Magic Blood
TM and thought it was stupid. But then everything about nuTrek is stupid (in my not even slightly humble opinion), other than a couple of nuSpock's lines.
To be fair... I didn't recognize the two of them either.
Soooo no crush on LeVar Burton then?
No. I liked him as Kunta Kinte - he did a wonderful job with that part, and I was disappointed when Kunta was aged 20 years and played by an older actor. When TNG's cast was announced, I remember reading the list and figuring, "Patrick Stewart - oh, good... Sejanus, Gurney Halleck, Henry Grey, Duke of Suffolk... and LeVar Burton - oh, right, Kunta Kinte. Sounds good, I don't recognize anyone else in the cast."
I just found a video of Rockapella "Carmen Sandiego" scenes I never saw... dang, I must have missed those episodes! (I started watching because I've always been into geography and maps and then found the bonus was a group of
a capella singers who did the music and some of the clues - and didn't seem to mind how goofy it got sometimes). The quality of the video is lousy, but I'm happy to have found this. The cute blond guy (Scott Leonard) is the one who was my favorite. He's also the only original member who's still with the group:
IIRC, it was entitled "The Trouble with Tribbles," and was about how he broke into writing with that script. It gave me delusion that I too could rise from the ranks of nobodiness to the exalted rank of professional writer.
Ah, yes.
I've lost count of how many times I read that book - it's a great primer in how to write scripts and some of the things you have to think about. It's also one of the things that influenced me to get into musical theatre and helped me to understand the scripts. Gerrold wrote about how he visited the set, talked to the actors about their characters so he could do a better job of writing for them (something they found amazingly considerate as most writers never did that), and paid attention to the sets and props.
When I worked on the properties crews, I'd insist on having a script so I could know not only what was needed, but who would use it and how. It did help to know which things could be more for show (and thus didn't need to be as sturdy), and other things had to stand up to months' worth of handling during rehearsals and performances.
In the theatre we had duplicates of some items, as there's no way they could have stood up to the rigors of that much handling. For example, the "poison cake" in Peter Pan: I'd get Royal Icing from my local bakery, mix it up at home with green food coloring, and spread it over a styrofoam cake form and glue green maraschino cherries on it... I had to be very stern with the child actors and tell them DON'T EAT THIS, DON'T EVEN TOUCH IT. At first they'd actually thought it was all real cake. We went through several cakes during the run of that show; I didn't bring out the iced version until final dress rehearsal - the one that was our last chance to screw anything up before opening night when the reviewer from the paper would be there.
I also recall how difficult it was to deal with the switchblade knives in "West Side Story". We couldn't have real ones, because they're illegal. So they had to be built, and the guy who did that finally put his foot down that they were to be touched only in the fight scenes, because they couldn't stand up to much use. It was critical that they work on the exact musical cues, so we had to be very careful of them.
David Gerrold got lucky that in those days it was entirely possible that someone not already on the writing staff could pitch a script and have a bare chance that it might be accepted. Persistence paid off as well. He was so determined to make that script happen, and when it did, he had his "in." Later he went on the convention circuit and showed how script writers could also build a rapport with the fans (if memory serves, Howard Weinstein also did this; he was the youngest TAS script writer).