Anyone ever acted in anything?

The last famous actress who came from Alberta was Tricia Helfer (nuBattlestar Galactica). For famous actors, Nathan Filion is from Edmonton (One Life to Live, Firefly, etc.).

I think my mother was glad I got to be part of the brick house, though - because it meant that I didn't have to fall down on the dusty stage when the wolf blew down the houses - and so I wouldn't get my clothes dirty... :rolleyes:

Let's see... for the life of me, I can't recall my Grade 4 Christmas concert and if I had any part of it. I know I didn't the year before. In Grade 5 I joined the school choir and we put on a brief performance one afternoon. I got to dress up like a hobo and sing "Country Roads" while trying to hitch a ride.

Grade 6... that was my first time doing "backstage" work. I provided the sound of the ship dredging the river for the bodies of Tom Sawyer and his friends (and also got to be one of the townsfolk boo-hooing at the boys' funeral) when our class did "Tom Sawyer".
 
I acted in a high school video that was an English class project. We were interpreting Goethe's Faust.
 
I had a bit part in a high school adaption of Our Country's Good. I think it was Captain Jemmy Campbell, but I'm not really sure. I was more of an emergency replacement though, as i was just a techie.
 
I've done endless, endless amounts of acting. So much so I can't really be bothered to list it. I did drama quite seriously and considered drama/music college, but figured I would hate the lifestyle!
 
Multiple plays as various parts recently and in the past.

Using that many emoticons ought to be grounds for a spam infraction.
 
I'm pretty sure I'm the only person on the forum to have participated in a BAFTA winning production (which also sold a million copies) ;)
 
I had a bit part in a high school adaption of Our Country's Good. I think it was Captain Jemmy Campbell, but I'm not really sure. I was more of an emergency replacement though, as i was just a techie.
Hey, there's nothing "just" about being a techie! That's every bit as honorable and vital a part of a play as the actors. It takes *both* groups to have a successful play!
 
I did a little bit of amateur theater back in the early '90s. I might give it another shot someday now that my kids are older. When they were small there was just no way I could justify the time commitment required to be in a play.
 
Hey, there's nothing "just" about being a techie! That's every bit as honorable and vital a part of a play as the actors. It takes *both* groups to have a successful play!

*sniff* so many years i've waited to hear that. :D
 
Multiple plays as various parts recently and in the past.

Using that many emoticons ought to be grounds for a spam infraction.


That many emoticons are performing the story. Since this is the performing arts that we are discussing I'd thought you'd realize this by now.;)



Well at 13 :wavey: (1999) I took some (Maybe once a week?) acting classes somewhere in the Atlanta suburbs. Don't recall much. They were very basic classes. I didn't appreciate them much at the time. I thought I was good or something. Early on I found I was wrong. Most or all of my fellow students were younger than me and I felt of out of place. Eh they all seemed naturally too immature and silly for me. The lessons were often silly excercises :bounce: or something I don't remember but I recall feeling that the classes were beneath me. I almost quit after the first class yet stayed for some reason. In a way I couldn't believe that I was convinced to stay longer. Perhaps it was a matter of what else was there to do maybe I dunno :dunno:. Well I stayed longer and I very slowly gradually came to fascinating realization. I was the problem, not the class. While the presence of little kids may have made the classes generally a bit out of sync with my maturity level such a matter is not inherently a problem now it it? Foundational to good acting is a appreciation of behavior in all its forms. Considering any kind of behavior to be unacceptable is the attitude of someone who does not not find merely behaving to be inherently appealing. A actor kinda has to appreciate behaving for just the joy it. Not be tied down to any particular way of behaving. I mean when a person is performing as someone else they should of course actually like doing so. If course the character could be very objectionable . The actor however can't disapprove of the character. They must instead seperate their real world character form their stage world self. Its unnatural to think this way. I never previously lived this way. But its my fault by genetics or choice if I could not adapt. In all fairness I spent much of my childhood days slow to mature and highly picked :stupid: on so naturally I was highly adverse to behaving in any way that wasn't the best, the most mature, most dignified and well stiff. This silliness of the class was not improper but rather represented the first challenge I needed to overcome. The challenge of getting past my self yes I did that, actually it took me many years after those classes for me to appreciate much of this concept but I like to think that my experience in the classes at least got the seed planted.
 
The acting class I :wavey: was in well they put about two audience ready performances in the end, maybe. Just two skits really. Well more than two skits. The pattern was one ensemble skit involving all of the students and one teacher and a additional solo skit for each individual student. I think that was it. Although I'm not remembering anybody else's solo skit. :hmm: And its not much to say. The ensemble :cheers: skit was involving school kids and their teacher. Kinda funny is the theme. My character slept in from the day before :sleep:. Not many lines and I wasn't really acting but rather just trying to sound funny with my few lines. But at least had a little bit of enthusiasm for the effort. The solo :dance: skit involved me trying to claim credit for planning and meaning and going to but not actually doing something. Really short but I seemed 50% more enthused. The character tried to speak each line in every different persuasive style he could think of. Overall kinda confident :smug: , desperate :shifty:, begging :please: at the same time. I rose to the scripts simple occasion. Although my voice changing involved abrupt unnatural transitions. So you know I was at least starting to learn something, a little.



We had proper stage. A mini stage. Audience watches from above type stage. Someone screwed up and turned on the lights before my sleepy character comes on stage and sits down with a jacket over his head. How is the audience supposed to believe that I asleep for a long time before?
 
Spent five years (grades 6-10) with C.A.T.S, (not Broadway, Creative Arts Theater and School)

The Spotlight series shows were close to professional quality, but all parts were performed by children. In my 5 years there I was a minor character in two spotlight series shows and an extra in 2 more. Mostly I got involve with the technical aspects and worked back stage. I do feel that I am a "trained" actor, I just not a good actor.
 
During middle school and high school grades I was in a homeschool group of a sort (SFEA/) (Location Center county, PA). We conducted various group education stuff eh including theater stuff. Theater was actually our best activity. The group always seemed to perform better at creativity than facts. Not often a major imbalance but a tilt nonetheless and so the more artistic and less absolute the subject, seemingly the better. Although most credit really belongs to our director. A Mrs. Thompson. She was very creative and hardworking, eh long suffering. In retrospect we never treated her as well as we should. We always seemed put in too little effort until the last minute. Really stressing her out each time. Oh each time the finished product was well done. But it sure never seemed that way until a week or less before performance day. I guess we were lazy or something well I was severely ill during the latter plays so I had excuse for late behaviour. But I somehow still feel pretty bad it all and all.




The director wasn't the only great mind involved the SFEA artistic matter. I do recall for example having a very good , easily bored by low activity lady who was big on creating entertaining science related things eh and all. I think she (Mrs. McHenry.) or people she influenced were helpful in our prop design and there are other examples and all I leave this matter here. I think the director had experience in professional schooling or something. I don't know if it ever involved theater but it must have helped ethier way. I don't recall extensive teaching in acting methods. But I do recollect our director being good at organizing people and conveying different character behaviors to the actors, good at inspiring further effort from the actors. We just took so long get it all together. She was very friendly and that helps and yem.


Gathering the necessery theater related resources is always going to be more difficult for us than for a public school group. No received tax dollars and all. So we naturally had to be well skilled at managing budget and foraging, recycling what not. We handled it fine. But its a play not a film and so we don't have to worry about the production looking too cheap to be real. Still the matter is naturally more difficult for us. Our most consistent problem was finding a stage. Almost every play was performed on a different stage that than the last and many of these weren't real stages but rather church halls. If it was a real stage it belonged too I dunno but it varied. Despite all these production difficulties we made very good creative use of whatever resources we ended up with.



I had very little involvement in the technical matters myself other than my own costume but there were others who were a stagehand in one play and a actor in the next.


SFEA would take trips to see theater productions and that was useful, even later on tried to imitate a specific style sometimes(Minimalist costume and props, western Shakespear etc.) Uh we saw these plays in local (State College, PA, Eisenhower Auditorium) or non local (Stratford, Canada). I don't know where the plays fit in. Maybe not amature? I know they were all adults.
 
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