Seems to be from what I've observed. It seems the vast majority of DCMA requests and copyright infringement complaints are against Youtubers that monetize their videos.
Again, what youtube prohibits is much broader than what is legal.
Seems to be from what I've observed. It seems the vast majority of DCMA requests and copyright infringement complaints are against Youtubers that monetize their videos.
Well, as I pointed out in my post, that's simply not right. Since you mentioned Angry Joe and the like though, I'm sure you're aware that he usually gets his videos restored because he has not broken the law on fair use, but whoever's claiming the copyright is probably doing it cynically, either to shut down negative commentary or to grab the revenue off popular videos.
Yeah, he does get his videos restored eventually, but he, by his own admission, loses out on a lot of revenue while the videos are down. So it seems to me, the best way to avoid that headache and distress would be to just focus on creating original content and avoid using anything that could be considered copyrighted material in your videos.
Not to mention most people who post Let's Play videos try to monetize them. For Fair Use to apply, one cannot be attempting to make financial gain from the copyrighted material unless they have the express permission of the copyright owner.
Actually, you can lawfully claim fair use for a commercial purpose, but it has to be very limited and quite transformative. Commercial reviews, for example, do not need to be licensed by the creator if the use of the source material is limited.
Let's Plays, however, do not represent a limited use of the source material at all. So even if it was totally non-commercial, most Let's Plays would fail on a fair use copyright analysis.
Let's Plays, however, do not represent a limited use of the source material at all. So even if it was totally non-commercial, most Let's Plays would fail on a fair use copyright analysis.
1. It's not too difficult to find hosts who put some effort into tossing spurious DMCA complaints.
2. I'm not suggesting publish infringing content, content under fair use specifically does not infringe, and I wish more lawsuits were brought against publishers so that the copyright holders would lose the cases and establish precedence.
3. Someone's always paying for the bandwidth.
I would say it's "not very practical" rather than "horrible" - which mostly indicates the sad state of affairs with the copyright chilling effect.
Since YouTube isn't an option anyway (since they'll remove your non-infringing content if big media doesn't like it), your choice is between "not very practical" and "not at all".
2. I'm not suggesting publish infringing content, content under fair use specifically does not infringe, and I wish more lawsuits were brought against publishers so that the copyright holders would lose the cases and establish precedence.
But going to court is insanely expensive even when you win... and you can never be 100% sure you are going to win.![]()
Yeah, he does get his videos restored eventually, but he, by his own admission, loses out on a lot of revenue while the videos are down. So it seems to me, the best way to avoid that headache and distress would be to just focus on creating original content and avoid using anything that could be considered copyrighted material in your videos.