Can wrong ideas in a work of art make it have less artistic merit?

if you cant enjoy something because the acts merely described are morally repugnant to you it's your own problem, not the artists.
it certainly doesnt take away from the "objective" merit, should something like that exist.
 
There's a difference between wrong ideas being described and wrong ideas being promoted, though. A text can be more interesting if it delves into describing wrong ideas, and various things related to those wrong ideas, but if the text is actually promoting those wrong ideas, then the content isn't exactly going to be agreeable. And if it's not agreeable, then you're less likely to find it enjoyable or entertaining. Which means the author will have most likely failed in their goal, which would indicate that the artistic merit has been lessened.
 
as i said before a text promoting ideas isnt a good work of art anyway, since good art by definition lets you develop your own ideas.
 
It's even more difficult to relate to a book or character who holds views and opinions that you find explicitly immoral. Imagine a devout Christian trying to enjoy a book about a young man's first homosexual experience. That's not to say that those kinds of views always diminish its entertainment value, just that they can...

I agree with your point, but off-topic, don't make the mistake of assuming that all devout Christians hold anti-gay opinions.

as i said before a text promoting ideas isnt a good work of art anyway, since good art by definition lets you develop your own ideas.

This is a false dichotomy. What if the work presents you with certain ideas that make you better equipped for forming your own ideas? It may, for example, educate you about some particular field (which would involve giving you lots of ideas) with the aim of putting you in a position where you can develop your own ideas about that field in an informed way.

Alternatively, a work of art might present you with certain ideas, perhaps forcefully, with the intention of forcing you to agree or disagree with them. So there again its aim is to let you develop your own ideas, using the ideas it gives you as a foil.
 
What? I don't see the connection between intellectual mediocrity and the entertainment value of morally objectionable art...

If you can't apreciate a good book because you think it is imoral, you're probably not that bright.
 
if you cant enjoy something because the acts merely described are morally repugnant to you it's your own problem, not the artists.
it certainly doesnt take away from the "objective" merit, should something like that exist.

Exactly! We're discussing the artistic merits of art, and I don't think it is diminished by the morals of the author.
 
good art doesnt show wrong ideas, because it doesnt show any ideas at all.
good art lets you draw your own conlcusions and ideas.

Can I give you a personalised blank canvas for your wedding then? :D
 
It's even more difficult to relate to a book or character who holds views and opinions that you find explicitly immoral. Imagine a devout Christian trying to enjoy a book about a young man's first homosexual experience. That's not to say that those kinds of views always diminish its entertainment value, just that they can...
That would mean that the reader has a subjective issue with that particular book, not that the book objectively has less artistic merit...
 
This is a false dichotomy. What if the work presents you with certain ideas that make you better equipped for forming your own ideas? It may, for example, educate you about some particular field (which would involve giving you lots of ideas) with the aim of putting you in a position where you can develop your own ideas about that field in an informed way.

Alternatively, a work of art might present you with certain ideas, perhaps forcefully, with the intention of forcing you to agree or disagree with them. So there again its aim is to let you develop your own ideas, using the ideas it gives you as a foil.

But I wouldn't consider pamphelts or sermons to be works of art to begin with. Even a philosophical treaty is not art in my opinion (though of course works of art can have philosophical undertones).
 
If you can't apreciate a good book because you think it is imoral, you're probably not that bright.
You just said the same thing in different words.
That would mean that the reader has a subjective issue with that particular book, not that the book objectively has less artistic merit...
Or the reader has an issue with the book because it objectively has less artistic merit. Same goes to HK.
 
But I wouldn't consider pamphelts or sermons to be works of art to begin with. Even a philosophical treaty is not art in my opinion (though of course works of art can have philosophical undertones).

Why not?

(Also, I don't see how that addresses my comment that you quoted, although it might address another of my comments earlier.)
 
Because that would be an extremely broad definition of art that I can't agree with. Sermons and pamphlets have a practical purpose. They may be well written, but so can an internal memo from a corporation, and nobody considers those to be art.

As for philosophy treaties, they're supposed to be scientific, and thus not art. I understand that's subjective and debatable, but I wouldn't call a treaty on philosophy an art form for the same reason I would not call a historical article or a book on physics.

In the things mentioned above, the content is the important factor, hence if the content is any way wrong (be it morally or objectively), value is lost. This is not the same with actual art forms such as paintings, literary pieces, music or movies.

(Also, I don't see how that addresses my comment that you quoted, although it might address another of my comments earlier.)
Well you were talking of educating and forcing ideas, which IMO is more coherent with sermons and pamphlets than art. And you did mention sermons earlier.
 
Because that would be an extremely broad definition of art that I can't agree with. Sermons and pamphlets have a practical purpose. They may be well written, but so can an internal memo from a corporation, and nobody considers those to be art.

But just because something has a practical function, that doesn't mean it can't be art. We've had this in another thread already. This definition would rule out all architecture as art, for example. But surely any definition of "art" which precludes (say) a cathedral is a poor definition.

Moreover, what of art works such as the Sistine Chapel ceiling? Religious art such as that is intended to convey ideas to the viewer. It is not just art for art's sake. If having a practical purpose means something can't be art, then pretty much all religious art isn't art.

And we can say the same thing about the written or spoken word too. Isn't this art?:

William Shakespeare said:
Friends, Romans, countrymen, lend me your ears;
I come to bury Caesar, not to praise him;
The evil that men do lives after them,
The good is oft interred with their bones,
So let it be with Caesar ... The noble Brutus
Hath told you Caesar was ambitious:
If it were so, it was a grievous fault,
And grievously hath Caesar answered it ...
Here, under leave of Brutus and the rest,
(For Brutus is an honourable man;
So are they all; all honourable men)
Come I to speak in Caesar's funeral ...
He was my friend, faithful and just to me:
But Brutus says he was ambitious;
And Brutus is an honourable man….
He hath brought many captives home to Rome,
Whose ransoms did the general coffers fill:
Did this in Caesar seem ambitious?
When that the poor have cried, Caesar hath wept:
Ambition should be made of sterner stuff:
Yet Brutus says he was ambitious;
And Brutus is an honourable man.

And yet that's serving all kinds of purposes. As a quote from Julius Caesar, it is intended to entertain the audience, perhaps surprise or shock them. As a speech delivered by Mark Antony, it is intended to convey information to the crowd and, more importantly, turn them against Brutus and his co-conspirators in a subtle way without actually denouncing them. It is rhetoric, and rhetoric is the artful use of language to convey ideas and emotions to the listener in a not always rational way.

But if a speech like that can be art, then why preclude sermons? Aren't they just exactly the same thing, but with a religious rather than a political purpose? Or at least they can be. Many preachers have used rhetoric just as artfully as any secular rhetorician. John Chrysostom was given that title - meaning "golden mouthed" - because of his ability to speak so beautifully; the title was occasionally given to great speakers, such as Dio Chrysostom. I defy anyone to read his sermons, or those of Gregory of Nazianzus, or of Basil of Caesarea, or of Augustine of Hippo, and say that these are not art simply because they are intended to convey ideas or convince the listener. On the contrary, they seek to do this through the skillful use of art.

As for philosophy treaties, they're supposed to be scientific, and thus not art. I understand that's subjective and debatable, but I wouldn't call a treaty on philosophy an art form for the same reason I would not call a historical article or a book on physics.

Well, again, it's incumbent upon you to say why something that is "scientific" must, by definition, not be "art". What about the writings of Jacques Derrida, which seek to convey philosophical ideas through literary form? (I'll pass over the question whether Derrida really counts as a philosopher or not, since that's to do with the nature and worth of his ideas, not with the form in which he chooses to convey them.) Or take Plato's dialogues. Pretty much everyone agrees that these count as literature quite apart from their philosophical content, because of the charm and art with which they are written. Indeed, in antiquity they would probably have been read out loud by servants for the benefit of the master; there is thus a very fine line between these works of philosophy and full-blown performance art such as the work of the ancient Greek dramatists. Isn't it rather arbitrary to say that one text counts as art but another doesn't, just because it contains cognitive reasoning?

Well you were talking of educating and forcing ideas, which IMO is more coherent with sermons and pamphlets than art.

But any art form can convey ideas. It doesn't have to do so in a discursive fashion. Isn't Paradise lost full of ideas and claims? Isn't it intended to make the reader think about these ideas? And isn't the Sistine Chapel ceiling also full of ideas which are intended to make the viewer think?
 
Plotinus, those are all good points. And indeed, thinking about it, things can be artistic and scientific at the same time. But surely we have to draw a line somewhere; I wouldn't call the mathematical proof of a theorem "art" no matter how elegant it is.

More on topic, you mentioned several sermons and works of philosophy that do count as art. Well, in their cases I would say that if they are indeed quality art than even if the morality behind them is wrong, they would still have artistic value. OTOH, a sermon that has no artistic value and pushes forward a wrong morality has no value whatsoever. In other words, the morality may have an effect over the practical value of such things, but if they have independent artistic value, than said value remains even if we are repulsed by the morals behind the work. Or at least that's my opinion.
 
Surely it depends entirely upon whether you think that the value of a work of art involves, or is otherwise connected to, its moral values. If you think it is, then expressing poor moral values will devalue it as art. If you think it isn't, then having poor moral values will be irrelevant.
But that itself is subjective, surely, and so a practical, rather than artistic judgement; it reflects content, rather than the form that the content is given. A Roman Catholic priest could deliver an eloquent sermon upon some element of Catholic doctrine which is held righteous by Catholics and abhorrent by Presbyterians; which, then, is right in their judgement of the sermon's artistic work? A "good" sermon, I would've thought is that which is effective in communicating it's message, not that which is held by ourselves, as individuals, to be moral.

Plotinus, those are all good points. And indeed, thinking about it, things can be artistic and scientific at the same time. But surely we have to draw a line somewhere; I wouldn't call the mathematical proof of a theorem "art" no matter how elegant it is.
This, to me, represents the flaw in that line of thought; the assumption that art is a title bestowed upon a certain portion of a gradient, something of prestige, and not merely a descriptor of nature. Art is communication itself; the volume or nature of content is as irrelevant to this as it's moral standing.
 
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