And here I thought it had to do with her being an annoying, whiny hypocrite. But male criticisms of females do tend to always be rooted in them having the gall to defy the patriarchy.
This is ignoring that the collaborationist decisions Skyler ultimately made towards the male authority figures in her life were highly anti-feminist. Simplistic analysis, stick to the math cave, C-. Would have been a C if you hadn't brought up an irrelevant racial lens.
Irrelevant racial lens? The show is rife with themes of racial dissatisfaction and white savior syndrome. Even the show's "good guy" comes off the line spouting bone-headed racist remarks. He gets better, of course, but that isn't the point. Race and racism are hardly irrelevant to Breaking Bad.
Consider that most of Walter's primary antagonists throughout the show are non-whites, excepted solely by the presence of Lydia and the Nazis in Season 5 (more on this later) - non-whites who almost always have a better "motive and cue for action" than Walter does, although they are unilaterally painted in a negative way and all of them must die to satisfy Walter's ambitions. I think the show is most accurately read as an allegory for white privilege.
Walter White is your cookie cutter old working-class white guy, also thoroughly dissatisfied with his life. But his dissatisfaction is based on privilege. Consider his grievances: he hates his job (both of them), his kid has cerebral palsy, his college friends are more successful than him, his brother-in-law is a jackass, and nobody gives him any "respect." Well, why the hell should they? His life's actually pretty damn decent. He has a beautiful wife, a
son (palsy or not), a steady secure middle-high income job (he owns a pool for chrissakes).
All of this, somehow, does not register at all in his mind. The reason is because it does not contribute to any kind of lasting, momentous legacy. He has an intense sense of pride and his entire attitude towards the world can be summed up as "but what have
you done for
me?"
He gets diagnosed with cancer which is, admittedly, a bad turn - but we're all going to die anyway, so no point throwing a hissy fit about it. His first thought, and perhaps this is to his credit, is what is he going to do for his family? But they are
swiftly moved to the wayside by his pride. He rejects the opportunity for a good steady high-income job with Schwarz because it does not satisfy his pride to accept it. By refusing to be humble, by refusing to acknowledge that life sucks sometimes, by in other words seeing the potential of a life built by himself, for himself, with no regard given to anyone else, he precipitates the deaths of countless individuals and the destruction of many more lives.
I maintain that he is therefore a poster child of white privilege mentality. He thinks the world owes him something (also because he's "smart" though how smart can he be stuck working at a high school really) and all his actions are consistent with such a belief. He thinks he got a raw deal. For most of his life, he doesn't act on this. He is the Adam Smithian idle law-abider. But when he is put up against the wall and forced to see the end of the tunnel, he indulges his sense of self by placing it at the forefront.
The theme of pride and legacy and selfishly building oneself up, even by the sweat of one's own brow, is a principle theme in Breaking Bad. The most important racial aspect here is the idea that his self-building up is done at the expense of other people.
Walter comes into conflict with other individuals, particularly darker-skinned ones, for most of the show. This is meant to demonstrate the strife between white privilege and the so-called typical criminal element. For the most part, the motivations of the cartel members are easy to understand, though they are of course layered: Tuco and the Brothers are acting for what they believe is their family - their
family's honor, glory, etc, a wretched parody of the family-centered ethics present in a lot of Italian mafia flicks and TV shows - Gus is motivated by revenge and ambition, but he also has his own ethics. He is like the Michael Corleone of the show. Mike Ehrmantraut is motivated by his niece's well-being.
For the first four seasons, Walter is pitted against non-whites whose motive and cue for passion originates in things outside of themselves, whereas Walter is completely in it for his own aggrandizement. He destroys them all in turn, until all that's left is other white people - the Nazis, we'll say, and Lydia, who has no ethics whatsoever. These people, like Walter, care only about their own aggrandizement, but other than that they have no ethics. They are blind, unfeeling aggression. Pointless, howling hatred scrabbling around in the dark.
The point here is that anti-heroes like Walter create their own problems, and that his notions of privilege, what he thinks the world owes him, ultimately create a world wherein all there is to associate with are the shattered remnants of a meaningful society. It is only after Walter has created this paradigm, and been cast apart from the tattered remains of the whole, that he is forced to look into the black pits of his soul and conclude irretrievably that he has been the one to blame for all of this. When you are arrogant and refuse to associate with others in ways that take their feelings and motives into account, then you will be alone.
The foils to Walter in this are Hank and Jesse. Hank is a bumbling but thoroughly well-meaning cop who starts out as kind of a racist douchebag but his character develops into a really great one. For starters, he is completely the opposite of Walt. He is the same age and has the same stuff - a wife and a house and a good living - but he is not dissatisfied with his life. Maybe it's because he's doing what he loves, and in fact that's probably the case after all*. But the point is that unlike Walt, he thinks about other people and other people's needs. He constantly reminds Walt that he and Marie will be there to help out, and he's always visiting them at their house. He's the only person to do so consistently. He has a strong sense of ethics and when he snaps and hurts Jesse he subjects himself to immediate introspection and concludes that it was him who screwed up, not any system that should have done better by him. He is, in other words, a white person with all the trappings of privilege but none of the attitudes of it, and he is destroyed by someone who is dissatisfied with merely being in the upper crust of society.
Jesse, meanwhile, is a disaffected youth who is just trying to make it in the world. Effectively nobody cares about him until he meets a girl (whom Walter then kills, what a swell guy). Even though he is young and started the whole meth thing, he is not comfortable with wanton killing, and he has a sense of ethics guided by his desire to find meaning and purpose in his life. Jesse is a very complicated character and I cannot do him justice in one paragraph, but suffice it to say he is nothing like the selfish Walt.
The up-shot of all this is that Walt has a lot of reason to be satisfied with his life but is whiny and entitled in a way that Skyler cannot hope to match (though, granted, she certainly does her damnedest to try). The
difference between Walt and Skyler is that Skyler never asked for any of it. Walt did, and in fact acted continually to impose an untenable life situation on his family - by all means, people whom he should be protecting and supporting - so it is difficult to blame Skyler for bad reactions. Although it certainly stands to reason that what she should have done was filed for divorce the moment the meth thing came out, these decisions can be difficult to make.
That said, it takes Walter Jr. standing up to him to realize that he, in fact, destroyed his family rather than saved it also shows Walter's inherent sexism. Skyler's dissatisfaction is constantly written off, but Walt Jr's dissatisfaction becomes an immediate item of concern. There are other small elements of sexism written in throughout the series: Walt viewing Gerda as a trophy he should have won, Hank writing off Lydia's mismatched shoes as the result of his own personal bias imposed by having a wife who has obsessive-compulsive disorder, women, in general, being items to be fought over or protected (or killed if they dare be uppity, i.e. Jane). But I will gladly admit that women, in this, are at least not especially victimized because Walt is an indiscriminate murderer. He is an equal-opportunity bastard.
As usual, Thlayli, you have demonstrated that you did not think about this for more than 30 seconds. I'd say I'm disappointed but I'm really just sad.
"This is ignoring that the collaborationist decisions Skyler ultimately made towards the male authority figures in her life were highly anti-feminist." Talk about a simplistic analysis. What the hell do you think "feminism" is, anyway?
This post is too long and rambly and I am sorry for that, but I realized a pithy reply to your post would A. not have been worth it, and B. wouldn't have fully communicated my intentions (although I probably failed in that anyway). I am well-aware that I am painted as a frothing at the mouth wannabe-SJW liberal nutjob but it is not like I spend all day thinking of new ways to be insane. The concepts of privilege, sexism, etc are things I spend a very lot of time thinking about and I have concluded it is difficult to say that women and blacks do not get the short end of the stick in our society, and often this manifests in ways and behaviors that are not fully explicit e.g. slave-owning. It's gotten better, sure, as you conservatives oft-remind us - but just because something has gotten better does not mean it has gotten good.
*Oops forgot to expound on this. A theme I haven't had time to fully explore is the wider theme that the real problem at work is that people are prevented from self-actualizing, as can be the case with Walter. Hank has a lot of room to associate in meaningful ways because he is satisfied with his life because he is doing what he wants to. But Walter only finds succor in cooking meth. There is nothing inherently wrong with the act of mixing chemicals to make meth crystals, but it is nevertheless illegal, and the product is dangerous, so it puts him at odds with the wider society. Still, though, it is an inherently harmless act that he enjoys for its own benefits. Despite Walter's outrageously evil tendencies, it is implied that, beneath his warped sense of perception, is the simple ability to enjoy the beauty of chemistry. Gail's character sort of represents Walt's inner sense of wonder in this, and his recitement of the poem "When I Heard the Learn'd Astronomer" is a very stirring and meaningful scene in the whole series. The very final scene also pays homage to Walt's true love of chemistry. Maybe, at the end of the day, all Walt needed was to just do something he really loved, and then maybe nothing else would have mattered as much? And what we see as privilege, racism, sexism, conflict, strife, etc are in fact the petty conflicts constructed by passionless lives? Well, that might be taking it far - some people are passionate about revenge, after all, as established. It is also an oversimplification in any case, but it just makes me think.