Comics
The DDR comic industry is a flourishing one. Although mostly considered niche within non-German-speaking areas due to limited availability of translations, critics at home and abroad have praised the storylines, which often intertwine action with subtle political commentary. During times of war, such as the great Unbismarckification, the politics takes the forefront, yet there is always a focus on subtleties. An example would be in the comics revolving around der Lützower - a series of comics revolving around one man in the Napoleonic Wars. Although some historicity has been disputed (historians have found no proof that Paris was a home of the occult), the subtle Cold War commentary has not been lost. Another example is the Neuberlin universe, set in a dystopian 2100 AD, where mechanized soldiers have taken over policing of the Bezirke (remarkably unchanged since the Prade administration), and characters such as Offizier Neumark and Dannebrog are famous for providing insights into the aspects of the Neustasi.
Fig. 1: Joachim Verdensoll, alias Offizier Neumark. Verdensoll is part of the famous DDR comic universe Neuberlin, drawn by Wilbert Eckart.
But perhaps the most famous comic universe of all to spring out of the DDR is Thomas Niederers Ameisenversum, notable for being translated into English under the name Antverse. A main storyline focuses on one Antony, who is an alien who grows up in our world, and experiences many adventures. Within Europe, however, the most popular part of the Ameisenversum is the New World War timeline, wherein various nations across Europe and the Americas have begun superhero projects and fight one another with these. There is an entire branch of tabletop gaming centered around these supersoldiers, which shall be elaborated on below.
Music
Music in the DDR may, at first glance, appeared to have stopped around the 20s.
Nothing could be farther from the truth.
Various music styles are popular in the DDR - apart from classical music, the main genres of the youth are so-called Neu-Ostrock, a movement not unlike the punk rock of the rest of the world. Famous bands for Neu-Ostrock include Hotel Grand, a band from Magdeburg, and Zven Kruspes Schaffels project. Other popular movements include synth music, not unlike the rest of Europe, although few DDR musicians ever rise to prominence.
There is also a growing market for so called Neo-medieval or Neo-pagan rock, which is, in general, a combination of traditional instruments, synth keyboards, and modern rock instruments. Following the Unbismarckification, various West German bands of this nature fled to East Germany, and they include Grave Digger (fairly popular in other parts of Europe), Falkenbach and Schandmaul. The Neo-medieval scene often comes into scrutiny as people arent sure if the members of said bands are far-right, an ideology banned in East Germany.
Film
Film is not a medium explored very much within the nation of East Germany. Often, American films are the most popular, although some, like
Good Bye, Lenin!, a film about the democratization of the DDR, are popular. Other famous examples include fantasy works, such as the
Sigmar-trilogy (music by Schandmaul), and a film version of
Offizier Neumark.
Games
The most popular gaming systems in East Germany are, in fact, roleplaying and tabletop wargaming. The old Prussian wargame tradition lives one within the nation. The largest gaming company of East Germany is Teufelshand Spiele OBG, which is responsible for such games as
Katan,
Das Proletariat and, of course,
Neuweltkrieg. Popular roleplaying games include, apart from American and British imports, the liscensed
Neuberlin roleplaying games, wherein players take control of either an Offizier or a criminal and experience tasks in the Berlin or Karl-Marx-Stadt of 2100 AD. East German board games are relatively popular abroad as they offer a more cooperative element compared to some more competetive American games - Monopoly, for example, is hardly played in the DDR as it has none of the fun of Thurn und Taxis.
Teufelshand has decreed that its products are compatible with similar wargaming companies, and is rumored to be cooperating with Games Workshop, a British company, on a crossover between some of their universes.
Another great and popular product of the DDR gaming scene is the so-called
Reich des Menschens series of board games. These are centered around a map of the world divided into provinces. Each player picks a set amount of provinces, and runs a nation based upon these. RdM combines roleplaying aspects with game aspects, and there are varying settings of games, such as the
Interna Universo, wherein one plays a nation present in 2040, or
Europatriotismus, wherein one plays a Napoleonic state. Often a blank slate is used, however some games, such as
Walküre, use a map of the world at a given time. The Maps are often fluid and dynamic, and championships are held every year. RdM has found a surprising following in China and the Americas, although it often comes under fire in the mainstream as encouraging genocide and counterproductive. Famous designers of the RdM games include Augustus Sanrähl, Tim Fuchs, Christian Huge, Stefan Katja, and Walther Flemming.