America (Hard Times Come Again No More) - 2
Cree (The Drums of Poundmaker) - 12
Georgia (Shen Khar Venakhi; Tsaiqvanes Tamar Kali) - 17
India (Vaishnav Jana to tene) - 16
Indonesia (Rejang Dewa; Bapang Selisir) - 20
Japan (Itsuki Lullaby) - 13
Khmer (Khmer Rourm Sam Mawgee) - 9
Mongolia (Pastoral Song; Urtin Duu) - 19
Nubia (Allah Musau) - 11
Persia (Kereshme + Reng-e Shalakhu) - 18
Russia (Kalinka) - 16
Scotland (Scotland the Brave; Bonnie Dundee) - 13
Scythia (Original composition) - 19
Spain (Recuerdos de la Alhambra) - 1 (=4 - 3) - The weakest of the remaining tunes.
Zulu (Uthe Ubhuti Asizomlanda, Bayisa, Halala, Shaka Mamba) - 17 (=16 + 1) - Certain people seem to be under the mistaken impression that this is enjoying some runaway success, but that's simply not true - it's now in joint sixth place, and deserves to be much higher. This is by quite some margin my favourite set of themes. The vocals blend and evolve from a peaceful start, to a more urgent tempo when your Impi go a-conquering in the Middle Ages, to a triumphant orchestral crescendo in the Industrial. Not even the ill-advised autotune of the Atomic Era can take away from that.
Cree (The Drums of Poundmaker) - 12
Georgia (Shen Khar Venakhi; Tsaiqvanes Tamar Kali) - 17
India (Vaishnav Jana to tene) - 16
Indonesia (Rejang Dewa; Bapang Selisir) - 20
Japan (Itsuki Lullaby) - 13
Khmer (Khmer Rourm Sam Mawgee) - 9
Mongolia (Pastoral Song; Urtin Duu) - 19
Nubia (Allah Musau) - 11
Persia (Kereshme + Reng-e Shalakhu) - 18
Russia (Kalinka) - 16
Scotland (Scotland the Brave; Bonnie Dundee) - 13
Scythia (Original composition) - 19
Spain (Recuerdos de la Alhambra) - 1 (=4 - 3) - The weakest of the remaining tunes.
Zulu (Uthe Ubhuti Asizomlanda, Bayisa, Halala, Shaka Mamba) - 17 (=16 + 1) - Certain people seem to be under the mistaken impression that this is enjoying some runaway success, but that's simply not true - it's now in joint sixth place, and deserves to be much higher. This is by quite some margin my favourite set of themes. The vocals blend and evolve from a peaceful start, to a more urgent tempo when your Impi go a-conquering in the Middle Ages, to a triumphant orchestral crescendo in the Industrial. Not even the ill-advised autotune of the Atomic Era can take away from that.