If your literature is like your posts, I have to say that I doubt I would find it "AWSAM."I am not talking about my own literature, of course, cause that is AWSAM, but it is true that most of the literature in bookstores is garbage. How can that even sell at all?
Sadly there are cliques indeed, and people in charge of publishing houses which are having more ties to toilet-cleaning than reading books, but even that by itself does not explain how so many horrible books get sold here and in other places of the so-called 'West'. Not sure if anything like this exists in countries of the former eastern block (at least the main ones, eg Russia) (?).
Moreover i read that more than half of yearly sales here are from 'romance novels', by some utterly talentless hack/hag writers (most of them local too).
Leoreth is correct in his assessment. How about you let us read some of your "AWSAM" literature - in English - and let us decide if it's good or not? So far all we have is your word for it. And one of the cardinal rules for good storywriting is "show, not tell." Plotinus is a published author, but doesn't brag about his writing; he just says, "This is the title, and this is where to find it." He's said that constructive feedback would be appreciated, which is a perfectly fair and civil way to go about asking if people like his writing.
People have different standards of what makes good literature. It's no secret around here that I consider Frank Herbert's Dune novels to be not only good literature, but great literature, while the Dune books written by Kevin J. Anderson and Brian Herbert are (in my opinion) worse than a lot of the Dune fanfic I've read. So why does Kevin J. Anderson get published?
'Cause he works fast, and to the lowest common denominator. To hear him tell it, he spends his time hiking up and down mountains while simultaneously dictating perfect prose into a tape recorder so his secretary can later transcribe it into written form (he hasn't claimed Everest yet, but give him time...). Naturally, any mistakes are considered her fault, not his.
So since KJA loves to hike and is apparently a dictaholic even when on cruise vacations (with all that gorgeous scenery to look at, he shuts himself away and dictawrites), he works fast. And the editors love him for that, since there are always Deadlines To Meet and they don't really care about the quality of the story since the words "Dune" and "Star Wars" are what actually prompt people to buy the books.
The more discerning readers pick up on the fact that the novels are often padded to the point where a quarter of it could easily be cut and the story wouldn't suffer at all - in fact it would be improved, since the repetitious crap would be gone. Sometimes I think KJA should write soap operas, because there is always an element of plot recapping in soaps that work in that medium that just doesn't work in science fiction novels. It's a situation where on page 82 something will be mentioned, and 5 pages later in a new chapter, it gets mentioned again. And later on again, on page 100.
Dear KJA: Your audience is not stupid. Please stop treating us like morons who are too dumb to turn back a few pages if we've forgotten a detail.
As for romance novels... I've read a lot of them over the years and they sell because they are safe and uncomplicated. The reader knows pretty much what to expect because they follow a formula of plot points and stock characters, and only minor details tend to be different. That said, there are a few I remember specifically, one in particular because it takes place not in Europe or Africa or Asia or the Middle East... but in Banff National Park. That's pretty much next door, as geography goes in terms of Harlequin Romance novels. There's even a mention of Red Deer in this book, which is why I kept it instead of getting rid of it years ago, with the others. The story itself isn't any great literary effort, but it is different in the details.
I've become a lot more picky in recent years as to what science fiction comes into my home. I have to be, since books are a lot more expensive these days, and shelf space is rapidly dwindling. So I don't even bother keeping up with Star Trek anymore, and I used to be able to say I owned every Star Trek novel ever published. I haven't been able to say that for nearly 20 years now. But judging by what I read in the TrekLit forum at TrekBBS, there are still people who'd buy a piece of scrap paper if it had the words "Star Trek" on it. Right now over there, there's an ongoing discussion of the quality of various ST novels and how good the authors are. One of the contenders for Worst ST Author Ever is Diane Carey... who admitted in an interview that she wrote one of her Next Gen novels in FOUR DAYS, in between her duties as a cook on a ship. She's a prime example of someone who got published because she works fast, and people bought her books because they were nominally about Star Trek (along with a hefty dose of stuff she's really interested in, including RL politics) and at first the editors didn't quite realize how contemptuous Ms. Carey really is toward Star Trek; when they finally did, they quit buying her manuscripts.