I'm soooooo screwed!!!! HELP ME!!!!

Geez, if we get any more fomulaic about it, 100 monkeys on 100 typewriters will churn out thousands of compelte essays per day.

Isn't that what high school is all about?

Anyways, it's tomorrow now...so I'm sure we'll hear something one way or another. That structure recently posted above looks like a decent guideline for a typical essay, but you'll find yourself drifting fairly far from that once you have to write more than a page or two.
 
Geez, if we get any more fomulaic about it, 100 monkeys on 100 typewriters will churn out thousands of compelte essays per day.

What do you think happens in public schools?

Edit: damn, I got beat to this punchline...

@atlas: this is not a mystery novel, you introduce your conclusion
 
@atlas: this is not a mystery novel, you introduce your conclusion

There is no need to introduce a conclusion in an introduction. It doesn't even make sense in theory. The purpose of the conclusion is to conclude the main points of the essay and then to extend the thesis to something larger, going from a narrow idea to a very general idea.
 
There is no need to introduce a conclusion in an introduction. It doesn't even make sense in theory. The purpose of the conclusion is to conclude the main points of the essay and then to extend the thesis to something larger, going from a narrow idea to a very general idea.


True, especially the specific --> general part (opposite of the general --> specific structure of the introduction).

However, merely 1 sentance in the introductory paragraph that alerts the reader to the general idea of the conclusion does not take the place of the conclusion paragraph itself - it gives the reader a frame of reference by telling them where you are going with the argument.

I am not saying to write the entire conclusion in the introduction, but to let the reader know where you are going (see my example). If you leave the reader wondering "where is he going with this" through the entire essay, it only detracts from the effectiveness of the supporting paragraphs. Also, be careful not to bring any new arguments to the conclusion. The conclusion is not something you "spring" on a reader, taking them by surprise. It is intregal to the entire essay. It should be kept in mind while reading the supporting paragraphs and thoroughly explained in the conclusion paragraph itself.

I also struggled with this in high-school. I always wanted the conclusion to be a surprise at the end, but learned that a surprise ending is not part of a 'standard 5 paragraph essay'. It's an argument essay - not a speech, a mystery novel, or a deftly twisting attorney's concluding statements. You put it all up front, prove it, and then (in the conclusion paragraph) spell it out for the dummies.

Anyway, it is obvious that the OP needs to go to a source (aside from my foggy recollection) on 5 paragraph essays. Structure is of UTMOST importance, especially for high-school english teachers that worship at the altar of uniformity (because it makes grading easy).
 
There is no need to introduce a conclusion in an introduction. It doesn't even make sense in theory. The purpose of the conclusion is to conclude the main points of the essay and then to extend the thesis to something larger, going from a narrow idea to a very general idea.

I don't think so - the thesis should remain the same for the entire length of the essay.

It should be stated in the opening paragraph and then re-stated in the conclusion - as well as explained in a bit more detail in the opening paragraph and perhaps the following one.
 
I don't think so - the thesis should remain the same for the entire length of the essay.

It should be stated in the opening paragraph and then re-stated in the conclusion - as well as explained in a bit more detail in the opening paragraph and perhaps the following one.

I did not literally mean "extend" the thesis, but I mean expand upon what the thesis can be related to in the conclusion. It is an effective conclusion technique.
 
I completely agree with your teacher.

There are so many spelling mistakes, and missing words/wrong wrongs.
Horrible periods/vergules put around things.
You used a thesaurus, didn't you? You shouldn't have. A lot of the words don't make sense.
The pargraphs are really long.
What were you trying to say?

(Why is everyone saying it's so short? I just copied it to Word (just to see how long), and it covered 2&1/2 pages on size 12 (normal-sized font))
I wish I had my own essay to add, as example, but the only ones on my computer have nothing to do with literature. Except for a few from last year, grade 9.

But I have this! One paragraph. Got 90something.

While I was reading the story “Teenage Wasteland”, by Anne Tyler, I was reminded of poem I had read ...earlier... called “About School” by Anonymous, whom I will refer to as Anne Nemo. In “Teenage Wasteland”, Donny, Daisy’s son, does not have a lot of self-worth. “He required some academic help and a better sense of self-worth” (Tyler 1). He wants to be himself, without pressure from his parents or teachers (This doesn’t make sense to me. He should be allowed to do what he wants with his hair, but have better things to do than complain about how it doesn’t express ‘who he is’). He becomes depressed, and eventually runs away from his home (where, we are supposed to assume, he was beaten night and day). But that’s not important. What reminded me of “About School” was that he wanted to ‘be himself’. In Nemo’s story, a little boy liked to draw (though really all he did was colour the page completely, without an image). His teacher told him to “wear a tie like all the other boys” and draw “air-planes and rocket ships” like everyone else (why should the teacher make an exception for him?). Unlike Donny, he listens to her, and becomes “square and brown inside” with “stiff hands” (why shouldn’t he be? If he weren’t square, brown, and with stiff hands, he’d be a purple octopus).
In our self-involved world, where urbanites drive unnecessary SUV’s and people often feel that they owe little to the society that has given them so much, many people believe that they should be given special treatment. Because they believe that they are incredibly creative and unique (unfortunately, there isn’t room for too many Picassos). You may have noticed that I have taken a relatively negative opinion of this belief. These texts do not see the subject that way. Rather, they see it positively. Instead, they demonized the ‘conformists’, be it the teacher in Nemo’s story or the parents in Tyler’s. I see this as incredibly unfair and, in Nemo’s case, one-sided. People should be who they are, but to complain about it and become depressed is a little self-absorbed. To me.
 
Well, I've read Ibsen, though not Doll House, and I've read the Greek versions of Antigone's story, so maybe I can offer a little more insight on the content.

You are right in writing about the role of women, but you should compare Antigone and Nora more clearly. They both seem to be at odds with the men that control them and are therefore rejecting the social roles that are imposed on them as women, but there must be similarities and differences between how they do this - highlight them! And Ibsen seems to like setting flawed but sincere protagonists against a petty and unthinking society, while the character of Antigone always represents the force of innocence against the power of politics and ruthless tyranny. Compare the two archetypes and do so within each paragraph. Looks like your essay needs a total structural overhaul as well. Let me give you some tips:

1. Start with an overarching theme. In this case, the role of women seems to be best answer. State this in your intro. For example (this is in no way meant to be accurate and reproduced in entirety): "Nora and Antigone are both heroines that stand up against the social heirarchy that is imposed on them as women from birth. The former, a flawed but sincere protagonist, confronts a petty and unthinking patriarchal society, while the latter represents a force of innocence set against the power of politics and ruthless tyranny. However, it is of course not so simple. Both of them are motivated by personal reasons that are not as noble, and they are not exactly similar to each other..."

2. Base each paragraph on a point (eg. similarity or difference) and compare the two protagonists within each paragraph. Do not write all about Nora in the first half of the essay and all about Antigone in the second. That is poor structure and it makes your points unclear.

3. Do not quote whole chunks of text. That is poor usage of quotations, and it essentially shows that you are unable to analyse the text properly and in an exhaustive way. Work your quotes into your writing and show what they mean clearly. For example (I take this from an essay I wrote on a poem): "the speaker claims that his love has 'no decay' and is not bound by the concept of days, implying that it transcends time."

4. Talk more about tone and language. These are important for literature essays and should help you make your points in each paragraph. After all, literature is about the use of language, isn't it?

Well, it may be too late for now, but I hope those points will help you in the future. It's certainly good to exercise my brains again ;)
 
I think the teacher's judgement would improve just by rewriting the paper to have more concise paragraphs. Adhere to the idea of there being a single main topic sentence for each paragraph, with all the other sentences of the paragraph (about 3 to 5) being support for the topic sentence.

Another thing I saw immediately was there's a lot of parenthetical phrases, but they aren't clearly offset by commas. http://en.wikipedia.org/wiki/Comma_(punctuation)#Grammar
You might even want to remove some of the excess phrases to write shorter sentences. Or just develop them into separate sentences if they support the topic sentences.

Focus on writing clear sentences and concise paragraphs, and the teacher will be at least impressed with the readability. Then work on the logic of your overall arguement, and how well each of the paragraphs support your overall arguement (e.g. thesis).



EDIT:

This draft is much better. The introduction is much stronger and attention-grabbing.

I take it that the first sentence is your thesis. It's not necessary to make it the very first sentence, but that's ok. You could also just build up to the thesis in the paragraph like a crescendo.

The third-fourth sentence could be combined into one with a comma. It kind of diverts from the thesis sentence though (it's actually almost a second thesis), so I'd take it out, or only leave it in if it's being used as a transition to the next paragraph.

I'd focus more on expanding upon, and supporting, the first two sentences to make the introductory sentence. For example, add some sentences that give examples of the first sentences. Also, rewrite the second sentence to include the idea of the first sentence, for explicitness. E.g. Nora & Antigone fit the form of the noble heroine, brave, self-sacrificing women who <blah>. That way you have a single, highly explicit thesis statement, rather than than two sentences that combine to be an implicit thesis.

The noble heroine is an ever preset aspect of literature, with the brave woman who sacrifices herself in the name of dignity and honor and is willing to undergo great suffering and adversity. This is how the protagonists Nora Helmer and Antigone are normally viewed by its audience in the play a Doll&#8217;s House written by Henrik Ibsen in the late 1800&#8217;s and the play Antigone written by Jean Anillouh in the 20th centaury. This view is normally cemented by the role and actions of these characters. However this fundamental viewpoint may be mistaken.



EDIT EDIT: Just read thru the second draft. I think part of what makes your writing hard to follow is the logic. The paragraphs kind of support the thesis, but the logic is not exactly clear or explicit.
Think about rewriting the "Nora" section to more tightly fit the thesis that:
1. Noble heroines self-sacrifice in the name of duty
2. Noble heroines 'rise-up'.

It seems like the writing gets distracted by the details of Nora's experience and character, but don't focus on the two above points tightly enough for a casual reader to follow.
 
I agree a 100&#37; with warpus here. I've often been criticized for over-extending.

The conclusion is there as basically a summary. You might want a discussion section prior to the conclusion to make additional hypotheses and explanations that go beyond the thesis (as would happen in a scientific journal paper), but it's usually better to have your writing tight and contained in literature, basically like a tight legal case.

I don't think so - the thesis should remain the same for the entire length of the essay.

It should be stated in the opening paragraph and then re-stated in the conclusion - as well as explained in a bit more detail in the opening paragraph and perhaps the following one.
 
Geez, if we get any more fomulaic about it, 100 monkeys on 100 typewriters will churn out thousands of compelte essays per day.

yeah, well, I while I really dislike formulas and never used one, I know people who can only deliver if they have some kind of archetype to follow. I think it's as good toll as any to deal with writing if the person has problems with structure.

Regards :).
 
Next time I have an essay due, I'm gonna check here for help!!!
 
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