Today I Learned #2: Gone for a Wiki Walk

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supposedly a member of the band Queen is an astrophysist or some sort of an astronomer .
The singer for Bad Religion is a professor at UCLA.

You beat me to it. :goodjob:

Yes, there are 2.847 million adults aged 18+ in Oklahoma and > 360,000 medical marijuana cards issued in the last 2 years.

So 1 in 7.9 adults. :wow:
I wonder how many of those are since the pandemic started?
 
Hm. I grew up in the era of LPs, 8-tracks, and I still have my first cassette player. While pristine sound quality is nice, it's not critical to my enjoyment of a piece of music.

I'm not sure what you mean by your second bullet point.

I've been posting Wuauquikuna videos here and there for the past few months (see the Christmas thread - I posted their Silent Night and Feliz Navidad videos). I haven't posted any livestreams, because they're over an hour long and consist of 4-6 songs and the rest is talking to the viewers in a variety of languages - Spanish, English, Russian, Polish, and French. They're reading the comments as they come in, thanking the donors (these livestreams are basically online busking and some people donate), and answering various questions and comments that range from the songs played that day, other days, their merchandise, good wishes to their families (their parents, children, and nephews have appeared in some of the videos), and so on. The comments are also in a variety of languages, which has also been educational as I've learned some words and phrases I didn't know before.

Their music is mostly South American, but they also perform North American native music, as well as covers of popular music (ie. they've done some ABBA, Simon & Garfunkel, their version of "Hallelujah" is gorgeous, and so on).

Here are some of my favorites. The first was the one I stumbled on, and which blew me away and prompted me to check out more of their videos. It's the first time I ever heard a combination of panflute and quenacho (or knew what that was; I've since learned the names of some of their various instruments, and at the suggestion of one of their Australian fans, they've branched out to incorporate the didgeridoo into some pieces.

This is just a small sampling of the videos that I found. I'm 4 months behind in watching the livestreams (having been busy with moving, NaNoWriMo, or just stressed in general), but I plan to remedy that over the next little while. :)

The Sound of Silence

I really like that version of sound of silence. I think the best example of the profligacy I am talking about is this video. It is a great track, but the vast majority of the data downloaded is the video of the record going round and round. I feel that is a pretty profligate for me to listen to that song, but I did that and equivalent for loads of the last few months.
 
I really like that version of sound of silence.
Another one they do that is really beautiful is "Hallelujah" (I wanted to post that before, but the forum only allows 5 per post):

Hallelujah


This one was also shot in Ecuador. There are others they did beside and near this lake region. Some of the fans have been saying that they'd love to visit that area when the pandemic ends and travel is possible again.


I had a nice surprise on my birthday earlier this year (coincidence, of course!). They posted an hour-long meditation video with music and scenes of forests and running water - perfect for relaxation. The animal sounds in this video are actually made with small instruments that mimic the sounds of birdsong, insects, etc.

Meditation Music

 
TIL that a person I once knew a bit, translated some medieval alchemy book. Knowing the publishing house, and knowing her, I am not inclined to think it was a good deal. I hope she is well, but tbh I rather am worried she is going into random mode.
Actually, in certain regards she was in random mode to begin with. I still miss her, though :)
 
BACK IN BUSINESS | JASON ZWEIG

The Capitalists Who Saved Christmas

How gift-giving rescued the holiday from riots and street gangs

Everyone seems to complain about how Christmas has been commercialized. But without the business of gift-giving that sprang up in the 19th century, Christmas might still be what it once was for many people: a riotous bacchanalia in which drunken gangs brawled in the streets and bashed their way into houses demanding money and alcohol. With the hard work of the harvest behind them, December was downtime for Americans, as it had been for Europeans as far back as the raucous Saturnalias of ancient Rome. The Puritans were so offended by the disorder surrounding Christmas that celebrating the hol- iday—by feasting, “playing either at cards or at dice,” or even just taking the day off from work—was illegal in Massachusetts from 1659 to 1681. The fine was five shillings, roughly $50 in today’s money.

In England and much of Europe, “Christmas was a season of ‘misrule,’ a time when ordinary behavioral restraints could be violated with impunity,” wrote Stephen Nissenbaum, a professor emeritus of history at the University of Massachusetts, in his book “The Battle for Christmas.” Think of paintings by Bruegel and other early Dutch and Flemish artists showing peasants carousing amid the snow and ice, or Shakespeare’s play “Twelfth Night,” in which cross-dressing characters binge on cakes and ale.

In the 16th through the early 19th centuries, according to the Oxford English Dictionary, “merry” was a synonym for “drunk.” That connotation still lingered when, in Charles Dickens’s “A Christmas Carol” (1843), two men “wished each other Merry Christmas in their can of grog.” In the 1800s, at Christmastime in cities like Boston, New York and Philadelphia, gangs of drunk young men, dressed in outrageous disguises, marauded through the nighttime streets, often setting off firecrackers, lighting fires or shooting guns in the air.

The mobs sometimes vandalized Black churches and beat Black parishioners with sticks and ropes. Carrying pikes and swords, muskets and spears, sometimes riding donkeys or horses, they swarmed throughout the season, even on Christmas Day itself.
These gangs were called “mummers” and “fantasticals” for their flamboyant costumes or “callithumpians” for the rough music they banged out on pots, pans and other makeshift instruments. Rampaging from house to house, the mobs might smash windows, tear down fences or wrench the handles off doors if homeowners wouldn’t let them in.

Once inside, they helped themselves to food, commandeered alcohol, spit tobacco on the carpets and wiped their greasy hands on the curtains. Not even the watchmen hired by local residents could deter them. When a bitter cold snap kept the callithumpians off the streets, the Philadelphia Press noted on Dec. 26, 1870, how quiet the city had been on Christmas Eve. So few young men had gotten drunk or been arrested, the newspaper marveled, that “a stranger passing through our city would not for a moment think that Christmas was so near at hand.”

In a different kind of home invasion, down the chimney to the rescue came Saint Nick. Santa Claus was popularized in the poem “A Visit from St. Nicholas,” probably written by the New York patrician Clement Clarke Moore in 1822 and published a year later.
“’Twas the night before Christmas” when Santa Claus arrived with the same terrifying clatter as the callithumpians. He was “all tarnish’d with ashes and soot” and “look’d like a peddler just opening his pack.” However, Santa Claus burst into the household not to take, but to give—reassuring the poem’s narrator that “I had nothing to dread.” Santa wished the family, “ere he drove out of sight,” not an alcohol-drenched “Merry Christmas”—but a “Happy Christmas to all, and to all a good night.”

“As soon as Santa Claus entered the picture,” says Prof. Nissenbaum, “people had to go shopping.” Santa Claus was part of a broader movement to domesticate the holiday by creating a warm, comforting family event centered on giving gifts to children. Mayors, merchants and the middle class all wanted to get the violent Christmastime gangs off the streets. “There’s a general taming of the holiday that goes on throughout the 19th century,” says Penne Restad, author of “Christmas in America” and a retired historian at the University of Texas, Austin. The mass marketing of Christmas gifts, she says, was “a way of creating boundaries.”

As the holiday became about giving gifts to family and friends, rather than about seizing food and drink from strangers, the seasonal street gangs faded away. The rise of department stores in the mid-19th century enabled even the poor to become consumers by giving— and receiving—gifts. Newspapers, eager to attract advertising, rhapsodized about the virtues of Christmas giving.

“Who is there, who is not ground into the very dust by biting poverty, that would hesitate, at this hallowed season, to bestow a souvenir?” asked the New York Morning Herald in 1839. As department stores began keeping holiday evening hours, the streets had to be kept safe for a new kind of mob: Christmas shoppers.




A watchman, left, patrols at Christmastime in this 1835 image.


As memories of Christmastime gang violence faded, many people turned indignant about the commercialization of the holiday. In 1912, J.P. Morgan’s daughter Anne co-founded the Society for the Prevention of Useless Giving, whose members were known as Spugs. The group, which at one point included President Theodore Roosevelt, sought to “eliminate... the custom of giving indiscriminately at Christmas” and to foster “unselfish and independent thought, good-will, and sympathetic understanding.”

In 1928, the poet Edna St. Vincent Millay published a sonnet, “To Jesus on His Birthday,” that began:

......

For this your mother sweated in the cold,
For this you bled upon the bitter tree:
A yard of tinsel ribbon bought and sold;
paper wreath; a day at home for me...

......

Such complaints continue today. Capitalism can rub people the wrong way by seeming to turn everything— even the most spiritual holidays—into a transaction. But the commercial takeover of Christmas was a large part of what rescued it from anarchy and made the holiday safe to celebrate. Back In Business is an occasional column that puts the present day in perspective by looking at business history and those who shaped it.
 
When a bitter cold snap kept the callithumpians off the streets, the Philadelphia Press noted on Dec. 26, 1870, how quiet the city had been on Christmas Eve.
(...)
The rise of department stores in the mid-19th century enabled even the poor to become consumers by giving— and receiving—gifts.
(...)
“Who is there, who is not ground into the very dust by biting poverty, that would hesitate, at this hallowed season, to bestow a souvenir?” asked the New York Morning Herald in 1839.
Either the author is invoking a non-linear model of time, or his thesis is a bit rickety.
 
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Either the author is invoking a non-linear model of time, or his thesis is a bit rickety.
Maybe not. :)

First American department stores (1825–1858)[edit]
Arnold Constable was the first American department store. It was founded in 1825 as a small dry goods store on Pine Street in New York City. In 1857 the store moved into a five-story white marble dry goods palace known as the Marble House. During the Civil War, Arnold Constable was one of the first stores to issue charge bills of credit to its customers each month instead of on a bi-annual basis. The store soon outgrew the Marble House and erected a cast-iron building on Broadway and Nineteenth Street in 1869; this “Palace of Trade” expanded over the years until it was necessary to move into a larger space in 1914. Financial problems led to bankruptcy in 1975.[21]

In New York City in 1846, Alexander Turney Stewart established the "Marble Palace" on Broadway, between Chambers and Reade streets. He offered European retail merchandise at fixed prices on a variety of dry goods, and advertised a policy of providing "free entrance" to all potential customers. Though it was clad in white marble to look like a Renaissance palazzo, the building's cast iron construction permitted large plate glass windows that permitted major seasonal displays, especially in the Christmas shopping season. In 1862, Stewart built a new store on a full city block uptown between 9th and 10th streets, with eight floors. His innovations included buying from manufacturers for cash and in large quantities, keeping his markup small and prices low, truthful presentation of merchandise, the one-price policy (so there was no haggling), simple merchandise returns and cash refund policy, selling for cash and not credit, buyers who searched worldwide for quality merchandise, departmentalization, vertical and horizontal integration, volume sales, and free services for customers such as waiting rooms and free delivery of purchases.[22] In 1858, Rowland Hussey Macy founded Macy's as a dry goods store.

Innovations 1850-1917[edit]

Marshall Field's State Street store "great hall" interior around 1910
Marshall Field & Company originated in 1852. It was the premier department store on the busiest shopping street in the Midwest at the time, State Street in Chicago.[23] Marshall Field's served as a model for other department stores in that it had exceptional customer service.[citation needed] Marshall Field's also had the firsts; among many innovations by Marshall Field's were the first European buying office, which was located in Manchester, England, and the first bridal registry. The company was the first to introduce the concept of the personal shopper, and that service was provided without charge in every Field's store, until the chain's last days under the Marshall Field's name. It was the first store to offer revolving credit and the first department store to use escalators.[citation needed] Marshall Field's book department in the State Street store was legendary;[citation needed] it pioneered the concept of the "book signing". Moreover, every year at Christmas, Marshall Field's downtown store windows were filled with animated displays as part of the downtown shopping district display; the "theme" window displays became famous for their ingenuity and beauty, and visiting the Marshall Field's windows at Christmas became a tradition for Chicagoans and visitors alike, as popular a local practice as visiting the Walnut Room with its equally famous Christmas tree or meeting "under the clock" on State Street.[24]

In 1877, John Wanamaker opened what some claim was the United States' first "modern" department store in Philadelphia: the first to offer fixed prices marked on every article and also introduced electrical illumination (1878), the telephone (1879), and the use of pneumatic tubes to transport cash and documents (1880) to the department store business.[25]


Selfridges, Oxford Street in London, 1944
Another store to revolutionize the concept of the department store was Selfridges in London, established in 1909 by American-born Harry Gordon Selfridge on Oxford Street. The company's innovative marketing promoted the radical notion of shopping for pleasure rather than necessity and its techniques were adopted by modern department stores the world over. The store was extensively promoted through paid advertising. The shop floors were structured so that goods could be made more accessible to customers. There were elegant restaurants with modest prices, a library, reading and writing rooms, special reception rooms for French, German, American and "Colonial" customers, a First Aid Room, and a Silence Room, with soft lights, deep chairs, and double-glazing, all intended to keep customers in the store as long as possible. Staff members were taught to be on hand to assist customers, but not too aggressively, and to sell the merchandise.[26] Selfridge attracted shoppers with educational and scientific exhibits; in 1909, Louis Blériot's monoplane was exhibited at Selfridges (Blériot was the first to fly over the English Channel), and the first public demonstration of television by John Logie Baird took place in the department store in 1925.


Utagawa Hiroshige designed an ukiyo-e print with Mount Fuji and Echigoya as landmarks. Echigoya is the former name of Mitsukoshi named after the former province of Echigo. The Mitsukoshi headquarters are located on the left side of the street.
In Japan, the first "modern-style" department store was Mitsukoshi, founded in 1904, which has its root as a kimono store called Echigoya from 1673. When the roots are considered, however, Matsuzakaya has an even longer history, dated from 1611. The kimono store changed to a department store in 1910. In 1924, Matsuzakaya store in Ginza allowed street shoes to be worn indoors, something innovative at the time.[27] These former kimono shop department stores dominated the market in its earlier history. They sold, or instead displayed, luxurious products, which contributed to their sophisticated atmospheres. Another origin of the Japanese department store is from railway companies. There have been many private railway operators in the nation and, from the 1920s, they started to build department stores directly linked to their lines' termini. Seibu and Hankyu are typical examples of this type.
 
TIL that a person I once knew a bit, translated some medieval alchemy book. Knowing the publishing house, and knowing her, I am not inclined to think it was a good deal. I hope she is well, but tbh I rather am worried she is going into random mode.
Actually, in certain regards she was in random mode to begin with. I still miss her, though :)
I mean, what is the worst that can happen? The readers fail to turn lead into gold?
 
TIL that youtube has awful sound quality.
It really depends on what is the quality of the uploaded file and on what you're playing it.
 
It really depends on what is the quality of the uploaded file and on what you're playing it.
I had kind of assumed the most popular version of the most famous aria by the most famous opera singer would be good quality, but I guess not.
 
:ack:

She spends the first two minutes grinning, and then starts caterwauling. :cringe:

I studied this opera in my Grade 7 music class, but quite honestly, every time I hear this music the only thing that comes to mind is the Gilligan's Island version.
 
I had kind of assumed the most popular version of the most famous aria by the most famous opera singer would be good quality, but I guess not.
If you mean the Aria of the Jewels from Gounod's Faust, there's really good versions up there.
Spoiler :
I personally prefer Angela Gheorghiu's version as uploaded by the Beeb, but you did say the most famous opera singer and, as I couldn't find any recordings of Bianca Castafiore, I suppose you meant Callas after all.
 
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