What is so good about Shakespeare?

Comedy often does, yes, but is your average Adam Sandler film worthy of the praise that Shakespeare gets? I love Seinfeld, for instance, and it's one of the most popular comedies of the past couple decades. But you wouldn't compare Larry David to Shakespeare, would you? (The plots in Seinfeld and later Curb Your Enthusiasm are actually much more plausible than MAAN, which says a lot about MAAN's plausibility.) Nobody would dare suggest that Jerry Seinfeld is the Shakespeare of the modern era. Blasphemy! :mischief:

And it's not just comedies either. Hamlet had some nonsensical moments, as I mentioned.
 
Just because we say MAAN and 50 First Dates uses a similar convention of implausibility doesn't mean we're saying 50FD is as good as Shakespeare. I'm just wondering if it's okay not to fault Shakespeare for something that's fairly generally true of the genre in which he writes.

The reason I don't know how to respond to this question


Uncovering the meaning is surely part of the fun in reading a passage like that, isn't it?

is that it conflates things that Pangur has been saying (that the language comes off like a mystery) with things I've been saying (that Shakespeare is fun).

Would you have fun uncovering the meaning in this passage? Would it be a fun experience, rather than a priest-leading-the-initiate-into-solemn-mysteries experience? (Even if you say yes, it may not be until this evening that we can proceed. I'll try to get back to the computer before then, but I'm not sure I'll be able to)

Seinfeld's range is too limited to call him the Shakespeare of our era. In fact, as far as I can tell, he's essentially a comedic two-trick pony. (I regard one of his tricks as genius, though).
 
Yes, well, I'm saying that those sorts of comedies aren't worthy of the kind of praise Shakespeare gets, because they are very often ridiculously implausible. In other words, I think we can fault a play for being implausible, if we are judging it by the standards of a play worthy of Shakespeare's praise, and not merely by the standards of a run of the mill comedy film. A play worthy of Shakespeare's praise ought to be plausible.

Also, he could surely have made the plot plausible and yet still be funny, because no comedic element depended on Hero's fake death. Hero's fake death wasn't in service of a joke, but in service of the plot. Are we supposed to be laughing at the Friar or something? Was he supposed to be a funny character? Are we supposed to be laughing at the absurdity of faking your daughter's death and passing her off as her cousin in order to marry a man who is so gullible that he could be tricked out of his fortune at any moment? Are we supposed to be laughing at the nonsensical plot? Where's the funny?

EDIT:
Would you have fun uncovering the meaning in this passage? Would it be a fun experience, rather than a priest-leading-the-initiate-into-solemn-mysteries experience?
I think it would be both. As I said, you're both right. (I'm not sure whether I'd have fun, personally, but I can see why it might be fun for people who are into this sort of thing.)
 
I will never forget the first funny part of a Shakespeare play that we came across, reading the play in class (I can't remember which play it was, it could've been Hamlet)..

The teacher had to preface the section by saying: "This next bit is supposed to be funny", then we read it, and then she explained why it was funny. Nobody got it and nobody laughed. I don't think anyone understood how it could possibly be considered comedy, at least from where I was sitting.

For most of our reading through the play there seemed to be a giant gap between what the story was trying to say and the students' understanding what each passage was "on about". Mind you this would have happened with a whole bunch of plays written in such a prose, using such an outdated version of the language, I *think*.

Either way, that just popped in my head when humour came up.
 
@Mise (warpus jumped in as I was composing):

Yeah, I'm jumping back on because it occurred to me right after my post that "fun" is imprecise.

I have to try to stay focused on the core issue: intrinsic value vs extrinsic value. The issue that will not let Pangur and me both be right.

So: Does the passage itself in any way invite you to uncover it's meaning? I need that, and frankly I'd given it up for lost, when you reported not even being able to sustain the interest of reading the passage through to its end. At that point, I despaired, and thought, "well, now all I've got to offer is the stuff Pangur says: if you work to understand this, you'll come across as cultured, and reap whatever benefits there are in our society for so coming across."

But now you give me the tiniest hope: that there's something in the passage that invites you to keep discussing it.

I need for the text itself to be the thing leading you forward in these considerations. So tell me what you'd enjoy uncovering, if there is something.

(Quick answer to your question about the friar, yes. I'll give a longer answer in time.)
 
Honestly, it turns me off because it's gibberish to me. And the thing is, this is a difficult thing for someone like me to admit. I consider myself intelligent, erudite, well educated -- the kind of person that can read Shakespeare, appreciate it and enjoy it. The kind of person with an intellectual curiosity to read such a thing and think "I'd like to know what that means". Admitting that I really don't care at all would make me seem less of those things: less intelligent, less erudite, less well educated, and less intellectually curious. I'm sure there are a lot of people who, for whatever reason, instinctively/intuitively feel the same way. I'm sure that there is great beauty in it; that Shakespeare really is one of the best writers of all time. I'm happy to accept that, if I did work at it, I'd come across a greater beauty than I'd ever encountered before, in any other form of art. I'm happy to take these things for granted; but I'm also happy enough without them. There are plenty of things that I find beautiful that I don't have to work for, so I'll choose them instead. The fact that I feel like I have to apologise for not giving a crap about Shakespeare? Well, you figure that one out...

Anyway, no, the passage doesn't invite me to uncover its meaning. It invites me to go and read something else, something whose meaning is laid bare, right there on the surface, without me having to fight through thickets of archaic and convoluted sentences to uncover.

I'm also happy to accept that other people have a much easier time with it. I have plenty of friends who find Shakespeare enjoyable and not at all a chore. So the problem could be with me, personally. If it helps, pretend that I answered yes, and that I really did want to find out the meaning in it without anyone prompting me to do so. Where would you go with that?
 
@Mise. From my phone so less elaborate than I'd like to be. But you seem to be getting frustrated and I think because you're taking limitations I'm imposing on myself (to head off possible responses from pangur) as criticisms of you. I think S's rep is actually getting in the way here. On every matter you've gotten S's point, then you say it comes across as gibberish. I feel you have the expectation he'll be profound andwhen he isn't you think there's something inadequate in your interperetive skills . Not true.

Until I can compose a fuller post, thanking youagain for how responsive you've beento all of my questions, work out the gist of this non Shakespearean utterance. Don't it always seem to be that you don't know what you got til it's gone. They paved Paradise to put up a parking lot.

Your honest answers have been what is valuable tome. Including this one.
 
x-post

As I understand the word worship, it does not necessarily imply supernatural powers in the sense you mean, while implying them in the sense which seems to escape your grasp.
You're approaching a line here...

To illustrate, I could perhaps cite the article on Messis statistical abilities. For info - Messi is supposed to be the best football player in the world. To prove so, an artikle recently posted aorund here showed with statistically menas how extraordinary different Messi is to everyone else. It bore the headline "Messi is impossible". That is worship. While it is not assumed that Messi actually has magical powers - he is kind of viewed as he did. Just too good to be true. Beyond everything else. A God among men. You get the picture. And while all this is perhaps less worshippy than the worship of an outright supernatural phenomena - it can get pretty close. Close enough that it is useful to just view them as different kinds of the same phenomena: worship. After all - the prime instincts of it, the essence of it is a very human phenomena. And such phenomena do not that much care about intellectual lines like outright or implicit supernaturalism. They come from the heart and not the mind after all.
Sports is not a good way to convince me. Sports figures are only human. So are authors.

So if a guy who is good in kicking around a ball can be worshiped - Shakespeare supposedly can be, too.
There is much greater likelihood of athlete-worship than Shakespeare-worship.

edit: However, Valka, it is of course entirely possible that you personally do not worship Shakespeare. Yet, that you even bothered to invest the necessary energy to appreciate Shakespeare may still be the result of a general phenomena of such worship. So in the end you could still be part of it. Just indirectly.
There are many things in which I invest the necessary energy to appreciate it. That doesn't mean I worship them.

Did you know that Dune is fairly commonly referred to as a "cult novel." Go ahead and look it up. It's far from the most common way to refer to it ... as it is with pretty much any "cult" novel. But it's out there.

That would make Herbert a "cult" author.
Kindly park your condescension outside, okay? :huh: I'm very much aware of the history behind Dune's publication and how it was perceived at the time - the 1960s, when the "hippy movement" started, many young people were into mind-altering drugs, and society in the U.S. and Canada was being changed by what Frank Herbert warned against: the charismatic leader.

Back in the '60s, someone asked Frank Herbert if he was trying to start a new religion. Herbert was shocked and emphatically denied it.

A "literary cult" is a group that has what many consider - ("what many consider" is all it really takes for this cult-ness) - a strangely zealous appreciation for the author, or his or her works. (Thus my mention of the RHPS, which is the text-book example of a "cult movie.")
I have no idea what "RHPS" stands for.

If you want to see a literary schism at work, just read the oldest threads at the dunenovels.com forum - at least those that weren't deleted for being too critical of Kevin J. Anderson and Brian Herbert. As critical as I've been, at least I'm still there - not banned like a lot of others who were incapable of disagreeing politely.

Your zealous appreciation of Herbert, which at times seems to have bordered on the obsessive. Your vehement loathing of nuDune, which you bring up rather often and discuss with considerable, if negative, enthusiasm. Your online-skirmishes with "schismatics."

All that, in the sense that people have been using the bloody word, demonstrates you are the member of a literary cult.
Okay, you got me - I'm one of the founding members of "Orthodox Herbertarianism" - but have since been basically excommunicated by the others for not being sufficiently orthodox, since I don't actively go looking for ways to ruin Kevin J. Anderson's life on Facebook, Twitter, the Amazon.com review pages, or on certain peoples' blogs, and I banned several people from Arrakeen forum for repeatedly flaming Byron Merritt (Frank Herbert's grandson, who was a member there) and other members who liked nuDune, but weren't breaking any forum rules.

HOWEVER... I do not engage in any of the rituals some Dune fans have adapted for online interactions, like the Fremen death ritual when a friend or colleague gets banned from a Dunesite for trolling and flaming, nor have I ever employed the Litany Against Fear.

Out of curiosity, I decided to look some of my old posts on dunenovels.com, and came across this post (my username there is Hypatia) from September 18, 2008:

Hypatia said:
Just a friendly tip, Bel Moulay: Some people on this forum study the original six Dune novels with as much intensity as other people study Shakespeare or the Old/New Testaments. That's not to say we worship Frank Herbert or consider Dune a book of instructions on how to live our lives (although there are some bits of really good advice sprinkled throughout).

But consider the controversies surrounding the idea that Shakespeare didn't actually write all the plays and poems that bear his name as author. Consider that there are disagreements on the interpretation of parts of these plays and poems.

And consider the same for the Old/New Testaments.

I've given as examples the literature that is probably the most widely read and studied in the Western World. Regardless of whether you enjoy Shakespeare or believe in the bible, you must agree that they are extremely complex and can't be fully understood in a single reading.

That's what the Frank Herbert books are like. They are complex books with complex ideas that defy full understanding in a single reading. Sometimes it takes years and a dozen readings before some of the ideas really come together (as in my case, with God Emperor of Dune). That's not to say the readers are stupid; rather, Frank Herbert offered a fantastically rich and complex feast for the mind.

That's why some of us take our discussions so seriously here on the forum -- whether it's matters of consistency among the novels, or if the science is at least plausible. Because science fiction that ignores basic science is not science fiction -- it's fantasy. And that isn't what Dune was intended to be.

Interesting how many times Dune and Shakespeare keep popping up in my online life. :) However, I do reject the insistence here that I'm part of some "Shakespeare cult." I enjoy the plays, whether reading them or watching them. No, I don't think that my enjoyment of them makes me a better person than someone who does not enjoy them. I find Shakespeare himself an interesting historical figure, and have just found a series of documentaries about him that were presented by Michael Wood. I've watched the first one, with three to go.

It doesn't seem any more plausible; it would have been far more sensible to just sit Claudio down in a room and talk it out like grown ups instead of concocting this diabolical nonsensical cartoon scheme straight out of The Acme School of Conflict Resolution. I mean, this is just the most messed up thing ever -- holding a fake funeral for someone? Does this really happen outside of terrible 90s laughter-track sitcoms?
You don't watch many soaps, do you? :lol:

Yes, well, I'm saying that those sorts of comedies aren't worthy of the kind of praise Shakespeare gets, because they are very often ridiculously implausible. In other words, I think we can fault a play for being implausible, if we are judging it by the standards of a play worthy of Shakespeare's praise, and not merely by the standards of a run of the mill comedy film. A play worthy of Shakespeare's praise ought to be plausible.

Also, he could surely have made the plot plausible and yet still be funny, because no comedic element depended on Hero's fake death. Hero's fake death wasn't in service of a joke, but in service of the plot. Are we supposed to be laughing at the Friar or something? Was he supposed to be a funny character? Are we supposed to be laughing at the absurdity of faking your daughter's death and passing her off as her cousin in order to marry a man who is so gullible that he could be tricked out of his fortune at any moment? Are we supposed to be laughing at the nonsensical plot? Where's the funny?

EDIT:

I think it would be both. As I said, you're both right. (I'm not sure whether I'd have fun, personally, but I can see why it might be fun for people who are into this sort of thing.)
Just because something is a comedy, it doesn't mean it's supposed to be 100% funny. It's not the Hero/Claudio part of the story that makes me giggle - it's the love/hate relationship and banter between Beatrice and Benedick, and absurd matchmaking their friends go through to get them together, that I find funny. And specifically to the movie, I enjoy seeing Brian Blessed play a happy, cheerful character who smiles, laughs, flirts, and dances.
 
Oh. Please. :huh: People pray to Mary and other saints. They bow and kneel in front of their statues and pictures. They make gestures meaningful to their fellow believers but nobody else.

Nobody recites prayers to Shakespeare, asks for his blessing, or kneels in front of his statues, pictures, or books.
You have no idea what you're talking about.
 
The cult thing is partially a metaphor, but it does work like organized religion and I wouldn't even exclude the 'supernatural'. When people talk about Shakespeare as a 'genius' or when they talk about his work 'elevating the soul' or 'bringing out eternal truths', I don't think the majority of them are using conscious metaphors. I think they are attributing to him and his work the same cosmological mechanics associated with more explicitly religious occurrences, even if they would not explicitly argue such a position under interrogation.
 
Kindly park your condescension outside, okay? :huh: I'm very much aware of the history behind Dune's publication and how it was perceived at the time - the 1960s, when the "hippy movement" ...

That's not what I'm talking about.

Back in the '60s, someone asked Frank Herbert if he was trying to start a new religion. Herbert was shocked and emphatically denied it.

That's not what I'm talking about.

I have no idea what "RHPS" stands for.

Rocky Horror Picture Show, which I mentioned in a previous post and is considered the text-book case of a cult film.

If you want to see a literary schism at work, just read the oldest threads at the dunenovels.com forum - at least those that weren't deleted for being too critical of Kevin J. Anderson and Brian Herbert. As critical as I've been, at least I'm still there - not banned like a lot of others who were incapable of disagreeing politely.

A decent example of the sort of intense interest or - here's an interesting word - devotion I'm talking about.

HOWEVER... I do not engage in any of the rituals ...

Uh, Valka ... not what I'm talking about!

But, again - wow, those are some fans, eh? That they are so into something others find weird or just inaccessible, that they dress up and do stuff from the books - as do Star Trek fans, as another example - is what makes people turn to the word "cult."

Again I urge you to look up the phrase "literary cult" or "cult novel" or "cult film" yourself, because it really doesn't look like you'll accept the word of anyone here. Even when they aren't rude.

What people have been saying in this thread is far from radical. They're within the generally accepted usage of the word "cult." But NOT in the one you, despite numerous clarifications, denials, and explanations, keep insisting is being used.

Out of curiosity, I decided to look some of my old posts on dunenovels.com

Something to turn to for solace in troubled times.

Interesting how many times Dune and Shakespeare keep popping up in my online life. :) However, I do reject the insistence here that I'm part of some "Shakespeare cult."

I'd be a lot more accepting of that denial if you demonstrated you had some idea what others mean when they say "cult." (You have noticed, right, how dictionary entries often have multiple listings for a word? They're numbered?)


Mystery "cult" is another sort of cult, and is a large part of the reason why the word "cult" gets applied to art. They certainly aren't the same thing, but there are some strong parallels.


I've been to a couple conventions celebrating particular authors, btw. At one people walked around talking funny, wore costumes, ate strange foods appropriate to the author's works, and were stared at as weirdos by outsiders who didn't understand them. And then, at the end of the day, we watched my favorite work, which is "Measure for Measure."

At the other one I left early, because Trekkies make me angry.
 
Pangur Bán;13322103 said:
The cult thing is partially a metaphor, but it does work like organized religion and I wouldn't even exclude the 'supernatural'. When people talk about Shakespeare as a 'genius' or when they talk about his work 'elevating the soul' or 'bringing out eternal truths', I don't think the majority of them are using conscious metaphors. I think they are attributing to him and his work the same cosmological mechanics associated with more explicitly religious occurrences, even if they would not explicitly argue such a position under interrogation.

To emphasize one of your points, the very idea of genius is very influenced by Kantian philosophy and does have divine attributes to it. Kant was a Christian after all and his philosophy does lend from the Christian ideas of rationalist universal essences.

Although I would, rather than emphasizing the cult-as-religion simply refer to the powers of institutional remediation in academia, something that is quite prevalent, especially in the humanities. Shakespeare is one of the figures that, even if you don't consider him a genius, his powerful remediations and the fundamental weight of his massive presence in academia forces you to eventually deal with him in some way if you are to be taken seriously as a student of poetry for example. People forget that in order to be influential, some people have to be influenced in turn and receptive to that influence and that is sadly a mechanic that goes well beyond any kind of presumed "greatness" of any "master". Remediation is much more powerful than the power of the genius itself. That is what should be taken into consideration, not Kantian assumptions about question of this "genius".

And it so happens that the cult is a perfect metaphor for this mechanic of remediation as much of it shares attributes with the irrationality of the religious remediation.
 
Possibly wandering a bit off topic, but:

I'm just wondering if it's okay not to fault Shakespeare for something that's fairly generally true of the genre in which he writes.

It's not OK to fault him simply for having implausible elements.
OTOH, there are better and worse ways to handle such elements, and in general the fewer implausibilities the better.

Farces are tricky, because implausibilities are often very much part of the humor, not merely part of the set-up.

Farces get more slack, but not a pass.

Mise uses the phrase "ridiculously implausible."
(Which, on the face of it, seems like a compliment since the play's a comedy.)

Mise, how do you feel about farces in general?

There's so much variation it might be good to give examples. Wikipedia has a list that covers a pretty broad range of what might be considered a farce.
 
Sports is not a good way to convince me. Sports figures are only human. So are authors.
Convince you? Of what exactly? I am confused, the sports example was intended to establish that there is worship which is similar to religious worship without being actually religious worship. It was not intended to prove that Shakespeare is worshiped. Only that it in principle is possible.

Or as elsewhere has been said: Not what I am talking about :mischief:
There are many things in which I invest the necessary energy to appreciate it. That doesn't mean I worship them.
Okay, but that is also not what I was saying in case you thought otherwise.

whoops sorry for the double

@Angst
Could you explain what exactly you mean by "remediation"? I am not used to the usage of this word.
 
It's a poor translation of the Danish word "genmediering". "Mediering" or "mediation" as I think the English word is, is basically to transfer information from one place to another. Basically, a newspaper mediates - as it mediates news. Remediation could just as easily be replaced by mediation but is usually used in analyses of power structures within the arts; that something is repeatedly mediated and that the repetition of this changes the nature of the information mediated.

Basically, the sheer magnitude of Shakespearean mediation - that he is mediated so plentily and forcefully - makes him an important literary party. To me, it's more interesting why he is considered a good playwright than whether he actually deserves it, as the magnitude of his mediations makes us more susceptible to liking him. I'm not sure any "classic" essentially "deserves" to be considered as such, even though I obviously like some things more than others, simply because there are power structures in place that preserves a certain amount of exposure, exposure that is insanely difficult to get rid off. Just look at Aristotle...

...

I'm not using a translator here, it's off the top of my head, even the spelling, so you may wack me over my fingers for my poor English if it is so.
 
That's not what I'm talking about.
...
That's not what I'm talking about.
BS. That's exactly what you were talking about. You asked if I knew that Dune is often referred to as a cult novel. Dune was very popular on college and university campuses, and some of the readers/fans really got into the whole "Water of Life" stuff, and since that generation was into hallucinogenic drugs, they were quite accepting of the range of uses of melange/spice (yes, I know it's not a real drug).

Rocky Horror Picture Show, which I mentioned in a previous post and is considered the text-book case of a cult film.
I've heard of it, but haven't seen it. Apparently the audience customarily does strange things with umbrellas, newspapers, etc. while watching it.

A decent example of the sort of intense interest or - here's an interesting word - devotion I'm talking about.
I'm sure you haven't had time to actually read the material I'm talking about, since if you had made an honest attempt, you'd still be there.

Uh, Valka ... not what I'm talking about!
You insist I'm part of a cult. If it's cultish to want to preserve the integrity of a literary masterpiece from the dumbing-down it got from later, inferior authors, then I'm of like mind with many other people who seek to defend their favorite works from modern dumbing-down and the notion that modern audiences are too stupid to understand the original material.

But, again - wow, those are some fans, eh? That they are so into something others find weird or just inaccessible, that they dress up and do stuff from the books - as do Star Trek fans, as another example - is what makes people turn to the word "cult."
Who said anything about dressing up? :huh: It doesn't require dressing up to post a series of "I was a friend of _____" posts when said "friend" gets banned from dunenovels.com either because the admin there finally had enough of the person's trollish behavior, or because the person made a rather astute observation that the current copyright holders are uncomfortable with.

As for Star Trek fans, I've never attended any full-blown conventions where the actors were present, nor did I ever dress Star Trek-style at the local conventions where authors, artists, editors, university professors, and scientists were the invited guests. I did create a Majipoori outfit in honor of Robert Silverberg's attendance one year, Darkover another year, and Dragonlance in other years... it's just an accepted part of convention culture, for people to dress in hall costumes if they want to - not everyone does it. Other people wear a series of t-shirts during that weekend that they don't wear any other weekend, ditto with jewelry (one year, a woman made a small fortune selling custom-made Bajoran earrings in the dealers' room). You may consider all this "cultish" - I call it normal fannish behavior, no negative connotations or stereotypes necessary, thank you.

Something to turn to for solace in troubled times.
Now that's just damned rude. I haven't checked in at that forum for so long, I wasn't sure if it even existed anymore. I see it does, and that most of my posts are still there. Some of those contain some of the best posts I've ever done online, in my not-remotely-humble opinion.

I'd be a lot more accepting of that denial if you demonstrated you had some idea what others mean when they say "cult." (You have noticed, right, how dictionary entries often have multiple listings for a word? They're numbered?
Rudeness gets nowhere with me.

I've been to a couple conventions celebrating particular authors, btw. At one people walked around talking funny, wore costumes, ate strange foods appropriate to the author's works, and were stared at as weirdos by outsiders who didn't understand them. And then, at the end of the day, we watched my favorite work, which is "Measure for Measure."
Uh-huh... Been there, done that, for twelve years as an active participant in the Society for Creative Anachronism. I've walked down the main street of Red Deer and been stared at, worn my costume at the Farmer's Market (we were doing a demo there) and got asked for help by a Hutterite woman who needed to make a phone call and didn't know how to use a public phone. Apparently my long black dress was within her comfort zone, so I'm the person she asked for help. SCA-folk quickly get over their self-consciousness when wearing their medieval costumes in public.

It's a poor translation of the Danish word "genmediering". "Mediering" or "mediation" as I think the English word is, is basically to transfer information from one place to another. Basically, a newspaper mediates - as it mediates news. Remediation could just as easily be replaced by mediation but is usually used in analyses of power structures within the arts; that something is repeatedly mediated and that the repetition of this changes the nature of the information mediated.

Basically, the sheer magnitude of Shakespearean mediation - that he is mediated so plentily and forcefully - makes him an important literary party. To me, it's more interesting why he is considered a good playwright than whether he actually deserves it, as the magnitude of his mediations makes us more susceptible to liking him. I'm not sure any "classic" essentially "deserves" to be considered as such, even though I obviously like some things more than others, simply because there are power structures in place that preserves a certain amount of exposure, exposure that is insanely difficult to get rid off. Just look at Aristotle...

...

I'm not using a translator here, it's off the top of my head, even the spelling, so you may wack me over my fingers for my poor English if it is so.
Mediation normally means helping two or more people/groups find common ground, come to some kind of mutual understanding, stop hostilities, etc. A mediator is supposed to be a neutral facilitator for opposing sides, to hopefully bring about some sort of agreement that will lessen the opposition.
 
BS. That's exactly what you were talking about. You asked if I knew that Dune is often referred to as a cult novel.

Look, Valka, just call me a liar - wait, you pretty much did! - or accept that I know what I had in mind when I wrote it - the fan devotion that plenty of works without drug involvement, heavily religious overtones, or hippies also have.

But it seems you are unaware! You *didn't* know that Dune is considered a "cult" novel in the more contemporary sense of the word. Either that, or you preferred throwing accusations to getting on with the discussion.

Valka, I wasn't being condescending there. I was trying to be less abstract and use something you're familiar with. Thus all the other sci-fi fandom references.

I've heard of it, but haven't seen it. Apparently the audience customarily does strange things with umbrellas, newspapers, etc. while watching it.

Yes. Perhaps, when you have a free moment, you could check it out online. If you did, it'd increase your understanding of what a "cult film" is, and a "cult book", a "cult" author, and thus what others have been saying about Shakespeare.

I'm sure you haven't had time to actually read the material I'm talking about, since if you had made an honest attempt, you'd still be there.

And I don't suppose you were able to accomplish a couple of simple google searches that are directly relevant to the issue being debated for the last several days?

You insist I'm part of a cult.

For a given - and commonly accepted - meaning of the word, yes.

If it's cultish to want to ...

And there you go, dancing off with a different meaning.

Who said anything about dressing up?

I did. I was also tossing in general (not necessarily Dune) related fan behaviors.

As for Star Trek fans, I've never attended any full-blown conventions ...

The point is not your past, Valka. The point is the nature of these "cults."

... it's just an accepted part of convention culture, for people to dress in hall costumes if they want to - not everyone does it.

We can also skip the minutia of convention culture. The point is the nature of literary cults, how they differ from religious ones, and how both differ from mainstream life.

You may consider all this "cultish" - I call it normal fannish behavior, no negative connotations or stereotypes necessary, thank you.

Those negative connotations or stereotypes, Valka? They're yours, not mine.
They're also actually irreverent. Not liking something is different from it not being true.

I think others have tried making a similar point with you recently.
If you are simply unwilling to accept a definition because you, individually, don't like the connotations, bloody well say so.

Perhaps you could post a list of words that, out of pique, you invariably misunderstand.

Valka, look, lets try to make this very, very simple:
When people make claims about a literary (or art) cult in general, they aren't necessarily making a claim about you.

When people use the word cult, they aren't necessarily applying a negative comment.
Connotations, by their nature, vary. And the connotations applied by someone unfamiliar with the usage in the first place should not be seen as at all authoritative. (Here I am talking about you. Valka, to be blunt: TF had it right. You very much do not know what you're talking about.)

The word "cult" has several meanings.

Here's the definition box from google. You type just the word into the search box (on Firefox, at least) and this is the first thing that appears.

While dictionary definitions are rarely complete - covering every usage, especially with regard to jargon or slang - they do establish the baseline. The minimum # of usages someone might apply. And "cult" fits.

cult
kəlt/
noun
noun: cult; plural noun: cults

a system of religious veneration and devotion directed toward a particular figure or object.
"the cult of St. Olaf"
a relatively small group of people having religious beliefs or practices regarded by others as strange or sinister.
"a network of Satan-worshiping cults"
synonyms: sect, denomination, group, movement, church, persuasion, body, faction More
"a religious cult"
a misplaced or excessive admiration for a particular person or thing.
"a cult of personality surrounding the leaders"
synonyms: obsession with, fixation on, mania for, passion for, idolization of, devotion to, worship of, veneration of

I've bolded the one that's directly related to "literary cult." Note the synonyms. They include "worship of," but they all don't have to apply to any given use. The important ones here would be "mania for", "fixation on" (would you like to tell us more about your online experiences at the Dune forums?), and, most importantly, "idolization of."

Did you happen to follow the link I supplied on Bardolatry? It discussed what, so far as I know, was the zenith of the literary cult involving Shakespeare.

So: People can be the members of literary cults without worship or other exclusively religious behaviors. This is indeed different from a "cult of personality." But there can be overlap. (Elvis? The Grateful Dead?)

Note that "misplaced or excessive" would be in the judgement of non-cult people. Subjective, often ill-informed, and thus just as prone to being in the wrong as the members of the cult. So some wear the "cult" label with pride. They're the cognoscenti. For unfamiliar with "cognoscenti," "cult" may be the best word known. That pride, whatever the source is, exactly, is something important to what P Ban first wrote.

As it's commonly applied, a "cult" work is simply one with a relatively small, but very enthusiastic or devoted fan base.

If you google "cult novel" this is the first link: Cult Novels: An Essential List

I'm not endorsing this site. (I clicked on it simply to make sure it worked and seemed to be what it claimed.) This is provided as an example of the way people use the phrase "cult novel." Though it does actually have a short (and not very satisfactory) discussion of the phrase.

So: When people speak of a Shakespearean "cult", what they generally mean - at it's most extreme - is "Bardolatry." Usually they mean something significantly less extreme. Full blown Bardolatry is largely something for the history books.

The idea that Shakespeaes fan base is relatively small but often extremely devoted shouldn't really be all that controversial, I think. We'd have to hash out just how large or small it actually is, and how devoted the average (or non-average) fan is. But this thread, our high-school educations, or just Gori himself gives the idea enough plausibility to be met with something other than offended derision.

That's it.

To say someone is in such a cult is, IME, to make no negative aspersion. But then, I'm not a mainstream-guy, and neither or most of the people I discuss this sort of thing with. If you automatically attribute negative connotations to everything that doesn't, in some way, have complete cultural "buy in," or is just really, really liked by a relatively few people ... fine. That's your business. Many people do. But those connotations aren't integral to the word, and you should not assume that they're there when other people use the term. Especially when they explain exactly what they mean, and it - lo and behold! - isn't what you mean.

This whole "cult," business, is directly and highly relevant to the thread because it speaks to the relationship between Shakespeare's reputation - whatever that actually is - and his actual quality as a writer... whatever that actually is.

People, in raising the subject, were attempting to answer the thread's fundamental question using words, as I think has now been demonstrated, everyone but you understands.

That is your problem, not their problem.


But, speaking of your problems ...

Now that's just damned rude.

What, the implied comparison to religion? Apt, to my mind, given what we're talking about. Or what you imagined as my comment about your posts on a forum I didn't know the state of and have no interest in at the moment. While they may be relevant to what you think and feel, you gave me no reason to believe they're relevant to the meaning of the word "cult."

Rudeness gets nowhere with me.

It doesn't get anywhere with me, either. IIRC you recently said something along the lines of refusing to be driven off by rudeness. I think you should understand that others feel the same.

I consider it rude to meet sincere attempts to discuss an issue with a refusal to accept another's word on a claim-of-fact, or even perform a simple web-search to confirm or deny it. One or the other, Valka, not both.

And then there's the whole bit about you claiming to know more about what I meant than I did.

Ok ... I guess rudeness does get somewhere with me. I've taken the effort to explain as I might to a child ... one I'm not feeling particularly fond of at the moment ... the "cult" business. This may strike you as condescending. It is, it is. I'm not sure how to tell a grown woman how to examine the meaning of a word or phrase without sounding condescending. Not given access to the internet. So I'm not going to beat around the bush and invite more accusations by being less than completely direct.

And now I'm done. That's was more time and effort than I expected this to take.

More time and effort than it should have taken.
 
You don't watch many soaps, do you? :lol:
I don't watch soaps, no. Do soaps deserve the kind of praise that Shakespeare receives?

Just because something is a comedy, it doesn't mean it's supposed to be 100% funny. It's not the Hero/Claudio part of the story that makes me giggle - it's the love/hate relationship and banter between Beatrice and Benedick, and absurd matchmaking their friends go through to get them together, that I find funny. And specifically to the movie, I enjoy seeing Brian Blessed play a happy, cheerful character who smiles, laughs, flirts, and dances.

Yes, precisely my point -- Hero's fake death wasn't in service of a joke, but in service of the plot. So we can't excuse this particular farce just because it is in a comedy, because the farce isn't part of the comedy, but part of the more serious element of the plot.

Possibly wandering a bit off topic, but:



It's not OK to fault him simply for having implausible elements.
OTOH, there are better and worse ways to handle such elements, and in general the fewer implausibilities the better.

Farces are tricky, because implausibilities are often very much part of the humor, not merely part of the set-up.

Farces get more slack, but not a pass.

Mise uses the phrase "ridiculously implausible."
(Which, on the face of it, seems like a compliment since the play's a comedy.)

Mise, how do you feel about farces in general?

There's so much variation it might be good to give examples. Wikipedia has a list that covers a pretty broad range of what might be considered a farce.

Well, I think they're farcical, of course! I enjoy farces as much as the next guy, but I wouldn't say that a farcical comedy is worthy of the praise that Shakespeare receives.

I also don't think that the farce of Hero's fake death, in particular, was very funny.

Finally, I've seen far better comedies, so even if we're judging this play by the standards of comedy, it still doesn't rate very highly. Not to me anyway.

@Mise. From my phone so less elaborate than I'd like to be. But you seem to be getting frustrated and I think because you're taking limitations I'm imposing on myself (to head off possible responses from pangur) as criticisms of you. I think S's rep is actually getting in the way here. On every matter you've gotten S's point, then you say it comes across as gibberish. I feel you have the expectation he'll be profound andwhen he isn't you think there's something inadequate in your interperetive skills . Not true.

Until I can compose a fuller post, thanking youagain for how responsive you've beento all of my questions, work out the gist of this non Shakespearean utterance. Don't it always seem to be that you don't know what you got til it's gone. They paved Paradise to put up a parking lot.

Your honest answers have been what is valuable tome. Including this one.

As I said via PM I'm thoroughly enjoying this conversation and frankly I should be thanking you for being so patient with me...

If you think that S's rep is getting in the way, then do you agree that Shakespeare is overhyped? Or am I being disingenuous here by claiming that Shakespeare's hype is much greater than it actually is?
 
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