Which book are you reading now? Volume XIV

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And by the way, it should not be Charper. Cyrillic "x" transliterates to "h" or "kh", and there is a different letter for ch-sound.
We wouldn't uglify the writer's name for no reason :)

Well, yes, but the Greek letter is spelt "chi", so I wrote Ch. Obviously, I know that it's pronounced more like Kh, but that's hard to communicate in text.
 
I read a short story by the 3body problem writer: The Paper Menagerie.

Imo it was

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Well, yes, but the Greek letter is spelt "chi", so I wrote Ch. Obviously, I know that it's pronounced more like Kh, but that's hard to communicate in text.
*Khi if you're speaking Modern Greek, in which its' pronounced the same way as in Russian.
 
I don't speak Modern Greek though. It would be like speaking American English when British English is readily available. ;)
 
I've been reading Tales of Good Dogs, about uplifted animals who have inherited the world after the fall of man.
 
Drug Use for Gown-ups: Chasing Liberty in the Land of Fear, by Dr Carl Hart.

Interesting book on aspects of drug use and the war on drugs. Refreshingly free of moralism and fear propaganda. Just cold facts from the newest research. Spoiler, criminalising drug use is definitely not helping anyone (unless you own shares in the prison industry or something), but I'm sure you guys knew that already.
 
Embarked on my yearly rereading of all available Discworld materials, very probably triggered by some Canadian girl with a fondness for FireSims2.
 
Now finished reading 1984.
Nice :)
Only you would consider that book "nice." :crazyeye:

Just started reading a book you all probably read or know about. :)

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I'm going to guess "To Kill a Mockingbird" by Harper Lee?

EDIT:

A quick Google search didn't turn up this exact image until I specified Russian editions.

This book was on the reading list for my English class. I don't recall if it was Grade 10 or 11.
 
This book was on the reading list for my English class. I don't recall if it was Grade 10 or 11.
I heard it was part of school program in USA and other English-speaking countries.
We didn't study too many American writers in school. Poe and Mark Twain, may be few others.
Kids liked Mayne Reid, Fenimore Cooper. Later, Hemingway.
 
We did more American poets than novelists. Most of the novels we studied were by Canadian or British authors. Poe was one of the American authors, of course. One of my best essays was about the use of irony in "The Cask of Amontillado." The teacher liked it so much that she read it to the class as an example of how the assignment should have been done.

I never told her I'd completely forgotten about that assignment and raced through it in about half an hour during the lunch break before the class started. Most of my better assignments were last-minute ones - not enough time to get side-tracked into irrelevant points.
 
I have just finished reading:

The Business

by the late great Scot

Iain Banks

(copyright 1999, and therefore pre 9/11)
which is a great non science fiction novel.
 
Two things, a biography of Mohammed Bin Salman. If you know my background you will understand why it is upsetting and can only be taken in small does. So as lighter fare, I am reading Germania, a murder mystery set in 1944 Berlin. I like the quotidian details. Now it is getting upsetting too.
 
Zone One by Colson Whitehead (2011)

Excellent so far. As with Emily St. John Mandel's Station Eleven, Zone One's premise is tired, worn out, almost beyond redemption. Yet redeem it he does, by virtue of his writing.
Colson Whitehead said:
Working the island with Kaitlyn, Mark Spitz received steady dispatches from the extinguished world, weathered but still legible. That place lived on and persisted in her, in the miniscule tumult of Chinatown, and as long as she breathed, and others like her, perhaps it might return. When Omega wound down at night after their shift, Kaitlyn fired up the transporter and materialized these pristine artifacts of normalcy into their bivouac. "One time at Model UN, we pulled a fire alarm after hours because there were these cute boys from Michigan and we wanted to see them in their pj's." Gary and Mark Spitz traded incredulous glances: After all they had witnessed, whole realms of the peculiar had been held in reserve.
I mean, come on... :lol: I think Whitehead was probably on the guest list of my fantasy dinner-party-with-celebrities already, with The Underground Railroad, but he's cementing his place on the sofa with every page.

Cover art and Goodreads synopsis:
Spoiler :
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Goodreads said:
In this wry take on the post-apocalyptic horror novel, a pandemic has devastated the planet. The plague has sorted humanity into two types: the uninfected and the infected, the living and the living dead.

Now the plague is receding, and Americans are busy rebuilding civilization under orders from the provisional government based in Buffalo. Their top mission: the resettlement of Manhattan. Armed forces have successfully reclaimed the island south of Canal Street—aka Zone One—but pockets of plague-ridden squatters remain. While the army has eliminated the most dangerous of the infected, teams of civilian volunteers are tasked with clearing out a more innocuous variety—the “malfunctioning” stragglers, who exist in a catatonic state, transfixed by their former lives.

Mark Spitz is a member of one of the civilian teams working in lower Manhattan. Alternating between flashbacks of Spitz’s desperate fight for survival during the worst of the outbreak and his present narrative, the novel unfolds over three surreal days, as it depicts the mundane mission of straggler removal, the rigors of Post-Apocalyptic Stress Disorder, and the impossible job of coming to grips with the fallen world.

And then things start to go wrong.

Both spine chilling and playfully cerebral, Zone One brilliantly subverts the genre’s conventions and deconstructs the zombie myth for the twenty-first century.

(I know, I know. 'Oh, ffs. Zombies? Really? Just shoot me in the head.' Honestly, if I'd read the synopsis instead of just seeing that Colson Whitehead wrote a horror novel and just thinking "cool", I might not have even picked it up. Sometimes you just gotta take the leap.)
 
Started reading Three-Body Problem. Isn't this supposed to be sci-fi? When does this get to the point? 1100 pages and I'm 110 pages in, so 10%, and this has gone nowhere.
I've kept my own counsel to avoid harshing on anybody else's chill, but I had the same problem. (And I got a lot further into it than 10% before giving up. It was only later, reading other people's commentary, that I even understood what the book was about. Oh well. :dunno: )
 
I never told her I'd completely forgotten about that assignment and raced through it in about half an hour during the lunch break before the class started. Most of my better assignments were last-minute ones - not enough time to get side-tracked into irrelevant points.
:rotfl: This reminds me of that time when I was supposed to read a book for a midterm exam and since it was going to be only one question (of the ‘write away until you run out of paper’ type) out of four I just read the highly informative back cover a few times and harped on it for half a page and got through. I still have the book and one day, probably soon, I'll finally read it.
Two things, a biography of Mohammed Bin Salman. If you know my background you will understand why it is upsetting and can only be taken in small does.
You are listed as living in Saudi Arabia. Is the book even allowed there?
 
:rotfl: This reminds me of that time when I was supposed to read a book for a midterm exam and since it was going to be only one question (of the ‘write away until you run out of paper’ type) out of four I just read the highly informative back cover a few times and harped on it for half a page and got through. I still have the book and one day, probably soon, I'll finally read it.
You got lucky, as some back cover blurbs actually don't have anything to do with the story.

For instance, if you were to do a book report or review of Young Rissa, by F.M. Busby, I'd give an F to anyone who only went by the back cover and didn't read the book. The back cover got some of the most important points of the book completely wrong. It's obvious that whoever wrote that blurb never read the book.

This is from one of the editions (not the one I have, but my edition's blurb is similar and equally dead wrong):

Rissa breathes a sigh of relief as the ship lifts off. It seems she has escaped danger, and no one has recognized the scientifically altered being as the beautiful young heir to the Hilzein Establishment—or so it seems. Possessing the only force capable of challenging the tyranny that devastated the Earth and universe, Rissa can do almost anything—then again, almost anything can happen to her while she is doing it too.
No, she didn't breathe a sigh of relief as the ship lifted off, because she was in cryogenic freeze and wouldn't even have known when the ship lifted off. The ships in this novel use STL (slower than light) travel, so the trip would take approximately a year ship-time but about a dozen years by Earth time. Rissa was in disguise, traveling on an enemy ship, and didn't want to risk keeping up her assumed identity while awake, so she opted for travel in a freeze chamber.

She escaped one danger, but she isn't really out of danger until the final chapter. The rest of the blurb is even more ridiculous and BS. She wasn't ever scientifically altered, and she's not the heir to the Hulzein Establishment (though she later marries into that family). She possesses no "force" capable of taking down the tyranny on Earth (just sheer determination, guts, and a number of other talents, none of which are paranormal or superhero-type crap), and the universe itself is hardly involved. The entire 8-book series takes place within the Milky Way galaxy (necessary, as the spaceships are STL for most of the series and FTL only really matters in the final two novels).

It seems to many of the other characters that Rissa can do "almost anything" but she's merely a very intelligent young woman, who had the benefit of a comprehensive survival training regimen involving many different situations from a dueling arena to political and corporate boardrooms. What she learns about spaceships is on-the-job training and that isn't in the first novel.

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I can forgive the artist for the ridiculous design of this spaceship (the second one she's on, not the one where she escapes from Earth; in this one the freeze chambers don't work, so she's up and about), since the ships weren't described in much detail in this novel (they were in other books in the series), but come on... they're out in space between solar systems, so it's not going to be that pretty blue color outside the window, and that window is stupid ship design anyway. There was never a scene where she used a weapon aboard a ship and barely a few words mentioning the part of the survival training where she even learns to use weapons.

The artwork's good enough... but that's not a scene in the book and Rissa's hair color is all wrong (none of the cover artists in any edition I've seen got her right - either wrong coloring, too old, too young... she's 17 at this point, not 40-ish, as one edition made her look).


So... as I said, you got lucky using the back cover blurb. That's something that was one of the panel discussion topics at a convention I went to years ago, btw. The SF conventions I attended had their focus on writing, publishing, and art, and what happens is that many artists are only given a bare-bones explanation of what the story's about - if at all. That's why so many books have generic covers, unless it's a well-known TV/movie tie-in franchise where the artists would have other material to go by.

Blurb writers... yikes. The one who did the above novel must not have paid even the slightest attention to any information given about the plot, or chose to make the protagonist out to be some kind of space superhero, to attract the buyers.

Of course there's no point complaining to the authors, as they don't usually have the clout to dictate things like cover art and blurbs. I met F.M. Busby and his wife at a convention in Calgary, in the late '80s. Very nice folks, and I had the opportunity to chat with both of them on a few subjects... cats, fanzines - Mrs. Busby invited me to join her APA but due to the financial commitment required I wasn't able to - and I told Busby himself that the kind of corporate world government with Total Welfare Centers and Committee Police was somewhat disturbing as it seemed plausible. He pooh-poohed that, saying, "It's only a story"... but he died in 2005 (and stopped writing well before that). There are some things going on now that are actually fairly close to some of the things he wrote about (not the space travel or aliens, obviously, but how multinational corporations have insinuated themselves into various nooks and crannies of political campaigns and subsequent governments, and massive refugee migrations - yeah, he called those).
 
"The Invisible Life of Addie LaRue" is both an engaging read but it has a very satisfying ending too. Just be careful if you make a deal with the Devil.
 
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