Cool Pictures 12: "Every picture tells a story!"

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I worked on a production of The Music Man back in 1986. It was part of the opening gala for the new Arts Centre at Red Deer College. I was also involved in another musical (A Dish of Cream) for the same gala (which lasted 2 weeks or so). It was a bit awkward when rehearsals were going on at the same time in different studios (I was on the properties crew for both shows).

My high school did a production of The Music Man that they put on my junior year - I wasn't involved at all (it overlapped with my swimming season even had I been inclined to do anything in the theater) but was close friends with a lot of the people involved both actors and "behind-the-scenes" folks (pretty much consisting of the tech crew), I have really fond memories of the festive atmosphere, the cast and crew threw some real wild parties after the last show! It was awesome just seeing your friends up there doing the routines.
 
My high school did a production of The Music Man that they put on my junior year - I wasn't involved at all (it overlapped with my swimming season even had I been inclined to do anything in the theater) but was close friends with a lot of the people involved both actors and "behind-the-scenes" folks (pretty much consisting of the tech crew), I have really fond memories of the festive atmosphere, the cast and crew threw some real wild parties after the last show! It was awesome just seeing your friends up there doing the routines.
Given a choice between acting and being a techie (what the backstage crews were called), I much prefer being a techie. I've created stuff that ranges from a grungy, broken umbrella (that used to be a brand-new one) to fancy headdresses made from wire, masking tape, and spray paint. I've made dolls, talked one of the merchants in town into lending us a tailor's dummy (and had to bring it home on the bus with me, prompting the driver to snarkily ask if I'd paid for my "friend" to ride as well), and had to write a letter to one of the campus officials at Red Deer College so we could borrow a particular style of mesh garbage can that just happened to resemble one seen in the "West Side Story" movie.

One prop I remember about The Music Man was that there were a group of traveling salesman characters who needed pocket watches. Well, they just had to look like pocket watches, and we had a hard time finding enough... so I borrowed my grandfather's compass that looked like a pocket watch. I put a chain on it, gave it to the actor who I knew and trusted to look after it, and let him use it for the duration of the show. One night during rehearsal, one of the other "salesmen" asked him what time it was. He pulled out the compass, flipped the lid open, and said, "Half-past south."

There was one year when I was on the costume crew for Camelot and ended up being Lancelot's dresser (making sure the actor had the right clothes and armor ready and helping him get into and out of his various costumes, because most of his costume changes had to happen too fast for him to have time to do it himself). This was in 1987, a year after I'd joined the Society for Creative Anachronism. I was the only dresser on the crew who actually knew the names of the different pieces of armor and where they all went.
 
My younger brother was a techie during his high school years!
What did he do? Most of my experience was with the properties crews, but I also had experience with the costume crew, filled in a few times for stage crew during rehearsals when they needed a spare pair of hands or someone to act as a "gofer" - necessary when many of the same people were involved in both The Music Man and A Dish of Cream when they were rehearsing at the same time in different studios, and I've done front of house (one of the perks of that is seeing the show for free if there are any unsold seats).

Back in the '90s a friend called and said, "We're doing Man of La Mancha, would you like to be in charge of the props crew?" I had to turn them down, since by that time I had two home businesses going and my free time was taken up by the mundane aspects of the Society for Creative Anachronism (by that time I was doing the bookkeeping, putting out the monthly newsletter, and liaising with the media - the branch was fairly small at that point so all of us had to wear at least one hat and sometimes several). But I did get to be part of it in a limited way. I offered the services of our SCA group to do front of house on opening night - and we would all be in costume.

It was something different for the rest of the group. They'd never done front of house before, and a couple of them were a bit dubious until I told them that it involved taking tickets, handing out programs, and for those who were assigned to be ushers, "you get to tell people where to go" (escort them to their seats). It was a fun night, the show was excellent, and the review in the newspaper was glowing - and mentioned that the front of house people were in period costume. I sometimes wonder if there were any audience members who were disappointed on the other nights when the front of house people were dressed in 20th century clothes.

We did front of house at Red Deer College as well a few times - once for a concert and twice for Shakespeare plays (Romeo and Juliet and Macbeth). It was a bit odd at the concert, since some people in the audience refused to believe that we weren't actually performers ("Are you SURE?")! :lol:

One of my favorite costumed theatre experiences, though, was when the movie First Knight opened. This is the only Arthurian movie I've seen that does NOT include Merlin, Mordred, or Morgan (the villain's name did begin with "M", though - Sir Malagant). It starred Sean Connery and Richard Gere, and it's my favorite Arthurian movie. The theatre contacted us and asked if we'd be interested in doing a costumed demo at the theatre before the movie started. We ended up putting up a display in the lobby and some of our fencers put on a demonstration at the front of the theatre before they started the movie. In return for this, we got to see the movie for free.
 
Pretty sure it was building and deploying the sets - the backgrounds, props and so on. Not 100% sure though. My years of high school don't overlap with his at all.
Set building isn't one of the things I ever got involved in (paint allergies prevented that). But I do remember one night during a rehearsal of Kiss Me, Kate when there was some tension between the set builders and the orchestra conductor. There wasn't any room to build large sets back then except on the stage itself, so the actors were at the front, the set builders were at the rear, and sometimes they'd start hammering in the middle of a song.

The conductor got angry, so finally the person in charge of sets just asked him, "What's the time signature of this song you're rehearsing?" (he was usually on stage as an actor/singer, but for this play he was working on the set crew). When the conductor told him it was 3/4 time (it was a waltz), the set builder told everyone to hammer in time with the music. So that particular set was built in 3/4 time, while the actors sang and danced (the song was "Wunderbar").
 

Coming up for air, by Barry Lewis
 
Chelsea Wolfe, photographed by Bill Crisafi

 
Hopefully this link posts



Phone cameras are absurdly good, but still have obvious shortcomings for such scenery as this. I feel like a DSLR is necessary to truly capture what I saw on this beautiful hike to 9,000 ft (this photo is from about 7,000, the town is about 5,000)
 
An Israeli newspaper (yes, I read the Israeli newspaper) says this is the headquarters of the US Census. It is darn ugly.

Census_Bureau_headquarters_Suitland_Maryland_2007-880x495.jpg
 
That's also a very unflattering picture
 
I suppose the art was applied mostly to hide the unadorned and uninteresting (parking?) structure to the right. The verticals fight against the horizontals of the ramps. But taken as a whole it looks quite like a fence of some sort.
 
Hopefully this link posts
Didn't work for me: saw the 'broken-picture' icon, right-clicked to try and 'View image', got asked to sign into my Google Account. Don't have one of those, so won't be doing that...
 
It looks ....well .... bad !
 
Now to think of it each of those apartments looks kinda like "transformers logo" with one eye smashed :crazyeye:

pic for reference (sorry about the quality ;) ):

 
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