Oh I see.And unfortunately in Brasil it still kind of is the default way of doing buildings. Which is awful, because they new Modernist buildings are just as dysfunctional as the old ones but they new generation of Brazilian architects lack the genius of Niemeyer (I'm not a fan of him at all, but he was undeniably brilliant).
Oh, it still is. If you want an office, a government building or a university it's almost inevitably going to be some modernist waste. But now at least it's thought of in those terms. Until the 1950s Modernists could at least think of themselves as on the cutting edge.
Speaking of how many of these buildings are failures to live in, never mind look at, this disaster:
The stairs take you to the odd number floors. The elevators take you to the evens, and least for the first few floors. This means that if its your first time taking classes there, and you have class on the third floor, you'll go in, climb the stairs, open the third door and end up on the fifth! On top of that, every floor from the third up is identical. You have no way of knowing if it even looks like the right place. I was sitting in the lobby one day and this trap won an architectural award when it was put up.
Also, since it hasn't shown up yet, there's this eyesore.
Somebody knocked down a tree for that.
Now, aside from the obvious objection on the ground that it's just a pin, it's objectionable at two levels:
One, as you can see in the first picture, it seems to deliberately overshadow the much more beautiful statue of Jim Larkin right there. Like Abraj Al Bait, there seems to be an unintended message there. I can't think of any better summary of the Celtic Tiger than a big, purposeless building drowning out the voice of Jim Larkin.
Now, on top of being out of place, it's even worse that Abraj Al Bait to me, because as far as I can figure, this huge spire signifies literally nothing. It's not to commemorate anything, celebrate anything, or draw attention to anything, which is excusable, but not in the case of something that does nothing.
That etching at the bottom is based on a core sample taken from the ground it stands on, which sort of has a feel good, in touch with nature sort of thing going on until you remember they destroyed a rare bit of nature in the city to plunk that thing down. Combined with the astronomical costs to maintain the thing, the project seems to slide from ugly into evil.
Hopefully they make a tradition of spires planted on O'Connel street.